Thursday, March 21, 2024

“Meant to get you stirred up the way a good rock tune ought to” says Glide about “So Cool” from “Give Or Take” by Alberta & The Dead Eyes.

“Stomping piano and moody harmonies” lead off latest album by Seattle-based carpenter, social media ignorer, multi-instrumentalist, Dave Boone.

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Dave Boone of Alberta & The Dead Eyes as photographed by The Dead Eyes


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Alberta & The Dead Eyes | In The Press


“A brief moment of transcendence.” — Treble


“Glam sensibility with an indie rock cool.” — Glide


"Simplicity and spaciousness that is rare." — Big Takeover


“As interested in the past as the future.” — Various Small Flames


“Sweeping... Incredibly rich and vibrant.” — Mystic Sons


“A journey to the heart of human vulnerability.” — IGGY


“It’s a joyful, playful sound built on the blues.” — Alt77


“It’s a winner from the first.” — NeuFutur


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Alberta & The Dead Eyes

Give Or Take

Out Now

(Dead Eyes Collective)


Streaming Link:

STREAM FULL LP



01. So Cool (STREAM)
02. Slow Fool (STREAM)
03. Spiff (STREAM)
04. Wild Creature
05. Wannabe
06. Stop Gap Blues
07. Wicks
08. Bogachita Blues
09. Walk Walk
10. Welcome
11. Get There Faster

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PLAY, POST & SHARE

Alberta & The Dead Eyes | “So Cool”



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About | “So Cool”


Listen to “So Cool,” the lead track from Give Or Take by Alberta & The Dead Eyes via Glide Magazine here or at the link above.

“The stomping piano and moody harmonies put Boone’s gritty yet smooth vocals on fine display. This is the kind of barroom viber that makes you want to soak up the night and see what’s out there… this is an impressive little romp meant to get you stirred up the way a good rock tune ought to do.” — Glide Magazine

“I wrote ‘So Cool’ on the piano and it is completely based on that groove. I really wanted the piano groove to be 99 percent of the song. Had the middle section not come to me, I would have been completely fine with this one being 45-seconds long. Hah. I’d think the words speak for themselves. ‘Such a joke. What a sham – from such a tiny boy comes such a little man.’ I hesitate to be too pointed here. There’s a handful of ways one could view this scene, and I tried to make it intentionally vague.” — Dave Boone, Alberta & The Dead Eyes

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Alberta & The Dead Eyes | “Slow Fool”


“Vocal styling similar to legends such as Amy Winehouse.” — Lost In The Manor

[STREAM]: https://Fanatic.lnk.to/AlbertaAndTheDeadEyes-SlowFool


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About | “Slow Fool”


Listen to “Slow Fool,” the latest single from Give Or Take by Alberta & The Dead Eyes via The Big Takeover here or at the link above.

“Kicks off without any fuss or fanfare and then builds slowly, gathering almost imperceptible musical weight as it adds layers of tones and texture around it along its journey. There is a simplicity and spaciousness that is rare in music making circles today. But, when done correctly, as it is here, that’s all you need.” — The Big Takeover

“I was living in the recording studio that whole year,” Dave Boone of Alberta & The Dead Eyes explains, “and it was wearing on me. I locked myself in the control room for an entire day just for a change of pace and I was listening to the radio. Sure enough I got bored and wrote this little junker. This is one of those songs that just spilled out. ‘A little too low to be that high.’ Pretty self explanatory to me.”

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Alberta & The Dead Eyes | “Spiff”



[STREAM]: https://Fanatic.lnk.to/AlbertaAndTheDeadEyes-Spiff

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About | “Spiff”


Listen to “Spiff,” the first single from Give Or Take by Alberta & The Dead Eyes via Treble here or at the link above.

“The song carries a swampy groove with a bit of a mid-1970s tint to it a la peak Fleetwood Mac, but with a rich backing of organ and layers of vocal harmonies that rise into a brief moment of transcendence that fades nearly as soon as it arrives. But vocalist Dave Boone’s hollers and yelps make the path to and from that climactic chorus just as fun. — Treble

“False hope or pure will sums up this song quite a bit. The narrator never lets on too much here one way or the other. An edge of confidence makes one believe both characters (the narrator and whomever they are talking to) will get out of whatever they are in.

The last line, ‘We know what we’re in for this time.’” Yeah. I have some confidence there; I still don’t know if I believe it. I know I want to by the end of this tune. I think that’s the whole point of this song. Even the bass part mimics that sentiment, swimming back and forth from root note hard rhythm to kind of solo counter melody.” — Dave Boone, Alberta & The Dead Eyes

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Alberta & The Dead Eyes
“Ghost Kitty” EP
Out Now
(Dead Eyes Collective)

Streaming Link:


Track Listing:

01. Bundled Up Blues (STREAM)
02. Roofbeam Riser
03. Boyfriends (STREAM)
04. Excavation Blues

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Alberta & The Dead Eyes | About

Alberta & The Dead Eyes is the giant-sounding band that in reality is the majority work of one real-life carpenter, David Boone (or D. Boone as he often signs off, evoking another literal and figurative giant of musical history, D. Boon of The Minutemen.)


In fact, Boone’s songs contain that same ramshackle joy and conversational, inclusive tone that Boon’s do. It’s the sound of a natural talent letting it fly.

“I’m a carpenter by day and sometimes even by night,” Boone says. “A fine carpenter at that, but a better musician.”

You may want to leave the page now to find out more about Boone, but don’t bother. He made the right choice. The choice that none of us made and many wish we had. Boone is nowhere to be found on social media.

He lets the songs do the sharing.

Alberta & The Dead Eyes released its new 11-song album Give or Take on March 15, 2024. The album is preceded by “Ghost Kitty,” a four-song EP of additional songs, out now.

The songs on Give or Take represent a man in withdrawal from a two-packs-a-day cigarette habit that went on for 15 years.

“Mama, did it fuck me up more than I expected,” Boone confesses. “I wrote the entire record pretty much curled up in a ball.”

Grieving his relationship with nicotine while composing, Boone kept company with his influences, numerous and varied. So numerous and varied that mentioning a handful isn’t going to help you any more than looking for Boone online will.

“I love Billie Holiday. And The Stooges. And The Band. And Outkast. And Duke Ellington. And Cole Porter. And David Sedaris. And Bill Watterson. And the Detroit Pistons. And John fucking Prine.”

Boone doesn’t mention The Minutemen, but likely would, if prompted.

“I mean Jesus, should I keep going?”

Get it?

The thing about Boone as musician that isn’t likely is how much Boone as carpenter makes it into his music. He doesn’t mention the Grateful Dead either, but the steadfast focus that underpins Boone’s freestyle nature is kinda Alberta & The Workingman’s Dead Eyes.

“I’m a complete ‘no one is coming to save you’ type of person,” he explains. “Keep your head down and do your job. Musician schmoosician. Do what your supposed to fucking do. Write good songs. Play good shows. Show up on time. Be humble and be fucking nice.”

A real-life carpenter keeping it real-life real. Refreshing.

It should be even less surprising now that musician Boone rejected Instagram squares for T-squares just like he painfully swore off smokes cold turkey for the clean lungs that arrived with the songs, or as Boone sees it, he arrived to them.

“The songs are just there, hanging out, waiting for someone,” he says.

Now that someone is you.

Alberta & The Dead Eyes released its new 11-song album Give or Take on March 15, 2024, preceded by “Ghost Kitty,” a four-song EP of additional songs, out now.

Dave Boone of Alberta & The Dead Eyes is available for interviews. Contact Josh Bloom at Fanatic for more information.

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Alberta & The Dead Eyes | Links


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Josh Bloom at Fanatic Promotion | Contact

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