Fanatic Promotion was established by Josh Bloom in 1997 with a passion for building fan-to-fan connections between artists and the media. Since that time, Fanatic has established a reputation as a taste making and sales driving agency where Josh continues to talk about the new artists of today that he believes you should be talking about tomorrow.
“Shakes in San Francisco” featuring Andrew
St. James live in San Francisco at Doc’s Lab
10/07 San Francisco, CA @ Doc’s Lab
10/14 San Francisco, CA @ Doc’s Lab LitQuake Festival
10/21 San Francisco, CA @ Doc’s Lab
10/28 San Francisco, CA @ Doc’s Lab, w/ 20 Minute Loop (TIX)
Check out a guide
to Andrew St. James’ favorite San Francisco hangouts along with the premiere of
“Tapes” at Culture
Incorporating a beyond-his-years lyrical vision, timeless
songwriting skills, and a unique gift for melody-making, 19-year-old
singer-songwriter Andrew St. James
drew accolades from the press in 2013 upon the release of his debut album Doldrums,recorded
when he was just 17-years-old.
The San Francisco native is now about to leave his
teens behind with the upcoming release of his sophomore effort The
Shakes on October 21st.The new album is once again produced by St. James with Bay Area producer Jim Greer, a platinum record recipient
for his work with Foster The People.
“Tapes,” an ethereal folk
song with a haunting vocal, is the first single from The Shakes. Referring to
the recurring theme of “the chapel” within the song (“For the chapel I see in
you”), St. James explains that in
addition to being a metaphor, the chapel is actually a real place.
“It’s a small, stained glass chapel that stands on the
edge of the coastal forest, with a clear view of the Pacific Ocean,” he says. “Anyone
who steps inside of it is consumed by silence. It has always been a place of
peace, a place of solitude and simplicity. In a world where everything is sold,
and nothing held sacred, this place is removed from it all.”
St. James will be performing songs from The Shakes live in his
hometown throughout the month of October.Doc’s
Lab, the former home of legendary comedy and music venue The Purple Onion, will host “Shakes in San Francisco” featuring St. James and a round robin of other
musicians on October 7th, 14th,
21st.A record release
event for The Shakes with special guests 20 Minute Loop will close out the residency on 28th.
the follow-up to the debut Andrew St.
James album Doldrums, is scheduled for release on October 21st, 2014.The album’s first single “Tapes”
is streaming now. Andrew St. James
is available for interviews.Contact Josh Bloom at Fanatic for more information.
“Right Might,” a selection from Negativland’s
new double album It’s All In Your Head, is a goofy riff on imperialism (and
minimalism), war mongering, and intolerance. But what is the origin of the “found
sound” voices used to make it?
Years ago, Negativland
was contacted by an insider at the Disney
corporation who had access to the entire audio archives of Disneyland and Disney World.
He was a fan of the Negativland’s
work, and asked the band if they wanted anything from the Disney audio archive.
“Hell, yes!” Negativland
replied.“Send along anything from Disney attractions that are long gone,
or any audio out-takes, bloopers, background sounds, music cues, etc.” Soon,
the group received a custom-made set of almost 100 CD-R’s, an unbelievable
treasure trove of great material – all completely unheard by the outside world
– for Negativland to pick from.
One of the tracks was the raw and un-edited recording
sessions for “Great Moments with Mr.
Lincoln”, an attraction that Disney
first opened in 1964 at the New York
World’s Fair, and was later moved to Main Street in Disneyland in 1965.
“Great Moments with Mr. Lincoln” famously became known as the world’s first
Audio-Animatronic robot, and what Negativland
had on its hands was a recording of actor Royal
Dano, the voice talent for the Lincoln
robot, heard being directed and cued by the producer of the recording session
for the attraction.
Negativland took that never-meant-to-be-heard session and
severely re-edited it into what you now hear on “Right Might”.
Negativland’s new album, It’s All In Your Head, finds the
group tackling their biggest subject ever: why humans believe in God.Millennia-in-development, this ambitious and
densely-crafted double CD is packaged inside an actual Holy Bible which has
been appropriately repurposed into a “found” art object.
All In Your Head intends to
entertain, inform, and provoke.On the
CDs, Negativland mixes found music,
found sound, found dialogue, guest personalities and original electronic noises
into a compelling and thoughtful musical essay that looks at monotheism,
Christianity, Islam, Judaism, neuroscience, suicide bombers, 9/11, colas, war,
shaved chimps, and the all-important role played by the human brain in our
beliefs. Reading the attached Bible is optional.
The audio is presented as a live radio broadcast,
modeled after Negativland’s weekly “Over the Edge” radio program on KPFA FM in Berkeley, CA. This
theater-of-the-mind project has been carefully crafted from basic tracks
recorded live in front of blindfolded studio audiences, and documents the
unique style of live collage performances that Negativland has been presenting on stages, and on radio, since the
formation of the group in 1980.
Since its previous album release six years ago, Negativland has kept busy with its
weekly radio program, lectures, art gallery shows and live performances in the
U.S. and Europe.Currently in the works
are several different studio albums, including Negativland’s all-electronic “Booper
Symphonies,” two brand new “Over the
Edge” album releases, more art shows, and a new touring live show called “Content!” which recently played
to a capacity audience at Seattle‘s
Members of Negativland are available for
interviews.Contact Josh Bloom at Fanatic for more
See the “Hold Tight” video by Midnight
Faces via Team
“Just what L.A. needs –another fucking 80’s new wave
band, right?” joked Matt Doty, the composing
half of the L.A.-based duo Midnight
Faces upon the release of The Fire Is Gone, the band’s latest
and his bandmate, vocalist Phil Stancil,
will hit the road to play out tunes from both albums in November when Midnight Faces supports new Secretly Canadian signings Electric Youth on that band’s North
American tour.See below for complete
Barely into his teens, Matt Doty began making music with childhood friend Jonny Pierce (of The Drums), resulting in a full-length album released by Columbia Records. At age twenty, he
went on to co-found post-rock instrumental giants Saxon Shore with Josh
Tillman (aka Father John Misty),
releasing three EPs, and two albums produced by Dave Fridmann (MGMT, Tame Impala, Flaming Lips.)
“I had been writing new music during Saxon Shore’s hiatus, with no idea as
to where the songs would end up,” Doty
says of the beginnings of Midnight Faces.“Towards the end of 2012, I asked Phil to take a shot at adding vocals to
a couple of the tunes and that’s when things started to fall into place.”
“To better understand what The Fire Is Gone is,
please understand what it isn’t,” Doty
explains of the new Midnight Faces
album. “No fancy producers, no big name special guests, no one wearing robot
costumes, no all-analog studio, and no songs recorded live to tape. We made
this album by ourselves and for ourselves.We made it in my apartment on a computer one track at a time.”
and Phil Stancil of Midnight Faces are available for interviews.Contact Josh Bloom at Fanatic for
Midnight Faces Fall Tour
(* = w/ Electric Youth)
11/03 Los Angeles, CA @ The Roxy *
11/04 San Francisco, CA @ Great American Music Hall *
11/05 Seattle, WA @ The Crocodile *
11/07 Victoria, BC @ Victoria Event Centre *
11/08 Vancouver, BC @ Imperial *
11/12 Brooklyn, NY @ Music Hall of Williamsburg *
11/13 Washington, DC @ Black Cat *
11/14 Philadelphia, PA @ District N9NE *
11/15 Boston, MA @ Brighton Music Hall *
11/18 Toronto, ON @ Hoxton *