Tuesday, November 29, 2022

Hear “coolest Telecaster in town,” gifted by Lou Reed to Moe Tucker's son Richard Mikulka, on Sloan Brothers new holiday tune, out today.

“Ain’t Goin’ Home This Christmastime” is “imaginary B-side” to Springsteen’s “Santa” that shakes up “setting sad lyrics to sad music” trope.

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Sloan Simpson as photographed by Jason Thrasher 

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Sloan Brothers | “Ain’t Goin’ Home This Christmastime”

 

[STREAM]: https://Fanatic.lnk.to/SloanBrothers-AintGoinHomeThisChristmastime

“Envisioned as an imaginary B-side to Bruce Springsteen’s cover of ‘Santa Claus Is Comin’ To Town,’ the song is an upbeat rocker that carries a bittersweet sadness,” says Flagpole in its premiere coverage of “Ain’t Goin’ Home This Christmastime” by Sloan Brothers. Click here to listen or follow the link above.

“It’s about reaching an age where you no longer go home for Christmas because there’s nobody left to visit,” says Sloan Simpson, the sole constant member of Sloan Brothers, about the song. A lot of Bruce Springsteen’s music deals with family and I have many associations with my own family and his music.

I have become interested in expressing pain in my lyrics but setting them to an unexpected arrangement: a rocker like this song, a dance track, or even just adding vocal harmony to a self-deprecating line. There are plenty of artists setting sad lyrics to sad music. I want to shake that up where I can.

One of the friends joining Simpson on “Ain’t Goin’ Home This Christmastime” is guitarist Richard Mikulka, the son of Velvet Underground drummer, Moe Tucker.

“I’ve wanted Richard to play on something and was waiting for a song to come along that was a fit,” Simpson says. When I realized this song was an E Street Band tribute, I knew I needed a Telecaster in the mix and Richard has the coolest Telecaster in town, gifted to him by Lou Reed in the mid-90s.

In addition to “Ain’t Goin’ Home This Christmastime,” the full-length debut album System Update by Sloan Brothers is out now. See below for more information.

Sloan Simpson is available for interviews. Contact Josh Bloom at Fanatic for more information.

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Sloan Brothers
System Update
(Science Project Records)
Out Now
 
Streaming Link:
 

Track Listing:
 
01. System Update (REMIX)
02. Cleopatra Echo (STREAM)
03. Cryin’ Shame
04. Anxiety (STREAM)
05. Songs Like This (STREAM)
06. Love You So Good (STREAM | VIDEO)
07. So Good (Reprise)
08. Amplified
09. Coffee Black
10. Into My Mind
11. Mirrorball
12. Smile Down On Me
 
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Sloan Brothers | About
 
 
Sloan Simpson has been recording for over two decades. Until now, none of the music has been his own.
 
This changed with the release of his debut album System Update (out now via Science Project Records) under the name Sloan Brothers.
 
Though Sloan Simpson says that while making his debut album he was “listening to mainly The Cure,” the album’s opening one-two punch of the title track and the instrumental “Cleopatra Echo” feels like Daft Punk invited Herbie Hancock to form a trio jamming with The Grateful Dead during that band’s most spirited era of ever-evolving journeyman collaboration.
 
Wow, how did Simpson get here?!
 
The Athens, Georgia-based musician played rock and jazz guitar growing up, but was frustrated by the hit his talents took when a serious car accident sidelined him. Simpson sold all of his guitars and quit the instrument.
 
With music still in his blood, if not in his grasp, Simpson began to document, through live taping, the local scene in his new hometown of Atlanta, eventually relocating to nearby Athens after years spent driving between the two as part of his recording endeavors. His new hobby had become a good habit.
 
“I had a permanent recording setup installed and the reality of losing my favorite venue really set in when I had to go remove it,” Simpson says of The Caledonia Lounge, a nationally-recognized Athens club that closed in October of 2020, sidelining him again.
 
Like the life-changing event that inspired his recording career of recording others, the closing of the Caledonia was eerily fortuitous for Simpson. While live music was in shutdown, he wrote and recorded his first song.
 
“It was the first vocals I’d ever sung into a microphone,” Simpson says. With his friend, guitarist Kevin Sweeney contributing solos, the first Sloan Brothers single “For You” was released later that month.
 
Pleased with the experience, Simpson picked up a bass, more microphones, and drum software. Though he returned to guitar, he says that even without formal training, “playing keyboards is what allowed me to start writing songs.”
 
He also started calling up more friends.
 
Simpson explains, “I asked my friend Robert Schneider (co-founder of The Apples In Stereo and Elephant Six Recording Co.) if he would record backing vocals on the song “Into My Mind,” and he agreed. As I kept writing more songs, I would ask more friends I knew from recording shows over the years to contribute guest parts.”
 
In addition to Sweeney and Schneider, some three-dozen or more local luminaries also appear on System Update, including current and former members of Maserati, Olivia Tremor Control, Japancakes, of Montreal, Drive-By Truckers, Cracker, Casper & The Cookies, Camper Van Beethoven, Elf Power, and more.
 
In fact, it was Elf Power’s Andrew Rieger that inspired Simpson’s songwriting on the album’s first single, “Songs Like This.”
 
“I asked Andrew if he would sing on something if I wrote one he liked,” Simpson jokes. “Andrew sings the high part in the choruses and it was perfect for Kevin Lane of local pop legends The Possibilities to sing in the verses with me. I’ve been friends with Bryan J. Howard of Cracker for nearly 20 years now, and he jumped in on bass.”
 
The tune has one the most relatable indie rock crush-couplets you’ll ever hear and is a defining example of the quality of Simpson’s songwriting future.
 
“I saw you buying records and I saw you at the coffee shop
 
I didn’t hear your order but I bought the same record you got”
 
These words provide a mere glimpse into Simpson’s ability to explore emotion with the kind of candor that only comes from experience brought by age.
 
“I had long been avoiding expressing feelings as some sort of misguided version of the ‘cool’ that rock ‘n roll had taught me growing up,” he admits. “Once I lost family, I realized that it’s okay to express pain, trauma, and desires.”
 
After half a lifetime taking home tapes of the personal struggles of others in song, it’s about time that Simpson is giving us the same opportunity with his unexpected, thrilling work.
 
System Update, the debut album by Sloan Brothers is out now.

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Sloan Brothers | Links
 

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Josh Bloom at Fanatic Promotion | Contact
 

Wednesday, November 16, 2022

Can you get better at falling in love? Alex Lilly answers this question on heart-making (not breaking!) new song “I'm Getting Better At Falling In Love.”

Lilly is “to the current plethora of pop what a Picasso is to a selfie,” says Buzz Bands LA; New album out now on Inara George’s Release Me Records label.

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Alex Lilly as photographed by Daiana Feuer

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Alex Lilly | “I’m Getting Better at Falling in Love”


[YOUTUBE]: https://www.youtube.com/watch?v=9rxAFYex_Ps

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“Alex Lilly, whose music is to the current plethora of pop what a Picasso is to a selfie.” Buzz Bands LA

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“The idea of love being something you could get good at — almost win at — began knocking around in my head,” says Alex Lilly about “I’m Getting Better at Falling in Love,” the song that serves the emotional centerpiece of her new album Repetition Is A Sin (out now on Release Me Records, the boutique label run by Inara George of The Bird and The Bee.)

“I’d begun dating someone and it had felt so much easier —like I didn’t feel sick to my stomach half the time,” Lilly reveals. “It felt like we were equal players. I’d been lifting my love muscles lately, so it felt like I was able to really love this new person.

“The idea of bragging about it in song seemed so funny and I wanted to explore that ridiculousness. You really can get better at falling in love!”

Listen to “I’m Getting Better at Falling in Love” by Alex Lilly here.

Contact Josh Bloom at Fanatic for more information.

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Alex Lilly
Repetition Is A Sin
(Release Me Records)
Out Now

Streaming Link:
 

Track Listing:

01. Pure Drivel (STREAM | VIDEO)
02. Frank (STREAM)
03. I’m Getting Better At Falling In Love (STREAM)
04. Spirit
05. Rosalind
06. Delight Me
07. Human
08. Melinda (VIDEO)
09. Afternoon In Bloom
10. Bugs Bunny
11. Built For Chaos

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Alex Lilly | In The Press



Alex Lilly’s songs keep their cool.” — The New York Times


Alex Lilly is the genuine article.” — FLOOD


“Pretty freaking awesome.” —  FADER


Alex Lilly is spellbinding. Album of The Week” — LA Weekly


Alex Lilly steps into the spotlight.” — Flaunt


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Alex Lilly | “Melinda”



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“During the early pandemic days when I lost all my work, I started composing jingles and theme songs for people,” explains Alex Lilly of how “Melinda” came to be.

Lilly continues, “I have a hetero-girl crush on the supremely talented and unique, Melinda Sullivan. Melinda’s man asked me to write a jingle for her. Melinda’s jingle is a true story! We appeared in a music video together, pretended to kiss, and... oh, those lips! We also played at The Gardenia, so the song is a play-by-play! I was delighted when she agreed to give me a tap lesson for the ‘Melinda’ video.”

“Melinda” also features saxophone by James King from Fitz & The Tantrums, drums by Barbara Gruska from Belle Brigade, and bass by Gabe Noel.

Melinda’s spirit of talent and hotness is all over this song,” Lilly says. “At first I was worried that the lyrics came on too strong but when you’re inspired, you’ve got to go for it!”

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Alex Lilly | “Pure Drivel”




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According to The New York Public Library, since 1982, libraries across the United States have observed Banned Books Week, a time to highlight titles that were targeted for removal from schools and libraries. In 2022, there has been a particularly aggressive wave of bans and challenges across America.

The American Library Association, which pioneered Banned Books Week, has reported a record amount of books banned in recent years—many of which center people of color and LGBTQ+ voices.

Alex Lilly’s “Pure Drivel” addresses the subject in song, in which she sings “I know you canceled all your plans, so come over, let’s read some books that got banned.”

The choreographed video for the tune, filmed in and around a Berlin library, is streaming now.

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Alex Lilly | Links
 
ASSETS : WEBSITE : FACEBOOK : TWITTER : INSTAGRAM : RELEASE ME RECORDS
 
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Josh Bloom at Fanatic Promotion | Contact
 
WEBSITE : FACEBOOK : TWITTER : INSTAGRAM : YOUTUBE : SOUNDCLOUD : SPOTIFY : BLOG : E-MAIL

Friday, November 11, 2022

See Terry Gilliam-inspired video for “Afterglow” by Pacifico; New single out today features Peter Randall — bassist with The Kooks, Seal, Adele.

Schwartz says song is “about someone losing their sight later in life.” Band’s upcoming “Self Care” album — its first in five years — arrives Feb. 10.


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Matthew Schwartz of Pacifico as photographed by Mike Dunn for Rust + Rebel

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Pacifico | Afterglow




[VIDEO]: https://www.youtube.com/watch?v=a-LTLmRQdrU

[STREAM]: https://fanatic.lnk.to/Pacifico-Afterglow

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See the video for “Afterglow” by Pacifco at The Big Takeover or the link above!

Matthew Schwartz of Pacifico says, “‘Afterglow’ is about someone losing their sight later in life, coming to terms with that change, and realizing that they have everything they need. We were lucky to have Peter Randall — bassist with The Kooks, Seal, and Adele — join us on this one.”

For the “Afterglow” music video, Schwartz sought out director John Graham, a veteran feature filmmaker, but a newbie to animation.

“The ‘Afterglow’ video is my first true venture into the world of animation,” Graham says. “It's a bit of motion collage that makes use of cut paper and video footage. I am a fan of Terry Gilliam, and his style was what I wanted to attempt.

Matt had a series of fantastic photographs and having access to these enabled me to create a cut paper puppet of him. It is rare for me to get to make a movie by myself, and in this case, my two pets, Soot The Cat and Banjo The Dog, were my only true actors.

Pacifico has such a flavorful look to their albums that I decided to let this video be visually bright and fun. When in doubt, I choose interesting visuals over logic. Getting to wade through oceans of brightly colored images was a treat.”

Matthew Schwartz of Pacifico is available for interviews. Contact Josh Bloom at Fanatic for more information.

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Pacifico | Don’t Play Dead




[VIDEO]: https://www.youtube.com/watch?v=mGQ5OhOQH64

[STREAM]: https://Fanatic.lnk.to/Pacifico-DontPlayDead

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“Punchy and driving pop-rock... An impressive array of unassailable hooks,” says Immersive Atlanta in its premiere coverage of “Don’t Play Dead,” the first single from the first album in five years by Pacifico. Read about it here and check out the song and video at the links above!

‘Don’t Play Dead’ was written as a letter of encouragement to my wife,” says Matthew Schwartz of Pacifico. “Sometimes she suffers from near-crippling depression, which I suffer from sometimes, too. She retreats to the couch and ‘plays dead.’

“In this song, I’m letting her know that she isn’t alone, that I’m always by her side, and that she has got this! So many people deal with anxiety and sometimes it can become so big that even the most simple tasks seem difficult.

“So, ‘Don’t Play Dead’ is also for anyone who becomes stuck or can’t see the light at the end of the tunnel. I want them to know that this won’t last forever, and as I sing in the song, ‘none of this matters anyway.”

For the song’s music video, Director Dustin Jacobs picks up on this theme, while still managing to keep the mood light.

“At the center is this couple. She’s depressed, but he’s an eternal optimist, so he finds the joy and tries to share it with her. That’s what is at the core of the song, as well.”

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“This song is about addiction,” Matthew Schwartz of Pacifico says of “Feel Alive,” the lead track from Self Care, his first album in five years (scheduled for release via Pacifirecords on Feb. 10, 2023.)

Owing to the album’s candor and blunt honesty, Schwartz reveals, “It’s me trying to imagine what it’s like to lead my first AA meeting.”

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Pacifico | About
 

When we last heard from Matthew Schwartz of Pacifico on his early 2022 EP release “‘05/‘22,” we were hearing the Matthew Schwartz of Pacifico from 17 years earlier.

True to the title, much of that explosive batch of songs was recorded in 2005, misplaced via hard drive in the pre-cloud era, then eventually found, completed, and released.

On the upcoming full-length Self Care (Pacifirecords, Feb. 10, 2023), now sounds like NOW.

Schwartz’s first full-length in five years comes with all of the pent-up emotion one would expect from meticulously composing a statement under the veil of cleaning out a desk drawer of old material (literally, in this case.)

Wait
Hold my beer
There’s so many things I’d love to say if I don’t just walk away from here

The lyrics, from one of the album’s upcoming singles “Comatose,” shares an energy with early-2000s skate punk, but from the wise perspective of a now mature voice who would naturally follow-up the above lyric with:

You used to be such a good friend
So I’ve taken it upon myself to grab things and call this the end

That’s what self-care is about.

“The lyrics on this album all center on self-care,” Schwartz confirms. “This is the most diverse and most vulnerable group of songs I have ever created.”

The album isn’t called Self Help for a reason. It’s Self Care, and there’s a difference.

From songs about not giving up, to going for your goals, to being a present listener and creating healthy boundaries, Self Care reflects a willingness to enjoy the journey, come what may.

“It’s also about encouraging and loving others,” Schwartz says.

It’s ok
None of this matters anyway
We all make mistakes
Hell I just made more than three today

A song written for his wife, these lyrics come from the so-catchy-it’s-criminal “Don’t Play Dead,” the lead single from Self Care.

“It’s my letter of encouragement to her,” Schwartz explains. “I also want this song to encourage anyone who becomes stuck.”

That’s what self-care is about.

Self Care, the album, however, isn’t all about straight up the middle earworms.

The various styles that Schwartz and his world-class collaborators stich seamlessly include genres from 1950s to tomorrow.

Some of the artists and musicians who worked on Self Care include Peter Randall (bassist with Seal, Adele, and The Kooks) and Shane Tutmarc of Dolour (featured on the track “Haunt You,” in addition to providing backing vocals, keys, and percussion.) Self Care was mixed by Aaron Sprinkle, best known as a platinum record-earning and chart-topping producer, with artwork is by Adult Swim’s Trey Wadsworth.

“There are fast punk songs, slow acoustic ballads, strings, piano, horns, and everything in-between,” Schwartz says.

“Hearts on Fire” is a soulful detour near the end of the album’s first half that shows off the nimble dexterity of the writing and playing here. Calling Jeff Buckley, Lenny Kravitz, and Janelle Monae’s sounds as influences on the song, it fades with the glory of a choir.

“Complicated, Confiscated,” the album’s penultimate song, is clearly a nod to Elliott Smith. A plaintive acoustic number, it is rendered with as much respect as the legendary songwriter commands (and with as much beauty.) Schwartz’s empathetic connection to Smith runs deep.

Complicated
This picture’s faded
I’m all but gone from here right now

‘Complicated, Confiscated’ expresses exactly how I feel when I am overcome with depression,” Schwartz confides. I have used this song by singing it like a mantra to help me work through tough times.”

And that’s what Self Care is about.

Self Care, the fourth full-length album by Atlanta-based Pacifico arrives Feb. 10, 2023 preceded by the singles “Don’t Play Dead” (Out Now), “Afterglow” (Out Now), “Comatose” (Jan. 6), and “Complicated, Confiscated” (Jan. 27).

Matthew Schwartz of Pacifico is available for interviews. Contact Josh Bloom at Fanatic for more information.

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Pacifico | Links

ASSETS : WEBSITE : FACEBOOK : INSTAGRAM : TWITTER : YOUTUBE : BANDCAMP : SPOTIFY : APPLE : PACIFIRECORDS
 
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Josh Bloom at Fanatic Promotion | Contact
 
WEBSITE : FACEBOOK : TWITTER : INSTAGRAM : YOUTUBE : SOUNDCLOUD : SPOTIFY : BLOG : E-MAIL

Tuesday, November 8, 2022

Attempting to record while pregnant, Jenny Parrott said, “Let’s see what I can do with only vocals,” resulting in ambient, experimental “Pregnancy Choir”.

 “It’s a beautiful, literate window into a parent’s soul,” says musician Brennen Leigh, songwriter for legends Lee Ann Womack, Rodney Crowell, more

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Jenny Parrott self-portrait with baby Juno

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Fellow Feminists Speak About Jenny Parrott’s “Pregnancy Choir”

“Illustrates voices in our heads and voices all around us.” — Rachael Price (of Lake Street Dive)

“A beautiful, literate window into a parent’s soul.”Brennen Leigh (Singer-Songwriter)

“Strange and beautiful echoing vocals that wrap around your heart.” — Raina Rose (Songwriter)

“Radical! High concept and beautifully feminist.” — Mary Ellen Iatropolous (Literary Scholar)

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Jenny Parrott | “Origin”
 

[VIDEO]: https://www.youtube.com/watch?v=UAOq6Ag3X8s

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“With ‘Origin,’ I’m thinking of where I came from, who I want to be, and how to end cycles of abuse, so Juno and I can be free,” Jenny Parrott says about the “Origin” segment of her upcoming eight-minute audio art piece “Pregnancy Choir,” out now. “It’s a dark topic, but the music is light and airy and gentle.”

“Pregnancy Choir” was recorded using only Parrott’s voice during pregnancy with baby Juno.

Documentarian and mixed media artist, Jillian Godshall has created an animation for “Origin,” explaining the piece by saying, “I relate to Jenny’s expression of the many voices we hear throughout pregnancy and parenthood. As a recent mother myself, I found it overwhelming to have so many people share their opinions about my body and my baby.

“I created the animation for ‘Origin’ as a reminder to return to the voice within. Incorporating images inspired by medieval and renaissance art, ‘Origin’ is an invitation across time to tap into the divine feminine.”

Of the track “In 6 Rows,” Parrott explains, “It’s about the urge to mask difficult emotions being a people pleaser and managing others’ expectations of you, especially as a pregnant person, where people are even more heightened in their policing of bodies, culture, behavior, etc. There’s something kind of primal to do with soil and growth and rebirth.”

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Jenny Parrott | Live

11/11/2022: Austin, TX @ Hole In The Wall (Residency)
11/12/2022: San Marcos, TX @ House Show (114 Wilson St.)
11/13/2022: Austin, TX @ Manor House (2502 Manor Rd., 3PM CT)

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Jenny Parrott
“Pregnancy Choir”
(Rachel Rachel Records)
Out Now

 Streaming Link:


Track Listing:
 
01. Tree Funeral
02. In 6 Rows (STREAM)
03. Runnin’ To You (STREAM)
04. Origin (YOUTUBE)
05. Rain
06. Sharp Sound
07. Make Me Love

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Jenny Parrott | In The Press

“Soaring.” — KUTX, Austin (NPR)

“There is nothing to not like.” — Folk Radio (UK)

“Potent songs… Smoldering.” — Americana Highways

“Wonderfully rich.” — Rock N Reel (UK)

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Jenny Parrott | About
 
Austin-based artist, songwriter, and new parent, Jenny Parrott has released “Pregnancy Choir,” an eight-minute musical poem presented over seven tracks.
 
Centered mainly around her layered vocals (recorded while pregnant with baby Juno), Parrott says, “‘Pregnancy Choir’ explores what it’s like to be in a pregnant body and to hear many voices: Ancestors, doctors, lovers, friends and relations all talking to and at you. “Literally ‘Joe Everyone’ tries to give advice,” she jokes.
 
The voice we hear the most through Parrott on “Pregnancy Choir” is the one she describes last: “Your own brain’s ‘Lil Greek Chorus.’”
 
The piece is a surprising change from the twang of Parrott’s 2021 album The Fire I Saw, but no less deeply felt. It’s her ability to effectively channel emotion that has brought attention to Parrott’s work over the years, regardless of style.
 
This time, “Pregnancy Choir” piece came out of necessity.
 
“I tried to record using my usual gear and instruments,” Parrott remembers. “I just gave up one night and was like, ‘Let’s see what I can do with just vocals. No bending, no lifting! Also, I’ve been obsessed with Bernice Johnson Reagon, Grouper, and Björk for a while.”
 
While “Pregnancy Choir” is deep in concept, it’s also a joy. The circumstances surrounding its creation, and the cover art featuring the duo of Jenny and Juno, may subtly remind of the Talking Heads baby-based hit, “Stay Up Late.”
 
Still, Parrott reminds of the reality that sometimes the “Lil Greek Chorus” is “at odds with itself, experiencing the thrill of life, fear of death, excitement, and foreboding all at once. It rejects the ‘Earth Mama’ ‘Pinterest-y’ branding of pregnancy in favor of an honest dive in the conscious, sub-conscious, and general cacophony they create in a mind.”
 
Parrott is also acutely aware of what experiencing pregnancy and becoming a new parent means at this moment in our society.
 
“Being able to create and sustain life is a magical thing,” she confides, “But the magic is dimmed by living in a culture that seeks to control bodies. It can feel like a pregnant person’s body is a public commodity. Some of the dissonance in the album is meant to reflect that.”
 
When it’s done, Parrott hopes to leave a listener without “the barrage of opinions and messaging you receive living in a pregnant body in Texas in 2022,” and more with the ability of the “Lil Greek Chorus” to support, transform, and uplift.
 
“Pregnancy Choir” by Jenny Parrott is out now via Rachel Rachel Records.
 
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Jenny Parrott | Links
 
ASSETS : WEBSITE : FACEBOOK : TWITTER : INSTAGRAM : YOUTUBE : BANDCAMP : SPOTIFY : APPLE
 
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Josh Bloom at Fanatic Promotion | Contact
 
WEBSITE : FACEBOOK : TWITTER : INSTAGRAM : YOUTUBE : SOUNDCLOUD : SPOTIFY : BLOG : E-MAIL