Monday, August 31, 2020

Speaker Face makes violins, cellos sound groovier than ever imaginable; Earth meets electronics on “Crescent” by JUNO “Album of the Year” recipients.

See Canadian trio’s “gorgeous... graceful... dramatic” video for “Phosphorescence” now; Band takes on “forced relationships” with new “Work Friends” single.
 
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Speaker Face (L-R): Eric Wright, Ruby Randall, Trent Freeman. Photo credit: Jen Squires.
 
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“Gorgeous... graceful... dramatic climaxes and moments of beautiful grandeur.” See the video for “Phosphorescence” by Speaker Face now at Treble or at the link above.
 
[VIDEO]: https://www.youtube.com/watch?v=gR0epNXu3uI
 
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“An entrancing electronic sound that’s simultaneously familiar and completely original,” says MXDWN today of Speaker Face single “Work Friends,” out now.
 
[STREAM]: https://Fanatic.lnk.to/SpeakerFace-WorkFriends
 
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Speaker Face | In The Press
 
“Soothing downtempo electronic beats, layering breathy, ethereal vocals over the top.” — MXDWN
 
“They cultivate a strong hypnotizing presence that arrests the senses.” — Atwood Magazine
 
“Gorgeous... graceful... dramatic climaxes and moments of beautiful grandeur.” — Treble
 
“Low-slung, confident, and cool... a tight fusion of electronic and acoustic elements.” — Independent Clauses
 
“Refreshing rhythms, dreamy vocals, bright strings, and solid hooks,” — Le Future Wave
 
“Slick synthpop... powered by violins and cellos that find the perfect midpoint between modern and classic vibes.” — Aupium
 
“Sounding like beautiful, esoteric study beats.” — Surviving The Golden Age
 
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Speaker Face
Crescent
Oct. 9th, 2020
(S/R)
  

 
Track Listing:
01. Phosphorescence (STREAM | VIDEO)
02. Trevor
03. All My Mind
04. Work Friends (STREAM)
05. Please, allow me to show you something
06. Call Me Out
07. Rest
08. Dusted
09. Sick Mind
10. Crescent
 
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About “Phosphorescence” and “Work Friends” by Speaker Face
 
‘Phosphorescence’ is a complicated love song for the west coast of British Columbia,” says Trent Freeman of Speaker Face. “While we feel so welcomed by the land and connected to the nature where I grew up, many people were displaced to allow our presence. ‘Phosphorescence’ is a thank you letter to those who were here long before us, specifically the Malchosen and the K’omoks first nations, and the early 1900s Japanese settlers, who were interned during WWII. We hope to see this beautiful place through their eyes.”
 
Freeman continues, “‘Phosphorescence’ was recorded at our home studio in Toronto. We love all the tactile hammer sounds of the Rhodes and the fingers plucking the violin, we wanted to have them present and tickling the ears. Capturing the violin part as a cascade of drips helped paint the west coast landscape. Ruby’s voice was recorded three different times in unison and mixed all around your head, so it feels like you’re swimming in the ocean of her voice. Working on this video with choreographer Jade Whitney was a dream. She connected so well with the song and moves in such a descriptive way that I can no longer separate the song from the dance. In my mind they grew simultaneously.”
 
As for the band's new single, out this Friday, Freeman comments, “‘Work Friends’ speaks to the masks we wear in the workplace. Forced relationships playing out in environments unnaturally curated to make us our most productive. This track is a covert dance party for the freak hiding behind a tightly buttoned shirt and uncomfortable shoes. The tension built through the verse gives way to warmth and understanding in the chorus as layers of voice and violin sweep our thoughts to our deepest friendships.”
 
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About | Speaker Face
 
Toronto, Canada’s Speaker Face is a meeting of earth and electronics from two members of the JUNO award winning band The Fretless. Trent Freeman and Eric Wright are joined by Ruby Randall, whose voice haunts with an honest beauty that can’t be forgotten.
 
The band’s transportive new album Crescent (Oct. 9th, 2020) is an immersive experience, layered with keys, beats, and atmospheric production, but also incorporating the propulsive strings that have made Freeman and Wright essential players in the mainstreaming of traditional Irish folk music with The Fretless.
 
“The violin is a very unique element in this genre of music,” Freeman says. “I approach it primarily as a groove instrument. I love the pulse and foundation it can create.”
 
Wright is a cellist in The Fretless and he brings the bass in Speaker Face, too.
 
“My inspirations are mostly derived from a hip-hop sensibility,” he says of the hypnotic beats he contributes to the album. “I’ve been making beats since I was 13-years-old. 2PAC, Dr. Dre, and Wu-Tang Clan were on repeat. For this album, I sampled crate vinyl for kick sounds and merged those with my own samples. The sampled vinyl with the liveliness of the natural samples creates the soundscape.”
 
Randall gilds the frame with her ethereal voice, which was recorded three different times in unison and “mixed all around your head so it feels like you’re swimming in the ocean of her vocals,” Freeman explains.
 
“I’m so excited to share these Speaker Face tunes with the world,” Randall adds. “Trent has poured himself into these songs and it has been an honor to be able to bring my voice to them.
 
Crescent, the latest album by Toronto-based trio Speaker Face arrives on Oct. 9th, 2020. Members of Speaker Face are available for interviews. Contact Josh Bloom at Fanatic for more information.
 
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[STREAM]: https://fanatic.lnk.to/SpeakerFace-Phosphorescence
 
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Hear “Phosphorescence,” the lead single from the upcoming new album Crescent by Speaker Face, at Atwood Magazine or at the links above.
 
“It’s easy to get lost in the intimate waves of Speaker Face’s lush sound: They cultivate a strong hypnotizing presence that arrests the senses, tickling the ears while reaching out to each of us on a far more visceral level. They describe their sound as “the feeling of a twilight festival stage and a summer swim,” hoping listeners resonate with the richness of their tones and their beat’s natural qualities.” – Atwood Magazine
 
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Speaker Face | Links
 
ASSETS : WEBSITE : FACEBOOK : INSTAGRAM : BANDCAMPSPOTIFY : APPLE
 
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Josh Bloom at Fanatic Promotion | Contact
 
WEBSITE : FACEBOOK : TWITTER : YOUTUBE : INSTAGRAM : SOUNDCLOUD : SPOTIFY : BLOG : E-MAIL

Monday, August 24, 2020

Jared Putnam of The March Divide to release his first-ever live album, “ALIVE!” this Friday; Performs tonight at 830PM EST via Americana Highways.

 Primarily recorded in Athens, Georgia in January 2020, Putnam confesses, “It’s an incredibly depressing project, to mix a live record during the apocalypse.”
 
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Jared Putnam of The March Divide as photographed by Josh Huskin
 
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PLAY, POST & SHARE
 

  

[STREAM]: https://Fanatic.lnk.to/TheMarchDivide-HighAndDry
 
 
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LISTEN HERE!
 
Check out the premiere of The March Divide’s cover of “High and Dry” by Radiohead at Americana Highways here or listen at the link above!
 
“I don’t do many covers live,” Jared Putnam of The March Divide says of the Radiohead cover included on ALIVE!, his first-ever live album, recorded in Athens, Georgia in January, just before the pandemic forced Putnam to leave the road. “‘High and Dry’ by Radiohead is one of the few I do.’ The Bends was a huge influence on my songwriting, so it was an easy song for me to make my own.”
 
For a tune that is an indie rock cornerstone, Putnam claims it. With just his acoustic guitar and harmonica, he hits the high notes with such clarity and pathos, it’d probably move Thom Yorke himself. Probably Johnny Greenwood, too! “Around a year ago, I tried to record it, in the studio, but just didn’t feel like it came across as well as it did live.”
 
RSVP HERE!
 
Jared Putnam of The March Divide livestreams a set tonight, Aug. 24th at 830PM EST / 730PM CST as part of the Americana Highways “Live From The Quarantine” series.
 
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The March Divide
ALIVE!
Aug. 28th, 2020
 (Slow Start Records)
 

 
Track Listing:


01. I Don’t Care (Live/Acoustic)
02. Spinning (Live/Acoustic)
03. You Save Me (Live/Acoustic)
04. Manic Monday (Live/Acoustic)
05. Take Your Chances (Live/Acoustic)
06. I Didn’t Mean It (Live/Acoustic)
07. Get In Line (Live/Acoustic)
08. Stevie Doesn’t Know (Live/Acoustic)
09. High and Dry (Live/Acoustic) (STREAM)
10. I Will Run To You (Live/Acoustic)
 
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The March Divide | In The Press
 
“Impressively hooky.” — American Songwriter
 
Putnam’s vocals pop.” — PopMatters
 
“Ingenious.” — Cowboys & Indians
 
“Hits the mark again and again.” — The Big Takeover
 
“The melodies are as catchy as ever.” — Twangville
 
Putnam is skillful.” — Nashville Scene
 
“A serious set of pipes.” — The Aquarian
 
“Infectiously poppy.” — Glide Magazine
 
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The March Divide | About
 
“There’s no better time than a global pandemic to start work on whatever you’ve been putting off.”
 
Jared Putnam of The March Divide has never been known for putting anything off when it comes to releasing music. After the release of his most recent full-length Anticipation Pops two summers ago, Putnam followed up with five volumes in his “Distractions” series, which he started “as an outlet to release songs I was working on between albums,” and later evolved into “more of a personal song writing challenge.”
 
The “distractions” became the focus as Putnam began to write, record, and release new singles every few weeks. All of this work was supplemented by a busy life on the road, mostly in and surrounding Putnam’s home base of San Antonio (he has since relocated to the Dallas area.) This is, of course, before the pandemic changed the game. If it seems like revisiting show recordings and compiling them for a live album during this time would be a daunting task, Putnam affirms that it is.
 
“It’s an incredibly depressing project, to mix a live record during the apocalypse,” he says. “I’ve worked really hard to get to the place that I was making a comfortable living from touring, and it literally vanished overnight.”
 
Difficult words to hear from any musician, but especially from one like Putnam whose work ethic is so strong.
 
“I started working on the mix right after everything was shut down, but it got really hard for me to work on, knowing there was no foreseeable end date to venues being shut down, so no foreseeable start date to my next tour,” he explains.
 
As the reality sunk in, Putnam pushed forward, and completed the project. The first live album by The March Divide, appropriately titled ALIVE! will be released on August 28th via Slow Start Records.
 
“The recording is primarily taken from a show I did in Athens, Georgia in January of 2020 at Vega Studios and a another show I did in Detroit in April of 2019. It was easy to pick the songs, because that was pretty much the set I was playing during all my tours behind my last album.”
 
Summing up ALIVE!, Putnam says, “I really wanted to release something that felt as much like an actual show as possible.”
 
We’re all hoping that The March Divide, and all touring musicians, can get back to playing actual shows very soon.
 
Jared Putnam of The March Divide is available for interviews. Contact Josh Bloom at Fanatic for more information.
 
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The March Divide | Links
 
ASSETS : WEBSITE : FACEBOOK : TWITTER : YOUTUBE : INSTAGRAM : BANDCAMP : SLOW START RECORDS
 
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Josh Bloom at Fanatic Promotion | Contact
 
WEBSITE : FACEBOOK : TWITTER : INSTAGRAM : YOUTUBE : SOUNDCLOUD : SPOTIFY : BLOG : E-MAIL

Friday, August 21, 2020

Christopher the Conquered offers some sound advice on new single: “When life gets hard, put it on your credit card.”

Being called “a young Elton John” by Yahoo! makes being called “deeply off” by Brightest Young Things not so surprising.
 
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Christopher Ford of Christopher the Conquered as photographed by Josh Terzino.
 
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[STREAM]: https://Fanatic.lnk.to/ChristopherTheConquered-PutItOnYourCreditCard
 
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Hear “Put It On Your Credit Card” by Christopher the Conquered via Bad Copy or the link above!
 
 ‘Put It On Your Credit Card’ is directly inspired by the number of times I had to take on debt to stay on the road, to record the next song, etc.,” says Christopher Ford aka Christopher the Conquered. “I half fear money and half don't think it’s even real. Barely making a living as a singer-songwriter definitely gave me a thick skin around risk, so I'm kinda serious when I'm telling people to ‘put it on your credit card!’ It’s not like we have debtor’s prisons anymore, and once you die, it’s all gone anyway (as long as you don't get married... I think!)”
 
Christopher Ford of Christopher the Conquered is available for interviews. Contact Josh Bloom at Fanatic for more information.
 
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Christopher the Conquered | In The Press
 
 
“Impressive.” — Consequence of Sound
 
“Raw, emotional.” — Alternative Press
 
 “Reminiscent of a young Elton John.” — Yahoo! Music
 
“His winning charm is subtle.” — Paste Magazine
 
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Christopher the Conquered
I Am Christopher
Sept. 25th, 2020
(Grand Phony Music)
 
 
 
Track Listing:
01. Pick Up Your Telephone
02. Put It On Your Credit Card (STREAM)
03. Try Again
04. This Is Not Love
05. You Can't Rush the Rain
06. Love Is Not Something You Find
07. Slowest Girl In the World (STREAM | VIDEO)
08. Ordinary Person
09. The Old Record Store Down By the Sea
10. Paper Man [BONUS TRACK]
11. Too Many Teardrops (Toby Wright’s Magic Barn Mix) [BONUS TRACK]
12. Try Your Best [BONUS TRACK]
 
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Christopher the Conquered | About

“There is something deeply off about everything that's happening here and I'm 100% sold.  Brightest Young Things

You know Garfield, he’s a cartoon cat, you got a telephone in the shape of his body yeah, but you don’t pick it up! Why don’t you pick it up? Pick it up!” – Christopher the Conquered

Thought it was a lyric from the next Justin Timberlake album, huh? Justin Timberlake wishes it was. The casual groove intermingles with a chorus of female background vocalists and a horn section, but it’s the “deeply off” that owns.

 Yes, it’s actually Christopher the Conquered who is bringing sexy back on his latest album I Am Christopher (Grand Phony, Sept. 25th), opening with this cut and heading right into the album’s first single “Put It On Your Credit Card,” which is what Christopher (actual last name Ford) says you should do “when life gets hard” because “those motherfuckers got enough money anyway.”

 
A mere two sentences in and life advice has been given, even gifted, if you will.
 
It’s how Ford rolls as Alternative Press noted in 2016 about his previous record I’m Giving Up On Rock & Roll, calling it “raw” and “emotional,” which is so, but doesn’t go far enough in explaining the head-on collision of Freddie Mercury, Ben Folds, and Hedwig that gets splattered all over the highway that is this record.
 
And like these icons, real and imagined, Ford has a sense of humor that lets his performances go way off into outer space without ever failing to remain grounded in truth.
 
Growing up in Iowa and now residing in Colorado, Ford’s spent a lot of time away from home during a decade of touring that landed him on stages with other like-minded songsmiths who also hold the line between fantastic personas and self-effacing humanism: Leon Russell, Andrew Bird, Sturgill Simpson, The Mountain Goats, Edward Sharpe & The Magnetic Zeros, and more.
 
And this one deserves its own line: Ford has also been compared in the press to the most out there of all:  Elton John. See also: Donald Duck stage costume.
 
As for I Am Christopher, the endlessly catchy songs here are not only packed with humor, they’re bubbling with reflection, as the title suggests.
 
I Am Christopher, the latest album by Christopher the Conquered, is out Sept. 25th  via Grand Phony.
 
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Christopher the Conquered | Links
 
ASSETS : WEBSITE : FACEBOOK : TWITTER : INSTAGRAM : SPOTIFY : GRAND PHONY
 
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Josh Bloom at Fanatic Promotion | Contact
 
WEBSITE : FACEBOOK : TWITTER : YOUTUBE : INSTAGRAM : SOUNDCLOUD : SPOTIFY : BLOG : E-MAIL

Thursday, August 20, 2020

Blesson Roy announces debut album “Think Like Spring,” scheduled for release Nov. 27th. Listen to rousing album opening cut “Soothe” right now.

 Coming up in L.A.’s punk scene, guitar hangs with Radiohead, 250 dates a year in both Idaho, Pete Yorn’s band, now Terry Borden has found his sound.

 

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Terry Borden of Blesson Roy as photographed by Ankhurr Chawaak

 

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PLAY, POST & SHARE

 

 

“Soothe” is taken from the upcoming Blesson Roy debut album Think Like Spring, the solo project of Terry Borden, coming Nov. 27th, 2020 on Slow Start Records.

 

Borden says, “‘Think like spring’ is a suggestion for a train of thought that is focused on positivity and renewal. This is most certainly an especially important time, for all of us to embrace the new paradigm shifts – positive and negative – with a sense of creativity and invention.”




 




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Blesson Roy | In The Press

 

“Will expand your mind.” — BTRtoday

 

“AM pop radio has served him well.” — PopMatters

 

“Dreamy and earthy.” — The Big Takeover

 

Beach Boys-esque poppy vocals.” — Glide Magazine

 

“Beautifully realized.” — Beats Per Minute

 

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As he continues to prepare his debut album Think Like Spring for a fall release, Terry Borden of Blesson Roy has released what he calls an “Almost Acoustic” version of his debut “Time Is A Crime” EP.

 

Borden explains, “The songs on the EP were all written on acoustic guitar and/or electric guitar unplugged. I am recording everything myself with no band, so I work out the songs on acoustic before I ever create drum parts or anything else to sonic layer cake. As such, they have an acoustic soul. It seemed a good idea to do these acoustic versions, with minimal sonic flourishes that come in as an ‘almost acoustic’ nod to the analog synth chakra that is also a pillar of the Blesson Roy sound. Now, listening to the finished ‘Almost Acoustic’ versions of the five songs on the ‘Time Is A Crime’ EP, they have taken on a new character, that lets their acoustic core have its time in the sun and the moon. I love tambourine immensely, so that is in there too!”

 

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Blesson Roy

“Time Is A Crime” EP (Almost Acoustic)

Out Now

(Slow Start Records)

 

Streaming Link:

STREAM FULL EP

 

 

Track Listing:

 

01. In Tune With The Moon (Almost Acoustic)

 02. Let It Go (Almost Acoustic)

03. Lost & Found (Almost Acoustic)

04. Inside (Almost Acoustic)

05. Walk This Mile (Almost Acoustic)

 

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PLAY, POST & SHARE

 


  



“This combination of visuals and audio will expand your mind to a level of self-comfort that’s hard to obtain alone,” says BTRtoday about visual artist Tom Gorai’s music video for “Let It Go” by Blesson Roy. See the video at BTRtoday here or at the link below.

 

Gorai has been nominated for both an EMMY® and GRAMMY®, and he won MTV’s Video of The Year award for his production of Pearl Jam’s “Jeremy.” He’s also known for his music video production with artists like Nine Inch Nails and A Tribe Called Quest. So when Gorai first became isolated during the COVID-19 lockdown, he knew he had to use his talent for visual art to contribute to the song that expanded his mind so much during that time.”

 

Gorai explains, “When I first heard Blesson Roy’s ‘Let It Go,’ it screamed at me loudly and I was deeply affected,” he says in an artist’s statement. “The next thing I knew is that, in this weird state of nothingness and stasis, I thought I could hear the song more clearly than ever before, so I took a deep breath and just focused on listening to the music. I put it on repeat and just listened over and over as I let whatever influences I was feeling direct me to put together light and color and patterns.”

 

The song itself is also very personal to Blesson Roy’s Terry Borden. He explains that the tune, “started with a hypnotic guitar line that triggered a meditation. The creative process and sound conjured up painful memories and its simplicity allowed for a layered catharsis which worked these toxic feelings to the surface and out of the subconscious, in a sweeping and graceful gesture, culminating in the survival action of letting go of stored traumas. It is a step in that direction, small or more depending on how the frequencies shimmer in your lake.”


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Blesson Roy

“Time Is A Crime” EP

Out Now

(Slow Start Records)

 

Streaming Link:

STREAM FULL EP

 

 

Track Listing:

 

01. In Tune With The Moon (LYRIC VIDEO)

02. Let It Go (LYRIC VIDEO | MUSIC VIDEO)

03. Lost & Found (LYRIC VIDEO)

04. Inside

05. Walk This Mile

 

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Blesson Roy | About

 

Life-long “music lover and music doer,” Terry Borden is a child of 1970’s California whose early love of AM radio and his brother’s record collection has led him to numerous career highlights that are still accumulating.

 

These include: Kind words from Lou Reed, two appearances on David Letterman, guitar hangs with Radiohead, and 250-plus tour dates a year throughout early 2000s as a member of slowcore pioneers Idaho and singer-songwriter Pete Yorn’s backing band Dirty Bird.

 

Coming of age in Los Angeles during the early 1990’s rise of punk and new wave, Borden’s long and varied career as a studio and touring musician will culminate with the release of his own dreamy pop project in 2020. Blesson Roy’s five-song “Time Is A Crime” EP is out now.

 

Owing to Borden’s stint living and working in the UK where he was influenced by the burgeoning sounds of sub-cultural labels such as 4AD, Creation, Factory and Rough Trade, the music of Blesson Roy will undoubtedly please fans of all these sounds.

 

Borden brings real roots song craft to his work, as well, showing that his recent years away from the music industry, but not away from songwriting, have only served to develop his abilities and technique, as Borden masterfully performs all of the instruments on the new tracks himself.

 

After Borden’s run with Idaho came to an end, he signed with Dave Allen of Gang of Four’s World Domination label as Flotilla, releasing one critically praised album, and while the label eventually folded, the record found some important ears, including those of Yorn.

 

When Yorn was looking for a touring guitarist, Borden got the gig, eventually switched to his beloved bass and spent another four years out on the road. Then, during a break in touring, Borden decided to make the down time indefinite.

 

“After a decade-long ride, I took a long time off and away from music and the music business,” he says. “I needed to take a hard look at my life, to clean up some existential messes, and change some unhealthy habits.” Now, revitalized and energized, Borden is continuing to create, write and record music for himself again.

 

Blesson Roy’s five-song “Time Is A Crime” EP is out now via Slow Start Records. Terry Borden is available for interviews. Contact Josh Bloom at Fanatic for more information.

 

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Blesson Roy | Links

 

ASSETS : FACEBOOK : TWITTER : INSTAGRAM : YOUTUBE : BANDCAMP

 

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Josh Bloom at Fanatic Promotion | Contact

 

WEBSITE : FACEBOOK : TWITTER : INSTAGRAM : YOUTUBE : SOUNDCLOUD : SPOTIFY : BLOG : E-MAIL

Wednesday, August 19, 2020

Reforester brings together three acclaimed Baltimore-based singer-songwriters on harmony-filled debut EP “Perpetuity,” out now.

Think Bob Dylan’s “The Basement Tapes” if Jerry Garcia had dropped by. Hear “End of The Day” now via Americana Highways.

 

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Reforester (L-R): Steve Hefter, Chris Laun, Austin Stahl. Courtesy of Reforester.

 

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Listen to “End of The Day” by Reforester at Americana Highways or the links above or below.

 

“With exquisite harmonies blending with the guitar strings, Reforester wriggles right into your mind. The passage of time is all too real and this is a reminder,” says Americana Highways in its premiere coverage of “End of The Day” by Reforester. Read more about it here.

 

The band’s Chris Laun explains, “I wanted to write something happy because I don’t usually and I thought it’d be a good challenge and ended up failing miserably. What I had envisioned as a song about the day to day joys of being a Dad and raising a family turned into a song about not being able to avoid my own mortality and the march of time. Having kids is a wonderful experience but one downside is you have a constant visual reminder that our time is finite.”

 

[STREAM]: https://www.youtube.com/watch?v=3_286OsPwoI

 

[STREAM]: https://soundcloud.com/fanaticpro/reforester-end-of-the-day

 

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Reforester

“Perpetuity” EP

Out Now

(S/R)

 

Streaming Link:

STREAM FULL EP

 

 

Track Listing:

01. Deaf Stethoscope

02. Drive by Feel (STREAM | LYRIC VIDEO)

03. Flying South

04. Break with the Day

05. End of the Day

06. No Mouth

 

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About | Reforester

 

Steven Hefter’s 2011 album, released under the clever moniker of St. Even, was called a masterpiece twice, once by the Baltimore City Paper (“a masterpiece of dark pop songwriting”) and again by Portland, Oregon’s Willamette Week (“Spirit Animal is a masterpiece.”)

 

So, that’s it. That’s the bio. You should listen to Hefter’s latest songs with his latest band Reforester because he’s that good.

 

Need more convincing? Okay, let’s get into that.

 

Hefter left Portland in 2017 and returned to Baltimore and his good friend and collaborator, Austin Stahl, who he has previously played with as the rhythm section of long-running Baltimore-based band Small Sur – a band that has released three albums to date and shared stages with Angel Olsen, Damien Jurado, Vetiver, Strand of Oaks, Phosphorescent, and others.

 

With Reforester, Hefter and Stahl (who is also the recipient of some not-faint praise, being named “Baltimore’s Best Singer-Songwriter” by the Baltimore City Paper) have rounded out the trio with Hefter’s former Challenge Club bandmate Chris Laun, who may have been mistakenly overlooked by the local press, but did have his tribute song to the Baltimore Orioles played at Camden Yards on opening day, which frankly, may be the win out of these three.

 

In summation, Reforester is a whole-is-greater-than-the-sum-of-its-parts scenario, because masterful songwriters flock together.

 

Three writers, three singers, three-part harmonies. That’s what you’ll hear on “Perpetuity,” the debut EP from Reforester, out now.

 

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[STREAM]: https://Fanatic.lnk.to/Reforester-DriveByFeel

 

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Hear “Drive By Feel,” the debut single from Reforester at For Folk’s Sake or at the links above or below.

 

Steven Hefter, Austin Stahl, and Chris Laun are Reforester. The latest brainchild of three artists who share their fair share of accolades apart from their newest band, Reforester features three singer-songwriters and three-part harmonies. It’s subtle indie rock with folk influences that run into unsuspecting moments of sweeping layers of musicality, making for listens that are as accessible and lovely as they are impressively composed.” – For Folk’s Sake

 

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[LYRIC VIDEO]: https://www.youtube.com/watch?v=HSqbSXd5A1s

 

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Reforester | Links

 

ASSETS : WEBSITE : FACEBOOK : BANDCAMP

 

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Josh Bloom at Fanatic Promotion | Contact

 

WEBSITE : FACEBOOK : TWITTER : YOUTUBE : INSTAGRAM : SOUNDCLOUD : SPOTIFY : BLOG : E-MAIL