Helping to pioneer DIY recording in 1990 with “Snailbait,” today Azalia Snail releases her 15th album; All-instrumental POWERLOVER out now.

“She is a singular creative influence on us, our scene, and our generation.” — Robert Schneider of The Apples In Stereo, Elephant 6 Recording Co.

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Azalia Snail as photographed by Dan West

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Azalia Snail

POWERLOVER

Out Now

(Cloud Recordings)

Streaming Link:

STREAM FULL LP

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Track Listing:

01. Take Away His Power

02. Zap You of That Hate (WATCH)

03. Don’t Get Too Close To Me (WATCH)

04. Destroy It For No Reason

05. Trek Lite

06. Expert Outlier

07. Still Hanging On

08. Lovers Rising

09. Can’t Wait Til This is Through

10. Save Your Savior

11. Higher Hopes

12. It Becomes Clear To Them

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Azalia Snail | “Don't Get Too Close To Me”

[WATCH]: https://www.youtube.com/watch?v=ZeW2EcQMPKc

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See the video for “Don’t Get Too Close To Me” starring Azalia Snail and musical and life partner Dan West of LoveyDove via V13 here or at the link above.

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 “‘Don’t Get Too Close To Me’ is an instrumental that conveys the feeling of the ‘impending doom’ of living in a world gone topsy-turvy, initially by a worldwide pandemic, and which continues on as humans must deal with the threat of potentially alienating factors such as AI, the increasingly competitive nature of modern society, and useless and violent man made wars, not to mention the looming climate war.

“In the video, the isolated couple are forced to acknowledge that the world is becoming increasingly cold, both in climate and human relationships. The disco ball represents the joy and the live entertainment associations from a not too distant past, as it is passed from one person to the other and scrutinized. The couple considers the possibility of connecting, but in the end, decide to stay in their isolation, as it is too risky to do so. ‘Don’t Get Too Close To Me’ is the conclusion of the experiment.” — Azalia Snail

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Azalia Snail | Live

Azalia Snail | POWERLOVER Record Release Show

Sun., April 14: Pasadena, CA @ Healing Force (1200 E Walnut St.)

RSVP: https://bit.ly/AZALIA-SNAIL-RECORD-RELEASE-041424

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PLAY, POST & SHARE

Azalia Snail | “Zap You of That Hate”

[WATCH]: https://www.youtube.com/watch?v=1mn4q1vxPWM

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See the video for “Zap You of That Hate,” featuring longtime Azalia Snail friend Alan Sparhawk of Low on guitar, and musical and life partner Dan West of LoveyDove on bass via Brooklyn Vegan here or listen via the “Weirder Together” podcast hosted by Ben Lee and Ione Skye here.

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“If I had only one wish, it would be to zap away the hate with some kind of magic wand,” Azalia Snail says of her current single “Zap You of That Hate,” taken from her 15^th album POWERLOVER, out now via Cloud Recordings.

“Confronted and confounded by feelings of deep distress about the uneasy state of the world and the impending doom that comes with that, ‘Zap You of That Hate’ evokes an urgent plea for humanity to be kinder. The piece begins with a simple yet determined riff and builds tension as it turns into a layered, transcendent hymn.

“The video is a collage of uplifting, pleasing images spun through a kaleidoscopic psychedelic dreamscape lens. A kind of utopia we can only imagine if not for the negative, occasional hateful aspects of humanity.”

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Azalia Snail | About

Azalia Snail has toured with notable artists such as Sebadoh, Low, and The Grifters. She has also played supporting sets with Marianne Faithful, Beck, Stereolab, Tindersticks, Olivia Tremor Control, The Apples in Stereo, Pavement, Sonic Youth, The Butthole Surfers, and many more.

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POWERLOVER is the 15^th solo album by American avant-garde musician, Azalia Snail. The all-instrumental album is described by Snail as “an ode to Brian Eno’s ambient soundscapes.”

Snail continues, “I wanted to make an album that would reflect my feelings about the state of the world at this time. Although I’m a huge lover of poetry and usually use lyrics to accentuate those feelings, I felt that these instrumentals represent a feeling that I wanted to convey; uneasiness, anxiety, intensity, reservation. As the album progresses, I wanted to enforce a more positive feeling; hope, beauty, resonance, reflection.”

The album features Snail on Omnichord, Drums, Synths, and Effects. Alan Sparhawk of Low plays ethereal guitar and Dan West plays bass.

“I was also lucky enough to connect with Adam Lasus from Studio Red who has a great history of recording so many wonderful bands from the 90s until now, including Gigolo Aunts, Helium, Clap Your Hands Say Yeah, and Yo La Tengo. He is such a delight to work with! Not only very encouraging, but technically proficient.”

POWERLOVER is out now via Cloud Recordings (Circulatory System, Tall Dwarfs, New Sound of Numbers). The lead single “Zap You of That Hate” is streaming now.

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Azalia Snail | Links

WEBSITE : FACEBOOK : INSTAGRAM : YOUTUBE : TWITTER : TIKTOK : SPOTIFY : APPLE : BANDCAMP

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Josh Bloom at Fanatic Promotion | Contact

WEBSITE : FACEBOOK : TWITTER : INSTAGRAM : YOUTUBE : TIKTOK : SOUNDCLOUD : SPOTIFY : BLOG : E-MAIL

Friends for 30 years, new album Chinwag marks first duo recording from Grammy®-nominated pianist Larry Goldings and trumpeter John Sneider.

Chinwag explores classic American repertoire (Eubie Blake, Rodgers & Hammerstein, Thelonious Monk) via free improvisation, spontaneous composition.

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(L-R): Larry Goldings and John Sneider as photographed by David Poe

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Larry Goldings & John Sneider | “Laugh Clown Laugh”

[STREAM]: https://www.youtube.com/watch?v=h6RMclLeGdE
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About | Larry Goldings & John Sneider | “Laugh Clown Laugh”

A 30 year long friendship between musicians is not necessary to make intimate, creative music together, but it certainly doesn’t hurt.

Chinwag, the first duo record by Grammy®-nominated pianist Larry Goldings and trumpeter John Sneider, is just such a project; a debut three decades in the making. It might seem like a simple undertaking — a small format album of piano and trumpet — but under the hood there is a lot more going on than meets the eyes (or ears).

The project was still taking shape even up to the final moments of recording, “We already had all this material amassed and then we decided to do the old tune ‘Laugh Clown Laugh,’” says Sneider. “We did it in one take. A lot of the stuff on the record is one take. We decided to just play some tunes for fun.

“Laugh Clown Laugh,” featuring Goldings on pocket piano, Wing upright and organ, became the opening track on Chinwag and sets the tone for the project. “It's got all the elements of the record, and it instantly tells you that it's gonna be different. I wanted to make that point in the beginning,” says Goldings.

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Chinwag, which literally means “a conversation between friends,” is the most recent expression of the long and ongoing friendship between Goldings and Sneider. Massachusetts natives of the same generation, both grew up with a love of bebop and electronic music. By the time they began playing together on the early 90s New York music scene — working regularly at clubs like Augie’s and the Village Gate — each had become a devotee of hard bop and had developed a common musical language.

“We go way back,” says Goldings. “John was certainly the first great trumpet player I ever played with regularly.” Today Goldings, who eventually moved to Los Angeles, has become one of the most iconic keyboard players of his generation, due in large part to his diversity and flexibility both on stage and in the studio. Sneider has also spent his fair share of time in recording studios and on stages and in recent years has been releasing regular hard bop statements, including 2021’s The Scrapper which also featured Goldings on organ.

Goldings and Sneider flirted with the idea of making a duet record for years. On Goldings’ 2009 Quartet record, for example, they played a haunting duo version of “We Shall Overcome”, and before that, on Curtis Stigers’ 2005 album I Think It’s Going To Rain Today, they recorded a duo version of the title track. In fact, it was during the Stigers recording sessions that the idea of doing a full fledged duet project first appeared. As Goldings explains, “The impetus of us playing duo came out of that experience.”

Chinwag by friends of 30 years, Larry Goldings & John Sneider, is out now. Goldings and Sneider are available for interviews. Contact Josh Bloom at Fanatic for more information.

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Larry Goldings & John Sneider

Chinwag

Out Now

(Sticky Mack Records)

Streaming Link:

STREAM FULL LP

Track Listing:

01. Laugh Clown Laugh (Fiorito, Lewis, Young) (STREAM)

02. The Great Zamboni (L. Goldings)

03. The Veldt (L. Goldings, J. Sneider) (STREAM)

04. Love Will Find A Way (E. Blake)

05. Sweet and Lovely (G. Arnheim) (VIDEO)

06. Hesitation Blues (W.C Handy)

07. Diary Of A Lost Girl (L. Goldings, J. Sneider)

08. In Walked Bud (B. Powell)

09. Beautiful Dreamer (S. Foster)

10. Sepia (J. Sneider)

11. Salad Days (L. Goldings)

12. Berkshire Dawn (L. Goldings)

13. Chinwag (L. Goldings, J. Sneider)

14. Briar Rose (J. Sneider)

15. Napoleon Contest (L. Goldings, J. Sneider)

16. If I Loved You (Rodgers & Hammerstein)

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Larry Goldings & John Sneider | Links

FACEBOOK (Larry Goldings) : INSTAGRAM (Larry Goldings) : INSTAGRAM (John Sneider) : SPOTIFY : APPLE

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Josh Bloom at Fanatic Promotion | Contact

WEBSITE : FACEBOOK : INSTAGRAM : YOUTUBE : TIKTOK : SOUNDCLOUD : SPOTIFY : BLOG : E-MAIL

“Meant to get you stirred up the way a good rock tune ought to” says Glide about “So Cool” from “Give Or Take” by Alberta & The Dead Eyes.

“Stomping piano and moody harmonies” lead off latest album by Seattle-based carpenter, social media ignorer, multi-instrumentalist, Dave Boone.

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Dave Boone of Alberta & The Dead Eyes as photographed by The Dead Eyes

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Alberta & The Dead Eyes | In The Press

“A brief moment of transcendence.” — Treble

“Glam sensibility with an indie rock cool.” — Glide

"Simplicity and spaciousness that is rare." — Big Takeover

“As interested in the past as the future.” — Various Small Flames

“Sweeping... Incredibly rich and vibrant.” — Mystic Sons

“A journey to the heart of human vulnerability.” — IGGY

“It’s a joyful, playful sound built on the blues.” — Alt77

“It’s a winner from the first.” — NeuFutur

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Alberta & The Dead Eyes

Give Or Take

Out Now

(Dead Eyes Collective)

Streaming Link:

STREAM FULL LP

01. So Cool (STREAM)

02. Slow Fool (STREAM)

03. Spiff (STREAM)

04. Wild Creature

05. Wannabe

06. Stop Gap Blues

07. Wicks

08. Bogachita Blues

09. Walk Walk

10. Welcome

11. Get There Faster

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PLAY, POST & SHARE

Alberta & The Dead Eyes | “So Cool”

[STREAM]: https://www.youtube.com/watch?v=-MKI2HuprM4

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About | “So Cool”

Listen to “So Cool,” the lead track from Give Or Take by Alberta & The Dead Eyes via Glide Magazine here or at the link above.

“The stomping piano and moody harmonies put Boone’s gritty yet smooth vocals on fine display. This is the kind of barroom viber that makes you want to soak up the night and see what’s out there… this is an impressive little romp meant to get you stirred up the way a good rock tune ought to do.” — Glide Magazine

“I wrote ‘So Cool’ on the piano and it is completely based on that groove. I really wanted the piano groove to be 99 percent of the song. Had the middle section not come to me, I would have been completely fine with this one being 45-seconds long. Hah. I’d think the words speak for themselves. ‘Such a joke. What a sham – from such a tiny boy comes such a little man.’ I hesitate to be too pointed here. There’s a handful of ways one could view this scene, and I tried to make it intentionally vague.” — Dave Boone, Alberta & The Dead Eyes

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Alberta & The Dead Eyes | “Slow Fool”

“Vocal styling similar to legends such as Amy Winehouse.” — Lost In The Manor

[STREAM]: https://Fanatic.lnk.to/AlbertaAndTheDeadEyes-SlowFool

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About | “Slow Fool”

Listen to “Slow Fool,” the latest single from Give Or Take by Alberta & The Dead Eyes via The Big Takeover here or at the link above.

“Kicks off without any fuss or fanfare and then builds slowly, gathering almost imperceptible musical weight as it adds layers of tones and texture around it along its journey. There is a simplicity and spaciousness that is rare in music making circles today. But, when done correctly, as it is here, that’s all you need.” — The Big Takeover

“I was living in the recording studio that whole year,” Dave Boone of Alberta & The Dead Eyes explains, “and it was wearing on me. I locked myself in the control room for an entire day just for a change of pace and I was listening to the radio. Sure enough I got bored and wrote this little junker. This is one of those songs that just spilled out. ‘A little too low to be that high.’ Pretty self explanatory to me.”

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PLAY, POST & SHARE

Alberta & The Dead Eyes | “Spiff”

[STREAM]: https://Fanatic.lnk.to/AlbertaAndTheDeadEyes-Spiff
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About | “Spiff”

Listen to “Spiff,” the first single from Give Or Take by Alberta & The Dead Eyes via Treble here or at the link above.

“The song carries a swampy groove with a bit of a mid-1970s tint to it a la peak Fleetwood Mac, but with a rich backing of organ and layers of vocal harmonies that rise into a brief moment of transcendence that fades nearly as soon as it arrives. But vocalist Dave Boone’s hollers and yelps make the path to and from that climactic chorus just as fun. — Treble

“False hope or pure will sums up this song quite a bit. The narrator never lets on too much here one way or the other. An edge of confidence makes one believe both characters (the narrator and whomever they are talking to) will get out of whatever they are in.

“The last line, ‘We know what we’re in for this time.’” Yeah. I have some confidence there; I still don’t know if I believe it. I know I want to by the end of this tune. I think that’s the whole point of this song. Even the bass part mimics that sentiment, swimming back and forth from root note hard rhythm to kind of solo counter melody.” — Dave Boone, Alberta & The Dead Eyes

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Alberta & The Dead Eyes

“Ghost Kitty” EP

Out Now

(Dead Eyes Collective)

Streaming Link:

STREAM FULL EP

Track Listing:

01. Bundled Up Blues (STREAM)

02. Roofbeam Riser

03. Boyfriends (STREAM)

04. Excavation Blues

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Alberta & The Dead Eyes | About

Alberta & The Dead Eyes is the giant-sounding band that in reality is the majority work of one real-life carpenter, David Boone (or D. Boone as he often signs off, evoking another literal and figurative giant of musical history, D. Boon of The Minutemen.)

In fact, Boone’s songs contain that same ramshackle joy and conversational, inclusive tone that Boon’s do. It’s the sound of a natural talent letting it fly.

“I’m a carpenter by day and sometimes even by night,” Boone says. “A fine carpenter at that, but a better musician.”

You may want to leave the page now to find out more about Boone, but don’t bother. He made the right choice. The choice that none of us made and many wish we had. Boone is nowhere to be found on social media.

He lets the songs do the sharing.

Alberta & The Dead Eyes released its new 11-song album Give or Take on March 15, 2024. The album is preceded by “Ghost Kitty,” a four-song EP of additional songs, out now.

The songs on Give or Take represent a man in withdrawal from a two-packs-a-day cigarette habit that went on for 15 years.

“Mama, did it fuck me up more than I expected,” Boone confesses. “I wrote the entire record pretty much curled up in a ball.”

Grieving his relationship with nicotine while composing, Boone kept company with his influences, numerous and varied. So numerous and varied that mentioning a handful isn’t going to help you any more than looking for Boone online will.

“I love Billie Holiday. And The Stooges. And The Band. And Outkast. And Duke Ellington. And Cole Porter. And David Sedaris. And Bill Watterson. And the Detroit Pistons. And John fucking Prine.”

Boone doesn’t mention The Minutemen, but likely would, if prompted.

“I mean Jesus, should I keep going?”

Get it?

The thing about Boone as musician that isn’t likely is how much Boone as carpenter makes it into his music. He doesn’t mention the Grateful Dead either, but the steadfast focus that underpins Boone’s freestyle nature is kinda Alberta & The Workingman’s Dead Eyes.

“I’m a complete ‘no one is coming to save you’ type of person,” he explains. “Keep your head down and do your job. Musician schmoosician. Do what your supposed to fucking do. Write good songs. Play good shows. Show up on time. Be humble and be fucking nice.”

A real-life carpenter keeping it real-life real. Refreshing.

It should be even less surprising now that musician Boone rejected Instagram squares for T-squares just like he painfully swore off smokes cold turkey for the clean lungs that arrived with the songs, or as Boone sees it, he arrived to them.

“The songs are just there, hanging out, waiting for someone,” he says.

Now that someone is you.

Alberta & The Dead Eyes released its new 11-song album Give or Take on March 15, 2024, preceded by “Ghost Kitty,” a four-song EP of additional songs, out now.

Dave Boone of Alberta & The Dead Eyes is available for interviews. Contact Josh Bloom at Fanatic for more information.

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Alberta & The Dead Eyes | Links

ASSETS : WEBSITE : BANDCAMP : SPOTIFY : APPLE

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Josh Bloom at Fanatic Promotion | Contact

TWITTER : INSTAGRAM : YOUTUBE : TIKTOK : SOUNDCLOUD : SPOTIFY : BLOG : E-MAIL

Dan Bern announces summer tour dates (incl. support slots w/ Roger Daltrey); Remastered reissue of 2001’s landmark “New American Language” out now.

New album “Starting Over” includes controversial Bern cut “Bible” described as “the kind of clever piano-rock that would make Warren Zevon smile.” (Glide).

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Dan Bern as photographed by Judd Irish Beadley

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Dan Bern | Stereo Embers Podcast

“With close to thirty albums under his belt, the Iowa-born Dan Bern is one of the great iron men of rock and roll. Bern is one of the very best we have. Part traditionalist, part punk, Bern has proven over and over that he's one of the best and most durable songwriters on the planet.” — Alex Green, Stereo Embers Podcast

[LISTEN]: https://Fanatic.lnk.to/DanBern-StereoEmbersPodcast

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Dan Bern | On Tour

Summer 2024 Dates Announced incl. Supporting Slots w/ Roger Daltrey

05/29/2024: Outer Banks, NC @ Pat McGee’s Down the Hatch Festival

06/02/2024: Bryn Mawr, PA @ Bryn Mawr Twilight Series (w/ Jeffrey Gaines)

06/04/2024: Hightstown, NJ @ Randy Now’s Man Cave (7PM)

06/05/2024: Tuckerton, NJ @ Lizzie Rose Music Room

06/06/2024: Richmond, VA The Tin Pan (w/ Jeffrey Gaines, 8PM)

06/07/2024: Columbia, MD @ The Collective Encore (w/ Jeffrey Gaines)

06/08/2024: Hagerstown, MD @ Hub City Live (w/ Jeffrey Gaines)

06/09/2024: Piermont, NY @ The Turning Point (4PM)

06/20/2024: Berwyn, IL @ FitzGerald’s Nightclub (21+, Doors: 730PM, Show: 830PM)

06/21/2024: Iowa City, IA @ Trumpet Blossom Cafe

06/22/2024: South Bend, IN @ Stockroom East

06/25/2024: Detroit, MI @ Meadowbrook Amphitheater (supporting Roger Daltrey)

06/27/2024: Indianapolis, IN @ Murat Theater at Old National Centre (supporting Roger Daltrey)

11/09/2024: Boulder, CO @ Roots Music Project (8PM)

11/10/2024: Denver, CO @ Swallow Hill (7PM)

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Dan Bern | About

“He’s been one of my favourite songwriters and musicians for the past 28 years.” — Roger Daltrey of The Who

In addition to being a Jeopardy clue, Dan Bern has written thousands of songs, among such other notable career and personal highlights as writing songs for the Judd Apatow film “Walk Hard: The Dewey Cox Story,” and Jonathan Demme’s film about Jimmy Carter (which Carter recognized Bern for when introducing Bern to his wife Roslyn, saying, “This is the fellow that wrote that song.”)

Bern has opened for The Who (Daltrey has covered Bern’s songs), is a member of the Iowa Rock and Roll Hall of Fame, and taught tennis to Wilt Chamberlain.

The remastered, first-time-on-vinyl edition of Bern’s 2001 masterpiece New American Language is out now. Starting Over, an all-new album of Bern songs was released on March 1. Both albums are available now via Grand Phony.

Dan Bern is available for interviews. Contact Josh Bloom at Fanatic for more information.

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Dan Bern

Starting Over

Out Now

(Grand Phony Records)

Streaming Link:

STREAM FULL LP

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Track Listing:

01. Starting Over (STREAM)

02. Kinda Looks Like You

03. Marjorie

04. Clay County

05. Take A Chance

06. Never Seen You Before

07. Bones

08. I’m In

09. Mary Lou

10. Cowboy

11. 22nd Street

12. Bible  (STREAM)

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Dan Bern

New American Language (Remastered)Out Now(Grand Phony Records)

Streaming Link:

STREAM FULL LP

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Track Listing:

01. Sweetness

02. New American Language

03. Alaska Highway

04. God Said No  (STREAM)

05. Turning Over

06. Black Tornado

07. Albuquerque Lullaby (STREAM)

08. Tape

09. Honeydoo!

10. Toledo

11. Rice

12. Thanksgiving Day Parade (STREAM)

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More About New American Language by Dan Bern

January 12, 2024 saw the release, in a newly remastered edition, of New American Language, the 2001 album by acclaimed American songwriter, Dan Bern. Surprisingly, the occasion marks the first appearance of a Bern album on vinyl, during a career spanning more than 30 releases.

“Dan’s epic ‘Thanksgiving Day Parade,’ literally took two years to record,” says the song’s producer, Wil Masisak in the liner notes of the reissue. “The sense that we’d made something worth hearing coupled with the knowledge that we couldn’t have done this alone or without difficulty was immensely rewarding.

“Unfortunately, the release date was set for Tuesday, September 11th, 2001, and so it is that this incredible collection of American songwriting seemingly meant for those who did their best to carry on after 9/11 finds itself a little lost to time.”

“With Dan Bern’s large and acclaimed catalog, I have no idea how he has never had a vinyl release,” says John Young of Grand Phony Records (Mike Viola, Trapper Schoepp), the label that will reissue Bern’s landmark album. New American Language is my favorite Dan Bern album, Young says. With “fresh and vibrant” remastered audio, it is literally clearer that Bern’s lyrics “have proven to be prescient, as if they were written yesterday,” according to Young.

“National treasure” is an overused phrase to denote somebody whom Americans acknowledge as important. Someone whose contributions to the American fabric are numerous, never in doubt, but rarely at risk.

Bern and his work is something more ingrained than what “national treasure” can measure. What Bern has offered throughout a 30-album and counting career speaks to something deeper in us than any two-word workaround for actual criticism could define. Bern’s work takes those risks, and New American Language is his career’s most precarious statement. In a world filled with plenty of “safer” controversial subjects to write about, Bern could do that if he felt like it. We are better for his decision not to.

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PLAY, POST & SHARE

Dan Bern | “Starting Over”

[STREAM]: https://vyd.co/Startingover

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Listen to “Starting Over” by Dan Bern via Rock and Roll Globe here or at the link above.

“For nearly 30 years, Dan Bern has established himself as a true songwriter’s songwriter whose ability to transform thoughts and observations into poetry is unparalleled,” says Rock and Roll Globe in its premiere coverage of the title track taken from the new Bern album Starting Over, out now.

“‘Starting Over’ is about a kind of freedom,” says Bern. “Of always having a corner to turn. No matter how bad you think a situation may be, just keep going. You never know what’s around the bend. I read once that a certain group of Japanese painters, no matter how well-known they got, would change their names every seven years or so, and start again. I thought that was kind of cool.”

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Dan Bern | “Bible”

[STREAM]: https://vyd.co/DanBernBible
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Listen to “Bible” by Dan Bern via Glide Magazine here or at the link above.
Glide calls “Bible” by Dan Bern, “a piano-driven work of folk-pop that carries a chorus that speaks to our current climate of divisiveness. Littered with pop culture and political references, not to mention a colorful history lesson, the song is both humorous and poignant in its lyrics and message. We also get plenty of grandiose rock and roll guitar, making this the kind of clever piano-rock that would make Warren Zevon smile.”
Bern says, “In the midst of so much rancor and division, ‘no one in the Bible was white’ was a phrase that I had seen somewhere, and it seemed worthy of a song.”
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Dan Bern | “God Said No” (Remastered)

[STREAM]: https://vyd.co/Godsaidno-remastered

“In a series of brisk, moving sentences… he begs God to send him back in time, saving the good and destroying evil.” — The Washington Post

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Dan Bern | Links

ASSETS : WEBSITE : FACEBOOK : INSTAGRAM : GRAND PHONY : SPOTIFY : APPLE

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Josh Bloom at Fanatic Promotion | Contact

WEBSITE : FACEBOOK : TWITTER : INSTAGRAM : YOUTUBE : TIKTOK : SOUNDCLOUD : SPOTIFY : BLOG : E-MAIL