Fanatic is a music marketing company established by Josh Bloom in 1997 to build fan-to-fan connections between artists and the media. For 25 years, Fanatic has continued to help launch careers through the strategic advocacy of creative talent.
See Canadian trio’s
“gorgeous... graceful... dramatic” video for “Phosphorescence” now; Band takes
on “forced relationships” with new “Work Friends” single. +++
Speaker Face (L-R): Eric
Wright, Ruby Randall, Trent Freeman. Photo credit: Jen
Squires. +++
“Gorgeous... graceful... dramatic climaxes and moments
of beautiful grandeur.” See the video for “Phosphorescence”
by Speaker Face now at Treble
or at the link above. [VIDEO]: https://www.youtube.com/watch?v=gR0epNXu3uI +++
“An entrancing electronic sound that’s simultaneously
familiar and completely original,” says MXDWN
today of Speaker Facesingle“Work Friends,” out now. [STREAM]: https://Fanatic.lnk.to/SpeakerFace-WorkFriends +++ Speaker Face | In The Press “Soothing downtempo electronic beats, layering
breathy, ethereal vocals over the top.” — MXDWN “They cultivate a strong hypnotizing presence that
arrests the senses.” — Atwood Magazine “Gorgeous... graceful... dramatic climaxes and moments
of beautiful grandeur.” — Treble “Low-slung, confident, and cool... a tight fusion of
electronic and acoustic elements.” — Independent
Clauses “Refreshing rhythms, dreamy vocals, bright strings,
and solid hooks,” — Le Future Wave “Slick synthpop... powered by violins and cellos that
find the perfect midpoint between modern and classic vibes.” — Aupium “Sounding like beautiful, esoteric study beats.” — Surviving The Golden Age +++ Speaker Face Crescent Oct. 9th, 2020 (S/R)
Track
Listing: 01. Phosphorescence (STREAM
| VIDEO) 02. Trevor 03. All My Mind 04. Work Friends (STREAM) 05. Please, allow me to show you something 06. Call Me Out 07. Rest 08. Dusted 09. Sick Mind 10. Crescent +++ About “Phosphorescence”
and “Work Friends” by Speaker Face “‘Phosphorescence’
is a complicated love song for the west coast of British Columbia,” says Trent Freeman of Speaker Face. “While we feel so welcomed by the land and connected
to the nature where I grew up, many people were displaced to allow our
presence. ‘Phosphorescence’ is a
thank you letter to those who were here long before us, specifically the
Malchosen and the K’omoks first nations, and the early 1900s Japanese settlers,
who were interned during WWII. We hope to see this beautiful place through
their eyes.” Freeman continues, “‘Phosphorescence’
was recorded at our home studio in Toronto. We love all the tactile hammer
sounds of the Rhodes and the fingers plucking the violin, we wanted to have
them present and tickling the ears. Capturing the violin part as a cascade of
drips helped paint the west coast landscape. Ruby’s voice was recorded three different times in unison and mixed
all around your head, so it feels like you’re swimming in the ocean of her
voice. Working on this
video with choreographer Jade
Whitney was a dream. She connected so well with the song and moves in such
a descriptive way that I can no longer separate the song from the dance. In my
mind they grew simultaneously.” As for the band's new single,
out this Friday, Freeman comments, “‘Work Friends’ speaks to the masks we
wear in the workplace. Forced relationships playing out in environments
unnaturally curated to make us our most productive. This track is a covert
dance party for the freak hiding behind a tightly buttoned shirt and
uncomfortable shoes. The tension built through the verse gives way to warmth
and understanding in the chorus as layers of voice and violin sweep our
thoughts to our deepest friendships.” +++ About | Speaker Face Toronto, Canada’s Speaker
Face is a meeting of earth and electronics from two members of the JUNO award winning band The Fretless. Trent Freeman and Eric
Wright are joined by Ruby Randall,
whose voice haunts with an honest beauty that can’t be forgotten. The band’s transportive new album Crescent (Oct. 9th, 2020) is an
immersive experience, layered with keys, beats, and atmospheric production, but
also incorporating the propulsive strings that have made Freeman and Wright
essential players in the mainstreaming of traditional Irish folk music with The Fretless. “The violin is a very unique element in this genre of
music,” Freeman says. “I approach it
primarily as a groove instrument. I love the pulse and foundation it can
create.” Wright is a cellist in The
Fretless and he brings the bass in Speaker
Face, too. “My inspirations are mostly derived from a hip-hop
sensibility,” he says of the hypnotic beats he contributes to the album. “I’ve
been making beats since I was 13-years-old. 2PAC, Dr. Dre, and Wu-Tang Clan were on repeat. For this
album, I sampled crate vinyl for kick sounds and merged those with my own
samples. The sampled vinyl with the liveliness of the natural samples creates
the soundscape.” Randall gilds the frame with her ethereal voice, which was
recorded three different times in unison and “mixed all around your head so it
feels like you’re swimming in the ocean of her vocals,” Freeman explains. “I’m so excited to
share these Speaker Face tunes with
the world,” Randall adds. “Trent has poured himself into these
songs and it has been an honor to be able to bring my voice to them. Crescent,
the latest album by Toronto-based trio Speaker
Face arrives on Oct. 9th,
2020. Members of Speaker Face
are available for interviews. Contact Josh Bloom
at Fanatic for more information. +++
[STREAM]: https://fanatic.lnk.to/SpeakerFace-Phosphorescence +++ Hear
“Phosphorescence,” the lead single from the upcoming new album Crescent by Speaker Face, at Atwood
Magazine or at the links above. “It’s easy to get lost in the intimate waves of Speaker Face’s lush sound: They
cultivate a strong hypnotizing presence that arrests the senses, tickling the
ears while reaching out to each of us on a far more visceral level. They
describe their sound as “the feeling of a twilight festival stage and a summer
swim,” hoping listeners resonate with the richness of their tones and their
beat’s natural qualities.” – Atwood
Magazine +++ Speaker Face | Links ASSETS : WEBSITE : FACEBOOK : INSTAGRAM : BANDCAMP : SPOTIFY : APPLE +++ Josh Bloom at Fanatic
Promotion | Contact WEBSITE
: FACEBOOK : TWITTER : YOUTUBE : INSTAGRAM : SOUNDCLOUD : SPOTIFY : BLOG : E-MAIL
Primarily recorded in Athens, Georgia in January 2020,
Putnam confesses, “It’s an incredibly depressing project, to mix a live record
during the apocalypse.” +++
Jared Putnam of The
March Divide as photographed by Josh Huskin +++
+++ LISTEN
HERE! Check out the premiere of The March Divide’s cover of “High
and Dry” by Radiohead at Americana Highwayshere
or listen at the link above! “I don’t do many covers live,” Jared Putnam of The March
Divide says of the Radiohead
cover included on ALIVE!, his first-ever live album, recorded in Athens, Georgia
in January, just before the pandemic forced Putnam to leave the road. “‘High
and Dry’ by Radiohead is one of
the few I do.’ The Bends was a huge influence on my songwriting, so it was an
easy song for me to make my own.”
For a tune that is an indie rock cornerstone, Putnam claims it. With just his
acoustic guitar and harmonica, he hits the high notes with such clarity and
pathos, it’d probably move Thom Yorke
himself. Probably Johnny Greenwood,
too! “Around a year ago, I tried to record it, in the studio, but just didn’t
feel like it came across as well as it did live.” RSVP HERE! Jared Putnam of The March
Divide livestreams a set tonight,
Aug. 24th at 830PM EST
/ 730PM CST as part of the Americana Highways “Live From The
Quarantine” series. +++
The March Divide ALIVE! Aug. 28th, 2020 (Slow
Start Records)
Track
Listing:
01. I Don’t Care (Live/Acoustic) 02. Spinning (Live/Acoustic) 03. You Save Me (Live/Acoustic) 04. Manic Monday (Live/Acoustic) 05. Take Your Chances (Live/Acoustic) 06. I Didn’t Mean It (Live/Acoustic) 07. Get In Line (Live/Acoustic) 08. Stevie Doesn’t Know (Live/Acoustic) 09. High and Dry (Live/Acoustic) (STREAM) 10. I Will Run To You (Live/Acoustic) +++ The March
Divide | In The Press
“Impressively hooky.” — American Songwriter
“Putnam’s
vocals pop.” — PopMatters
“Ingenious.” — Cowboys
& Indians
“Hits the mark again and again.” — The Big Takeover
“The melodies are as catchy as ever.” — Twangville
“Putnam is
skillful.” — Nashville Scene
“A serious set of pipes.” — The Aquarian
“Infectiously poppy.” — Glide Magazine +++
The March Divide | About
“There’s no better time than a global pandemic to
start work on whatever you’ve been putting off.”
Jared Putnam of The March
Divide has never been known for putting anything off when it comes to
releasing music. After the release of his most recent full-length Anticipation
Pops two summers ago, Putnam
followed up with five volumes in his “Distractions”
series, which he started “as an outlet to release songs I was working on
between albums,” and later evolved into “more of a personal song writing
challenge.”
The “distractions” became the focus as Putnam began to write, record, and
release new singles every few weeks. All of this work was supplemented by a
busy life on the road, mostly in and surrounding Putnam’s home base of San Antonio (he has since relocated to the
Dallas area.) This is, of course, before the pandemic changed the game. If it
seems like revisiting show recordings and compiling them for a live album
during this time would be a daunting task, Putnam
affirms that it is.
“It’s an incredibly depressing project, to mix a live
record during the apocalypse,” he says. “I’ve worked really hard to get to the
place that I was making a comfortable living from touring, and it literally
vanished overnight.”
Difficult words to hear from any musician, but
especially from one like Putnam
whose work ethic is so strong.
“I started working on the mix right after everything
was shut down, but it got really hard for me to work on, knowing there was no
foreseeable end date to venues being shut down, so no foreseeable start date to
my next tour,” he explains.
As the reality sunk in, Putnam pushed forward, and completed the project. The first live
album by The March Divide,
appropriately titled ALIVE! will be released on August 28thvia Slow Start Records.
“The recording is primarily taken from a show I did in
Athens, Georgia in January of 2020 at Vega
Studios and a another show I did in Detroit in April of 2019. It was easy
to pick the songs, because that was pretty much the set I was playing during
all my tours behind my last album.”
Summing up ALIVE!, Putnam says, “I really wanted to release something that felt as
much like an actual show as possible.”
We’re all hoping that The March Divide, and all touring musicians, can get back to
playing actual shows very soon.
Jared Putnam of The March
Divide is available for interviews. Contact Josh
Bloom at Fanatic for
more information.
Being called “a young Elton John” by Yahoo! makes
being called “deeply off” by Brightest Young Things not so surprising. +++
Christopher Ford of Christopher
the Conquered as photographed by Josh Terzino. +++
[STREAM]:https://Fanatic.lnk.to/ChristopherTheConquered-PutItOnYourCreditCard +++ Hear “Put It On Your Credit Card” by Christopher
the Conquered via
Bad Copy or the link above! “‘Put It On Your Credit Card’ is
directly inspired by the number of times I had to take on debt to stay on the
road, to record the next song, etc.,” says Christopher
Ford aka Christopher the Conquered.
“I half fear money and half don't think it’s even real. Barely making a living
as a singer-songwriter definitely gave me a thick skin around risk, so I'm
kinda serious when I'm telling people to ‘put it on your credit card!’ It’s not
like we have debtor’s prisons anymore, and once you die, it’s all gone anyway
(as long as you don't get married... I think!)” Christopher Ford of Christopher
the Conquered is available for interviews. Contact Josh
Bloom at Fanatic for
more information. +++ Christopher the Conquered | In The Press “Impressive.” —
Consequence of Sound “Raw, emotional.” — Alternative Press “Reminiscent of
a young Elton John.” — Yahoo! Music “His winning charm is subtle.” — Paste Magazine +++ Christopher the Conquered I
Am Christopher Sept. 25th, 2020 (Grand Phony Music)
Track Listing: 01. Pick Up Your Telephone 02. Put It On Your Credit Card (STREAM) 03. Try Again 04. This Is Not Love 05. You Can't Rush the Rain 06. Love Is Not Something You Find 07. Slowest Girl In the World (STREAM
| VIDEO) 08. Ordinary Person 09. The Old Record Store Down By the Sea 10. Paper Man [BONUS TRACK] 11. Too Many Teardrops (Toby Wright’s Magic Barn Mix)
[BONUS TRACK] 12. Try Your Best [BONUS TRACK]
+++
Christopher the Conquered | About
“There is something deeply off about everything that's happening here and I'm 100% sold.”–Brightest Young Things
“You know Garfield,
he’s a cartoon cat, you got a telephone in the shape of his body yeah, but you
don’t pick it up! Why don’t you pick it up? Pick it up!” – Christopher the Conquered
Thought it was a lyric from the next Justin Timberlake album, huh? Justin Timberlake wishes it was. The
casual groove intermingles with a chorus of female background vocalists and a
horn section, but it’s the “deeply off” that owns.
Yes, it’s actually Christopher the Conquered who is bringing sexy back on his latest
album I Am Christopher (Grand
Phony, Sept. 25th),
opening with this cut and heading right into the album’s first
single“Put It On Your Credit Card,”
which is what Christopher (actual
last name Ford) says you should do “when
life gets hard” because “those motherfuckers got enough money anyway.”
A mere two sentences in and life advice has been
given, even gifted, if you will. It’s how Ford
rolls as Alternative Press noted in
2016 about his previous record I’m Giving Up On Rock & Roll,
calling it “raw” and “emotional,” which is so, but doesn’t go far enough in
explaining the head-on collision of Freddie
Mercury, Ben Folds, and Hedwig that gets splattered all over
the highway that is this record. And like these icons, real and imagined, Ford has a sense of humor that lets his
performances go way off into outer space without ever failing to remain
grounded in truth. Growing up in Iowa and now residing in Colorado, Ford’s spent a lot of time away from
home during a decade of touring that landed him on stages with other
like-minded songsmiths who also hold the line between fantastic personas and
self-effacing humanism: Leon Russell,
Andrew Bird, Sturgill Simpson, The
Mountain Goats, Edward Sharpe &
The Magnetic Zeros, and more. And this one deserves its own line: Ford has also been compared in the
press to the most out there of all: Elton John. See also: Donald Duck stage costume. As for I Am Christopher, the endlessly
catchy songs here are not only packed with humor, they’re bubbling with
reflection, as the title suggests. I Am Christopher, the latest album by Christopher
the Conquered, is out Sept. 25thvia Grand
Phony. +++ Christopher the Conquered | Links ASSETS : WEBSITE : FACEBOOK : TWITTER
: INSTAGRAM : SPOTIFY
: GRAND
PHONY +++ Josh Bloom at Fanatic
Promotion | Contact WEBSITE
: FACEBOOK : TWITTER : YOUTUBE : INSTAGRAM : SOUNDCLOUD : SPOTIFY : BLOG : E-MAIL
Coming up in L.A.’s punk scene, guitar hangs with
Radiohead, 250 dates a year in both Idaho, Pete Yorn’s band, now Terry Borden has
found his sound.
+++
Terry Borden of Blesson Roy
as photographed by Ankhurr Chawaak
+++
PLAY, POST
& SHARE
“Soothe” is
taken from the upcoming Blesson Roy debut album Think Like Spring, the solo project of Terry Borden, coming Nov. 27th,
2020 on Slow Start Records.
Borden says, “‘Think like spring’ is a suggestion for a
train of thought that is focused on positivity and renewal. This is most
certainly an especially important time, for all of us to embrace the new
paradigm shifts – positive and negative – with a sense of creativity and
invention.”
As he
continues to prepare his debut album Think
Like Spring for a fall release, Terry Borden of Blesson Roy has released
what he calls an “Almost Acoustic” version of his debut “Time Is A Crime” EP.
Borden explains, “The songs on the EP were all written on
acoustic guitar and/or electric guitar unplugged. I am recording everything
myself with no band, so I work out the songs on acoustic before I ever create
drum parts or anything else to sonic layer cake. As such, they have an acoustic
soul. It seemed a good idea to do these acoustic versions, with minimal sonic
flourishes that come in as an ‘almost acoustic’ nod to the analog synth chakra
that is also a pillar of the Blesson Roy
sound. Now, listening to the finished ‘Almost Acoustic’ versions of the five
songs on the ‘Time Is A Crime’ EP,
they have taken on a new character, that lets their acoustic core have its time
in the sun and the moon. I love tambourine immensely, so that is in there too!”
“This combination of visuals and audio will expand
your mind to a level of self-comfort that’s hard to obtain alone,” says BTRtoday about visual artist Tom Gorai’s music video for “Let It Go” by Blesson Roy. See the video at
BTRtoday here or at the link
below.
“Gorai has
been nominated for both an EMMY® and GRAMMY®, and he
won MTV’s Video of The Year award for his production of Pearl Jam’s “Jeremy.”
He’s also known for his music video production with artists like Nine Inch Nails and A Tribe Called Quest. So when Gorai first became isolated during the
COVID-19 lockdown, he knew he had to use his talent for visual art to
contribute to the song that expanded his mind so much during that time.”
Gorai explains, “When I first heard Blesson Roy’s ‘Let It Go,’
it screamed at me loudly and I was deeply affected,” he says in an artist’s
statement. “The next thing I knew is that, in this weird state of nothingness
and stasis, I thought I could hear the song more clearly than ever before, so I
took a deep breath and just focused on listening to the music. I put it on
repeat and just listened over and over as I let whatever influences I was
feeling direct me to put together light and color and patterns.”
The song itself is also very personal to Blesson Roy’s Terry Borden. He explains that the tune, “started with a hypnotic
guitar line that triggered a meditation. The creative process and sound
conjured up painful memories and its simplicity allowed for a layered catharsis
which worked these toxic feelings to the surface and out of the subconscious,
in a sweeping and graceful gesture, culminating in the survival action of
letting go of stored traumas. It is a step in that direction, small or more
depending on how the frequencies shimmer in your lake.”
Life-long “music lover and music doer,” Terry Borden is a child of 1970’s
California whose early love of AM radio and his brother’s record collection has
led him to numerous career highlights that are still accumulating.
These include: Kind words from Lou Reed, two appearances on David
Letterman, guitar hangs with Radiohead,
and 250-plus tour dates a year throughout early 2000s as a member of slowcore
pioneers Idaho and singer-songwriter
Pete Yorn’s backing band Dirty Bird.
Coming of age in Los Angeles during the early 1990’s
rise of punk and new wave, Borden’s
long and varied career as a studio and touring musician will culminate with the
release of his own dreamy pop project in 2020. Blesson Roy’s five-song “Time
Is A Crime” EP is out now.
Owing to Borden’s
stint living and working in the UK where he was influenced by the burgeoning
sounds of sub-cultural labels such as 4AD,
Creation, Factory and Rough Trade,
the music of Blesson Roy will
undoubtedly please fans of all these sounds.
Borden brings real roots song craft to his work, as well,
showing that his recent years away from the music industry, but not away from
songwriting, have only served to develop his abilities and technique, as Borden masterfully performs all of the
instruments on the new tracks himself.
After Borden’s
run with Idaho came to an end, he
signed with Dave Allen of Gang of Four’s World Domination label as Flotilla,
releasing one critically praised album, and while the label eventually folded,
the record found some important ears, including those of Yorn.
When Yorn
was looking for a touring guitarist, Borden
got the gig, eventually switched to his beloved bass and spent another four
years out on the road. Then, during a break in touring, Borden decided to make the down time indefinite.
“After a decade-long ride, I took a long time off and
away from music and the music business,” he says. “I needed to take a hard look
at my life, to clean up some existential messes, and change some unhealthy
habits.” Now, revitalized and energized, Borden
is continuing to create, write and record music for himself again.
Blesson Roy’s five-song “Time
Is A Crime” EP is out now via Slow Start
Records. Terry Borden is
available for interviews. Contact Josh Bloom at Fanatic for more information.
Think Bob Dylan’s “The
Basement Tapes” if Jerry Garcia had dropped by. Hear
“End of The Day” now via Americana Highways.
+++
Reforester (L-R): Steve
Hefter, Chris Laun, Austin Stahl. Courtesy of Reforester.
+++
Listen
to “End of The Day” by Reforester at Americana Highways or the links above or
below.
“With exquisite harmonies blending with the guitar
strings, Reforester wriggles right
into your mind. The passage of time is all too real and this is a reminder,”
says Americana Highways in its
premiere coverage of “End of The Day”
by Reforester. Read
more about it here.
The band’s Chris
Laun explains, “I wanted to write something happy because I don’t usually
and I thought it’d be a good challenge and ended up failing miserably. What I
had envisioned as a song about the day to day joys of being a Dad and raising a
family turned into a song about not being able to avoid my own mortality and
the march of time. Having kids is a wonderful experience but one downside is
you have a constant visual reminder that our time is finite.”
Steven
Hefter’s 2011 album, released under
the clever moniker of St. Even, was
called a masterpiece twice, once by the Baltimore
City Paper (“a masterpiece of dark pop songwriting”) and again by Portland,
Oregon’s Willamette Week (“Spirit
Animal is a masterpiece.”)
So, that’s it. That’s the bio. You should listen to Hefter’s latest songs with his latest
band Reforester because he’s that
good.
Need more convincing? Okay, let’s get into that.
Hefter left Portland in 2017 and returned to Baltimore and
his good friend and collaborator, Austin
Stahl, who he has previously played with as the rhythm section of
long-running Baltimore-based band Small
Sur – a band that has released three albums to date and shared stages with Angel Olsen, Damien Jurado, Vetiver, Strand of Oaks, Phosphorescent, and others.
With Reforester,
Hefter and Stahl (who is also the recipient of some not-faint praise, being
named “Baltimore’s Best Singer-Songwriter” by the Baltimore City Paper) have rounded out the trio with Hefter’s former Challenge Club bandmate Chris
Laun, who may have been mistakenly overlooked by the local press, but did
have his tribute song to the Baltimore
Orioles played at Camden Yards
on opening day, which frankly, may be the win out of these three.
In summation, Reforester
is a whole-is-greater-than-the-sum-of-its-parts scenario, because masterful songwriters
flock together.
Three writers, three singers, three-part harmonies.
That’s what you’ll hear on “Perpetuity,”
the debut EP from Reforester, out now.
Hear “Drive
By Feel,” the debut single from Reforester at For
Folk’s Sake or at the links above or below.
“Steven Hefter,
Austin Stahl, and Chris Laun are Reforester. The latest brainchild of three artists who share their
fair share of accolades apart from their newest band, Reforester features three singer-songwriters and three-part
harmonies. It’s subtle indie rock with folk influences that run into
unsuspecting moments of sweeping layers of musicality, making for listens that
are as accessible and lovely as they are impressively composed.” – For Folk’s Sake