Led by Thomas Shaw, son of 14-time Grammy-winning
conductor, Austin-based band has been compared to Zappa, Steely Dan, Talking
Heads.
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Mount
Pressmore (L-R): Kris Studebaker, Danny Anderson, Thomas Shaw, Alexei Sefchick.
Photo by: Vanessa Reiser Shaw.
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“Their
jazz-juiced convoultion is gentle, not orotund.
Pretzel logic redux?” – The Big Takeover
“The lineup draws together four
highly-skilled players.” – Relix
“It’s virtuosic, but it feels familiar.
Zappa fans will hear a little bit of Frank.” – KUTX, Austin
“Called ‘an indie rock Steely Dan’ by
more than one pundit, and with good reason.” – BLURT
“Jaw-dropping chops.” – Maximum Ink
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PLAY, POST
& SHARE
“Trampoline” is the latest single from
the upcoming debut Enjoy by Mount
Pressmore
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See the premiere
of the “Trampoline” video by Mount Pressmore via Performer
Magazine!
Already being compared to Frank Zappa (via a feature
from Austin’s NPR-affiliate KUTX),
Steely Dan and Peter Gabriel, the “chop-pop” of Austin’s Mount
Pressmore is just that: addictive earworms played with the utmost
technical proficiency. Talking Heads is another touchstone, and
that band’s more intricate moments and visual style can be felt in the video for “Trampoline”
from the just-released Mount Pressmore debut album Enjoy.
“Music was his religion,” says band leader Thomas
Shaw of his father Robert Shaw, the 14-time Grammy winning conductor
who brought his son up amid technical exercises, music theory, and classical
recitals. “Then I heard Oscar Peterson and I was blown away,” Shaw
remembers. He soon found B.B. King, James Brown, Led Zeppelin,
and Fela Kuti.
Shaw’s
unique musical education colors all of his work with Mount Pressmore.
All compositions are charted and performed live by this schooled quartet, which
in addition to Shaw, includes fellow New York Collective School of
Music classmate, Kris Studebaker, along with bassist Alexei
Sefchick and guitarist Danny Anderson, both graduates of Boston’s Berklee
School of Music.
The video for “Trampoline” was shot over a
couple of days in and around Austin by director André Costantini, whose
recent film credits include “Bel Borba Aqui,” a documentary about the
life and work of Brazilian artist Bel Borba. “Inspiration came from many
places,” says Shaw. “In addition to the Talking Heads, we
share an enduring reverence for Peter Gabriel’s ‘Sledgehammer.’”
And what of Sasquatch, the star of the piece? “We’ve
been playing with this idea of a Bigfoot creature as one of the primary
residents of Mount Pressmore,” Shaw explains. “He’s a character
wholly aware, but societally unencumbered. If Bigfoot exists within a mythical
state, then man must be his avatar, and nowhere does this dualism approaches a
fusion more so than in dance.”
Essentially, Mount Pressmore fulfills all of
your dancing Sasquatch needs right here. Enjoy by Mount
Pressmore is out now on the band’s own Pressmore Records.
Thomas Shaw
of Mount Pressmore is available for interviews.
Contact Josh Bloom at Fanatic for
more information.
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Mount Pressmore
Enjoy
(Pressmore Records, Out Now)
01. Here We Go
02. The New Regional Branch Manager
05. A Place in the Sun
06. Vice-Presidential Material
07. Interchange
08. Dawn, Bingham
09. Agnostic
10. Dakota
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Mount Pressmore Links
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Contact Josh Bloom at Fanatic Promotion
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