Tuesday, October 17, 2023

Norwood commands Stax-inspired horns cutting new record where Willie Nelson made “Red Headed Stranger;” Hear Otis Redding classic cover now.

“Even the sad songs make you dance. That’s what I love about Soul. It’s what propelled this whole album.” The Knockdown Dragout arrives Feb. 9.

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Chris J Norwood as photographed by Joseph Brewster

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If the photographic evidence accompanying The Knockdown Dragout (Gastonwood Music, Feb. 9, 2024) is any indication, then Chris J Norwood is a beaten man.

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PLAY, POST & SHARE

Chris J Norwood & The Knockdown Dragout | “Fa Fa Fa Fa Fa (Sad Song)” (Otis Redding Cover)


[STREAM]: https://www.youtube.com/watch?v=RFii2gAJVPI

[PRE-SAVE]: https://Fanatic.lnk.to/TheKnockdownDragout-FaFaFaFaFa

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Otis Redding is one of my favorite singers of all time,” Chris J Norwood explains about his cover of Redding’s classic “Fa Fa Fa Fa Fa (Sad Song).” “If you were to come over on a Saturday afternoon, Otis is what is playing on the stereo. I knew that I had to include an Otis cover on this album. I love the line, ‘Sad songs is all I know…’ in the way that Otis sings it. He sings with such passion and soul that you can’t help but feel good. That’s what I love about Soul music. Even the sad songs make you dance. That’s what propelled this whole album.”

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Chris J Norwood & The Knockdown Dragout
The Knockdown Dragout
Feb. 9, 2024
(Gastonwood Music)


Track Listing:

01. Introducing...
02. The Knockdown Dragout
03. The Cheap Seats
04. Dancing In The Kitchen
05. Run Rosie Run
06. I Want It All
07. Love Me Back To Life
08. Fa Fa Fa Fa Fa (Sad Song) (PRE-SAVE)
09. The GOAT
10. Got To Get Back To Texas
11. Darling Don’t Leave

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Chris J Norwood | Live


10/21/2023 Dallas, TX @ Doublewide (Tickets)

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Chris J Norwood | In The Press

“Chris J Norwood wants you to know the truth.” — The Boot

“Unpretentious and genuine.” — Americana Highways

“Great lyrical hooks.” — Americana UK

“Talk about making a statement.” — Twangville

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Chris J Norwood & The Knockdown Dragout | About

If the photographic evidence accompanying The Knockdown Dragout (Gastonwood Music, Feb. 9, 2024) is any indication, then Chris J Norwood is a beaten man.

Beaten, maybe… But not out!

As Norwood sings on “The Knockdown Dragout” — the ensemble, album, and first single all share the same name — he is a fighter:

I know it don’t look good
They got me up against the ropes
I ain’t no light weight kid
I got the fight, the will, the hope

The “will” and “hope” part comes in as the Dallas-based songwriter — and now bandleader, commanding a Stax-inspired ensemble cutting tracks live on the studio floor in the same building where Willie Nelson made Red Headed Stranger — leaves behind his acoustic guitar to make the album of his dreams.

“I have wanted to make this record for a long time,” Norwood says about a passion so strong, he parted ways with his record label to be able to see his vision through. “If you were to come over on a Saturday afternoon, Otis Redding is what is playing on the stereo.”

The Knockdown Dragout cover the Redding classic “Fa Fa Fa Fa Fa (Sad Song)” in a joyous rendition that sits perfectly alongside Norwood’s originals.

“I had to include an Otis cover,” Norwood explains. You can’t help but feel good, and that’s what I love about soul music. Even the sad songs make you dance.”

Norwood had become tired of sadness.

“I’m disillusioned with the ‘sad bastard’ scene of singer-songwriters that I found myself a part of,” he admits. After releasing two records that reckoned with darkness and personal tragedy, Norwood wanted to make an album that was “just fun.”

A “knockdown dragout” is a phrase I used to hear my mother use,” he explains of the album’s statement of purpose, which also addresses his relationship with the music industry. “It’s essentially a fight between two people that is particularly bad.” Norwood’s decision to leave his label to make this album was actually amicable, but even civil closure smarts.

The same goes for Norwood’s surprise genre switch-up.

“I wanted to write some songs that I could actually sing to Carrie and dance in the kitchen to,” he says,  alluding to one of the album’s standout tracks, “Dancing In The Kitchen,” a love song to Norwood’s wife.

Finally! Songs that are about me!” Carrie Norwood, who also appears on the record as one-half of the background vocal duo, The Knockouts, jokes.

“Being a Knockout comes with attitude and sass,” she says. “The world is pretty crazy right now, but there is still love and goodness to sing about.”

After listening to the celebratory songs on The Knockdown Dragout,  Norwood’s “will” and “hope” win this bout by unanimous decision.

The Knockdown Dragout by Chris J Norwood & The Knockdown Dragout arrives Feb. 9, 2024 via Gastonwood Music.

Chris J Norwood is available for interviews. Contact Josh Bloom at Fanatic for more information.

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Chris J Norwood | Links


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Josh Bloom at Fanatic Promotion | Contact

Tuesday, October 10, 2023

Chris J Norwood & The Knockdown Dragout: Commanding a Stax-inspired ensemble cutting live where Willie Nelson made “Red Headed Stranger.”

“That’s what I love about Soul music. Even the sad songs make you dance.” Hear Norwood’s Otis Redding cover now. New album arrives Feb. 9, 2024.

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Chris J Norwood as photographed by Joseph Brewster

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PLAY, POST & SHARE

Chris J Norwood & The Knockdown Dragout | “Fa Fa Fa Fa Fa (Sad Song)” (Otis Redding Cover)


[STREAM]: https://www.youtube.com/watch?v=RFii2gAJVPI

[PRE-SAVE]: https://Fanatic.lnk.to/TheKnockdownDragout-FaFaFaFaFa

+++

Otis Redding is one of my favorite singers of all time,” Chris J Norwood explains about his cover of Redding’s classic “Fa Fa Fa Fa Fa (Sad Song).” “If you were to come over on a Saturday afternoon, Otis is what is playing on the stereo. I knew that I had to include an Otis cover on this album. I love the line, ‘Sad songs is all I know…’ in the way that Otis sings it. He sings with such passion and soul that you can’t help but feel good. That’s what I love about Soul music. Even the sad songs make you dance. That’s what propelled this whole album.”

+++

Chris J Norwood & The Knockdown Dragout
The Knockdown Dragout
Feb. 9, 2024
(Gastonwood Music)


Track Listing:

01. Introducing...
02. The Knockdown Dragout
03. The Cheap Seats
04. Dancing In The Kitchen
05. Run Rosie Run
06. I Want It All
07. Love Me Back To Life
08. Fa Fa Fa Fa Fa (Sad Song) (PRE-SAVE)
09. The GOAT
10. Got To Get Back To Texas
11. Darling Don’t Leave

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Chris J Norwood | Live


10/21/2023 Dallas, TX @ Doublewide (Tickets)

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Chris J Norwood | In The Press

“Chris J Norwood wants you to know the truth.” — The Boot

“Unpretentious and genuine.” — Americana Highways

“Great lyrical hooks.” — Americana UK

“Talk about making a statement.” — Twangville

+++


Chris J Norwood & The Knockdown Dragout | About

If the photographic evidence accompanying The Knockdown Dragout (Gastonwood Music, Feb. 9, 2024) is any indication, then Chris J Norwood is a beaten man.

Beaten, maybe… But not out!

As Norwood sings on “The Knockdown Dragout” — the ensemble, album, and first single all share the same name — he is a fighter:

I know it don’t look good
They got me up against the ropes
I ain’t no light weight kid
I got the fight, the will, the hope

The “will” and “hope” part comes in as the Dallas-based songwriter — and now bandleader, commanding a Stax-inspired ensemble cutting tracks live on the studio floor in the same building where Willie Nelson made Red Headed Stranger — leaves behind his acoustic guitar to make the album of his dreams.

“I have wanted to make this record for a long time,” Norwood says about a passion so strong, he parted ways with his record label to be able to see his vision through. “If you were to come over on a Saturday afternoon, Otis Redding is what is playing on the stereo.”

The Knockdown Dragout cover the Redding classic “Fa Fa Fa Fa Fa (Sad Song)” in a joyous rendition that sits perfectly alongside Norwood’s originals.

“I had to include an Otis cover,” Norwood explains. You can’t help but feel good, and that’s what I love about soul music. Even the sad songs make you dance.”

Norwood had become tired of sadness.

“I’m disillusioned with the ‘sad bastard’ scene of singer-songwriters that I found myself a part of,” he admits. After releasing two records that reckoned with darkness and personal tragedy, Norwood wanted to make an album that was “just fun.”

A “knockdown dragout” is a phrase I used to hear my mother use,” he explains of the album’s statement of purpose, which also addresses his relationship with the music industry. “It’s essentially a fight between two people that is particularly bad.” Norwood’s decision to leave his label to make this album was actually amicable, but even civil closure smarts.

The same goes for Norwood’s surprise genre switch-up.

“I wanted to write some songs that I could actually sing to Carrie and dance in the kitchen to,” he says,  alluding to one of the album’s standout tracks, “Dancing In The Kitchen,” a love song to Norwood’s wife.

Finally! Songs that are about me!” Carrie Norwood, who also appears on the record as one-half of the background vocal duo, The Knockouts, jokes.

“Being a Knockout comes with attitude and sass,” she says. “The world is pretty crazy right now, but there is still love and goodness to sing about.”

After listening to the celebratory songs on The Knockdown Dragout,  Norwood’s “will” and “hope” win this bout by unanimous decision.

The Knockdown Dragout by Chris J Norwood & The Knockdown Dragout arrives Feb. 9, 2024 via Gastonwood Music.

Chris J Norwood is available for interviews. Contact Josh Bloom at Fanatic for more information.

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Chris J Norwood | Links


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Josh Bloom at Fanatic Promotion | Contact

Tuesday, October 3, 2023

“Loose Wing land classic with nostalgic… ‘Country Numbers.’ Vintage vibes that trend elusive… recalls a vibe known to The Band and Joni Mitchell.”

Taken from upcoming Miracle Baby (Nov. 10), “song plays like a long-lost anti-Vietnam War number, made all the poignant for its continued resonance.”

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Loose Wing (L-R):  Bill Patton, Claire Tucker, Aimee Zoe, Jack Peters. Photo credit: Joshua Simons.


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PLAY, POST & SHARE


Loose Wing | “Country Numbers”



[STREAM]: https://fanatic.lnk.to/LooseWing-CountryNumbers

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Loose Wing land classic with their nostalgic breakthrough single ‘Country Numbers.’ Vintage vibes that trend elusive… recalls a vibe known to The Band and Joni Mitchell with an authenticity that shines like a long lost musical reel treasure.” — The Wild Is Calling

Stripping away the previous single’s momentum in favour of a richer croon, the song plays like a long-lost anti-Vietnam War number, made all the poignant for its continued resonance.” — Various Small Flames

“The title of the album, Miracle Baby, is taken from a lyric in ‘Country Numbers.’ It's a lyrically abstract song, and one of my favorites on the album. It’s also about life being weird. It’s weird that we put so much pressure on ourselves and others, and weird that we as societies are willing to sacrifice people’s lives for things like global dominance and financial gain.” — Claire Tucker, Loose Wing

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Loose Wing

Miracle Baby

(Drums & Wires Recordings)

Nov. 10, 2023

Track Listing:

01. Capital Alphabet (STREAM)

02. Skirts

03. Bleeding My Arms

04. Unnatural

05. Country Numbers (STREAM)

06. Kneeling Angelica

07. Dragging Days

08. Distant Lawns

09. Saucer Eyes

10. Elements


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PLAY, POST & SHARE


Loose Wing | “Capital Alphabet”




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“She sings it with such beauty and gusto, it’s hard not to believe for the duration of a three-minute pop song that anything is possible.” — For The Rabbits

“It’s a gritty and defiant indie pop song that rallies against the soul-sucking drudgery enforced on many by the capitalist overlords.” — Various Small Flames

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Loose Wing | About



Legendary journalist Greil Marcus stays true to his reputation as a scholar of modern rock’s intersection with rock history when noting in a 2019 Rolling Stone column that “some of the same dirt rubbed off” in regard to how Seattle foursome Loose Wing picked up mess from fellow Emerald City singer Merilee Rush, best-known for her 1968 hit “Angel of the Morning.” 

Loose Wing hasn’t cleaned up completely since its critically praised debut album — “Loose Wing are serving as an example that the area’s still got it,” says UPROXX. Instead the band, led by songwriter Claire Tucker, has further focused its pounding and present sound via the upcoming Miracle Baby (Nov. 10, Drums & Wires Recordings.)

Miracle Baby delivers an even more potent version of Loose Wing’s ability to capture themes of “isolation, intimacy, and teen angst that has yet to be outgrown” (The Big Takeover), recalling Neko Case or LowTucker recently organized a benefit concert to benefit Low’s surviving member Alan Sparhawk following the untimely passing of Mimi Parker — set loose through the lens of Throwing Muses.

Fans of PJ Harvey, Kate Bush, and Guided By Voices will also understand.

Much of Miracle Baby was recorded at Bear Creek Studios in Woodinville, WA where another sonic touchstone — U.F.O.F. by Big Thief — was produced. Being at Bear Creek made an impression on Tucker, and on the record.

“It felt like a great place to immerse ourselves in the recording process and to find inspiration,” Tucker members. “It was a bit of a rock and roll vacation. The studio has a little apartment area, where we would work on overdub ideas on the grand piano, vintage pump organ, and other instruments. Or we would soak in the hot tub by the creek.”

Things are looking up for the company

They’re gonna buy the moon

Things are looking up for the company

We’ve got a flash sale on single use plastics 

These lyrics are taken from “Capital Alphabet,” the lead track and first single taken from Miracle Baby. “I had a web development job I hated,” Tucker explains. “I was in way over my head and having panic attacks while driving to work.”

“Capital Alphabet” is a perfect example of Tucker’s ability to make plain complex feelings of anxiety about consumerism, and the rest of Miracle Baby repeats that tension, albeit around more personal reflections on Tucker’s sense of “contemporary humanity.”

While Tucker claims that Miracle Baby is “sort of a grab-bag,” thematically, the album holds together quite well, even with its divergent styles that shouldn’t work on one album, but do.

“We like to keep things interesting,” Tucker (Guitar, Vocals, Keys) says of her bandmates, Jack Peters (Bass), Aimee Zoe (Drums, Percussion,) and Bill Patton (Guitar, Pedal Steel, Vocals, Keys.) “I think we influence each other, and maybe that explains why no two songs on this album sound alike.”

Maybe Greil Marcus’ “dirt rubbed off” reference subconsciously makes Miracle Baby what it is.

Miracle Baby, the second album by Seattle foursome Loose Wing arrives Nov. 10 via Drums & Wires Recordings preceded by the single “Capital Alphabet,” out now.

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Loose Wing | Links

ASSETS : WEBSITE : FACEBOOK : INSTAGRAM : YOUTUBEBANDCAMP : SPOTIFY : APPLE : LABEL

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Josh Bloom at Fanatic Promotion | Contact