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“Even the sad songs make you dance. That’s what I love
about Soul. It’s what propelled this whole album.” The Knockdown Dragout arrives Feb. 9.
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Chris J Norwood as photographed by Joseph Brewster
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If the photographic evidence accompanying The
Knockdown Dragout (Gastonwood
Music, Feb. 9, 2024) is any
indication, then Chris J Norwood is
a beaten man.
+++
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Chris J
Norwood & The Knockdown Dragout |
“Fa Fa Fa Fa Fa (Sad Song)” (Otis
Redding Cover)
“Otis Redding
is one of my favorite singers of all time,” Chris J Norwood explains about his cover of Redding’s classic “Fa Fa Fa Fa Fa (Sad Song).” “If you were to come over on a
Saturday afternoon, Otis is what is playing
on the stereo. I knew that I had to include an Otis cover on this album. I love the line, ‘Sad songs is all I know…’
in the way that Otis sings it. He
sings with such passion and soul that you can’t help but feel good. That’s what
I love about Soul music. Even the sad songs make you dance. That’s what
propelled this whole album.”
“Chris J Norwood wants you to know the truth.” — The
Boot
“Unpretentious and genuine.” — Americana Highways
“Great lyrical hooks.” — Americana UK
“Talk about making a statement.” — Twangville
+++
Chris J Norwood & The Knockdown Dragout | About
If the photographic evidence accompanying The
Knockdown Dragout (Gastonwood
Music, Feb. 9, 2024) is any
indication, then Chris J Norwood is
a beaten man.
Beaten, maybe… But not out!
As Norwood
sings on “The Knockdown Dragout” —
the ensemble, album, and first single all share the same name — he is a
fighter:
I know it don’t look good
They got me up against the ropes
I ain’t no light weight kid
I got the fight, the will, the hope
The “will” and “hope” part comes in as the
Dallas-based songwriter — and now bandleader, commanding a Stax-inspired ensemble cutting tracks live on the studio floor in
the same building where Willie Nelson
made Red
Headed Stranger — leaves behind his acoustic guitar to make the album
of his dreams.
“I have wanted to make this record for a long time,” Norwood says about a passion so strong,
he parted ways with his record label to be able to see his vision through. “If
you were to come over on a Saturday afternoon, Otis Redding is what is playing on the stereo.”
The
Knockdown Dragout cover the Redding classic “Fa Fa Fa Fa Fa (Sad Song)” in a joyous rendition that sits
perfectly alongside Norwood’s
originals.
“I had to
include an Otis cover,” Norwood explains. You can’t help but
feel good, and that’s what I love about soul music. Even the sad songs make you
dance.”
Norwood had become tired of sadness.
“I’m disillusioned with the ‘sad bastard’ scene of
singer-songwriters that I found myself a part of,” he admits. After releasing
two records that reckoned with darkness and personal tragedy, Norwood wanted to make an album that
was “just fun.”
A “knockdown dragout” is a phrase I used to hear my
mother use,” he explains of the album’s statement of purpose, which also
addresses his relationship with the music industry. “It’s essentially a fight
between two people that is particularly bad.” Norwood’s decision to leave his label to make this album was
actually amicable, but even civil closure smarts.
The same goes for Norwood’s
surprise genre switch-up.
“I wanted to write some songs that I could actually
sing to Carrie and dance in the
kitchen to,” he says,alluding to one of
the album’s standout tracks, “Dancing In
The Kitchen,” a love song to Norwood’s
wife.
“Finally! Songs that are about me!” Carrie Norwood, who also
appears on the record as one-half of the background vocal duo, The Knockouts, jokes.
“Being
a Knockout comes with attitude and
sass,” she says. “The world is pretty crazy right now, but there is still love
and goodness to sing about.”
After listening to the celebratory songs on The
Knockdown Dragout, Norwood’s “will” and “hope” win this bout
by unanimous decision.
The Knockdown Dragout by Chris J
Norwood & The Knockdown Dragout arrives Feb. 9, 2024 via Gastonwood
Music.
Chris J Norwood is
available for interviews. Contact Josh Bloom
at Fanatic for more information.
“Otis Redding
is one of my favorite singers of all time,” Chris J Norwood explains about his cover of Redding’s classic “Fa Fa Fa Fa Fa (Sad Song).” “If you were to come over on a
Saturday afternoon, Otis is what is playing
on the stereo. I knew that I had to include an Otis cover on this album. I love the line, ‘Sad songs is all I know…’
in the way that Otis sings it. He
sings with such passion and soul that you can’t help but feel good. That’s what
I love about Soul music. Even the sad songs make you dance. That’s what
propelled this whole album.”
“Chris J Norwood wants you to know the truth.” — The
Boot
“Unpretentious and genuine.” — Americana Highways
“Great lyrical hooks.” — Americana UK
“Talk about making a statement.” — Twangville
+++
Chris J Norwood & The Knockdown Dragout | About
If the photographic evidence accompanying The
Knockdown Dragout (Gastonwood
Music, Feb. 9, 2024) is any
indication, then Chris J Norwood is
a beaten man.
Beaten, maybe… But not out!
As Norwood
sings on “The Knockdown Dragout” —
the ensemble, album, and first single all share the same name — he is a
fighter:
I know it don’t look good
They got me up against the ropes
I ain’t no light weight kid
I got the fight, the will, the hope
The “will” and “hope” part comes in as the
Dallas-based songwriter — and now bandleader, commanding a Stax-inspired ensemble cutting tracks live on the studio floor in
the same building where Willie Nelson
made Red
Headed Stranger — leaves behind his acoustic guitar to make the album
of his dreams.
“I have wanted to make this record for a long time,” Norwood says about a passion so strong,
he parted ways with his record label to be able to see his vision through. “If
you were to come over on a Saturday afternoon, Otis Redding is what is playing on the stereo.”
The
Knockdown Dragout cover the Redding classic “Fa Fa Fa Fa Fa (Sad Song)” in a joyous rendition that sits
perfectly alongside Norwood’s
originals.
“I had to
include an Otis cover,” Norwood explains. You can’t help but
feel good, and that’s what I love about soul music. Even the sad songs make you
dance.”
Norwood had become tired of sadness.
“I’m disillusioned with the ‘sad bastard’ scene of
singer-songwriters that I found myself a part of,” he admits. After releasing
two records that reckoned with darkness and personal tragedy, Norwood wanted to make an album that
was “just fun.”
A “knockdown dragout” is a phrase I used to hear my
mother use,” he explains of the album’s statement of purpose, which also
addresses his relationship with the music industry. “It’s essentially a fight
between two people that is particularly bad.” Norwood’s decision to leave his label to make this album was
actually amicable, but even civil closure smarts.
The same goes for Norwood’s
surprise genre switch-up.
“I wanted to write some songs that I could actually
sing to Carrie and dance in the
kitchen to,” he says,alluding to one of
the album’s standout tracks, “Dancing In
The Kitchen,” a love song to Norwood’s
wife.
“Finally! Songs that are about me!” Carrie Norwood, who also
appears on the record as one-half of the background vocal duo, The Knockouts, jokes.
“Being
a Knockout comes with attitude and
sass,” she says. “The world is pretty crazy right now, but there is still love
and goodness to sing about.”
After listening to the celebratory songs on The
Knockdown Dragout, Norwood’s “will” and “hope” win this bout
by unanimous decision.
The Knockdown Dragout by Chris J
Norwood & The Knockdown Dragout arrives Feb. 9, 2024 via Gastonwood
Music.
Chris J Norwood is
available for interviews. Contact Josh Bloom
at Fanatic for more information.
“Loose Wing land classic with their nostalgic breakthrough single ‘Country Numbers.’ Vintage vibes that
trend elusive… recalls a vibe known to The
Band and Joni Mitchell with an
authenticity that shines like a long lost musical reel treasure.” — The
Wild Is Calling
“Stripping away the previous single’s
momentum in favour of a richer croon, the song plays like a long-lost
anti-Vietnam War number, made all the poignant for its continued resonance.” — Various
Small Flames
“The title of the album, Miracle Baby, is taken
from a lyric in ‘Country Numbers.’
It's a lyrically abstract song, and one of my favorites on the album. It’s also
about life being weird. It’s weird that we put so much pressure on ourselves
and others, and weird that we as societies are willing to sacrifice people’s
lives for things like global dominance and financial gain.” — Claire Tucker, Loose Wing
“She sings it with such beauty and gusto, it’s hard not to believe for the duration of a three-minute pop song that anything is possible.” — For The Rabbits
“It’s a gritty and defiant indie pop song that rallies
against the soul-sucking drudgery enforced on many by the capitalist
overlords.” — Various Small Flames
+++
Loose Wing | About
Legendary journalist Greil Marcus stays true to his reputation as a scholar of modern
rock’s intersection with rock history when noting in a
2019 Rolling Stone column that “some
of the same dirt rubbed off” in regard to how Seattle foursome Loose Wing picked up mess from fellow
Emerald City singer Merilee Rush,
best-known for her 1968 hit “Angel of
the Morning.”
Loose Wing hasn’t cleaned up completely since its critically
praised debut album — “Loose Wing
are serving as an example that the area’s still got it,” says UPROXX. Instead the band, led by
songwriter Claire Tucker, has further
focused its pounding and present sound via the upcoming Miracle Baby (Nov. 10, Drums & Wires Recordings.)
Miracle Baby delivers an even more potent version of Loose Wing’s ability to capture themes of “isolation, intimacy, and
teen angst that has yet to be outgrown” (The
Big Takeover), recalling Neko Case
or Low — Tucker recently organized
a benefit concert to benefit Low’s
surviving member Alan Sparhawk following
the untimely passing of Mimi Parker
— set loose through the lens of Throwing
Muses.
Fans of PJ
Harvey, Kate Bush, and Guided By Voices will also understand.
Much of Miracle Baby was recorded at Bear Creek Studios in Woodinville, WA
where another sonic touchstone — U.F.O.F. by Big Thief — was produced. Being at Bear Creek made an impression on Tucker, and on the record.
“It felt like a great place to immerse ourselves in
the recording process and to find inspiration,” Tucker members. “It was a bit of a rock and roll vacation. The
studio has a little apartment area, where we would work on overdub ideas on the
grand piano, vintage pump organ, and other instruments. Or we would soak in the
hot tub by the creek.”
Things are looking up for the company
They’re gonna buy the moon
Things are looking up for the company
We’ve got a flash sale on single use plastics
These lyrics are taken from “Capital Alphabet,” the lead track and first single taken from Miracle
Baby. “I had a web development job I hated,” Tucker explains. “I was in way over my head and having panic
attacks while driving to work.”
“Capital
Alphabet” is a perfect example of Tucker’s ability to make plain complex feelings
of anxiety about consumerism, and the rest of Miracle Baby repeats that
tension, albeit around more personal reflections on Tucker’s sense of “contemporary humanity.”
While Tucker
claims that Miracle Baby is “sort of a grab-bag,” thematically, the album holds
together quite well, even with its divergent styles that shouldn’t work on one
album, but do.
“We like to keep things interesting,” Tucker (Guitar, Vocals, Keys) says of
her bandmates, Jack Peters (Bass), Aimee Zoe (Drums, Percussion,) and Bill Patton (Guitar, Pedal Steel,
Vocals, Keys.) “I think we influence each other, and maybe that explains why no
two songs on this album sound alike.”
Maybe Greil
Marcus’ “dirt rubbed off” reference subconsciously makes Miracle
Baby what it is.
Miracle Baby, the second album by Seattle foursome Loose Wing arrives Nov. 10
via Drums & Wires Recordings
preceded by the single “Capital Alphabet,”
out now.