Monday, April 15, 2019

Songwriter Ryan Thompson draws influence from Johnny Cash to Wilco on country-inflected “Waiting On A Ghost” debut, out May 24th.

“We are strong, but delicate. We are wolves with a conscience. We are Delicate Hounds,” says Sacramento-based artist of album’s heartfelt performances.

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Ryan Thompson of Ryan Thompson & The Delicate Hounds. Photo credit: Ryan Thompson.

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“This song was written, composed and recorded in a closet in my mother-in-law’s house in Mexico,” says Ryan Thompson about Waiting On A Ghost’s title track. “A man is sitting alone in an empty house. He’s talked himself into the fact that his significant other is coming back. But he knows it won’t happen. However, he keeps waiting because he doesn’t want to give up hope. He knows he’s just waiting on a ghost.”


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Ryan Thompson & The Delicate Hounds – Live

05/09/2019: Sacramento, CA @ Torch Club (w/ JW Teller)
05/24/2019: Sacramento, CA @ Torchfest 2019
05/25/2019: Sutter Creek, CA @ Sutter Creek Provisions (Record Release Show)
06/29/2019: Sacramento, CA @ Side Door

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Waiting On A Ghost by Ryan Thompson & The Delicate Hounds was produced by Max Hart (The War on Drugs, We Are Scientists)

Ryan Thompson has been a visual artist, poet, husband, father, businessman, alt-rocker, and singer-songwriter. It took a lot of living to find his voice, and now Thompson is finally set to release his debut album of songs about that life (and maybe about your life, too.)

Waiting on a Ghost by Ryan Thompson & The Delicate Hounds arrives on May 24th. The album is comprised of Country-influenced songs about feelings and events that we’ve all experienced. Songs that resonate lyrically, but also melodically.

“Even the sad songs need hooks!,” Thompson jokes with the bit of truth that all good humor has. These essentials get taken home on the album by the pro-style of session players on drums, pedal steel, and keyboards. Full-of-heart female backing vocals merge beautifully with the swells, bends and layers of a Hammond B-3. Thompson named this band to represent these sounds that they made together: “We are strong, but delicate. We are wolves with a conscience. We are Delicate Hounds.”

“I did not spend my twenties on the music scene, trying to make a name for myself,” Thompson explains of his origins. “From the age of 21, I focused solely on my family and building my business career to support us. I always loved everything about making music, but it just wasn’t in the cards during these years.”

The Sacramento-based musician finally found sound in his 30’s, though he had yet to discover himself.

“I started what was basically a 90’s, alternative band with some lifelong friends,” Thompson remembers. “It’s kind of weird, but I wrote most of our songs on the bass guitar, and even though the songs were not great, and we were definitely not good, after a couple years practicing and writing, we put together some pretty catchy tunes.”

As so many bands assembled “just for fun” will do, Thompson’s went away. It was at this time that the burgeoning Americana genre began to take hold, drawing Thompson to artists such as The Avett Brothers, Drive-By Truckers, and Justin Townes Earle. Coincidentally, Thompson had just moved from playing bass to playing guitar at this time, though he had yet to start focusing on writing again.

The change happened when another friend, in need of an acoustic guitarist for his new country band, approached Thompson about joining them.

“It was fun because the crowds were always into it and could sing along and dance,” Thompson says. “I enjoy that type of energy and I also love the formula for country songs. So, I started writing songs on the side. The most popular was called ‘Poppin’ Pills and Sweatin’, which I wrote based on a discussion about how Johnny Cash must have felt when he was flying while all hopped up on pills. The crowd always loved this song, and after I started to write more and more, I decided to leave the band and focus on my own sound.”

Thompson began writing country-influenced songs with a little more depth to them than “Poppin’ Pills and Sweatin,” and soon another fortuitous friendship saw him forming a new band, Million Dollar Giveaway, which released two EPs, toured throughout California, and provided the proving ground for the songs that later became Waiting on a Ghost.

“The making of this album started in Mexico,” Thompson says of the trip he took there with his former Million Dollar Giveaway bandmate. The two were accompanied by a laptop, microphone, keyboard, a ukulele, an old guitar, and an upright bass previously owned by Thompson’s wife’s grandfather.

“I remember sending the demo of the song ‘Waiting on a Ghost’ to my wife after we recorded it and realizing that I was on to something,” Thompson says. “A whole new sound and feel was starting to emerge.”

Inspired by the Mexico demos, Thompson knew he needed to flesh out the songs and complete an album.

“I reached out to Max Hart to see about recording the songs. He had just worked with The War on Drugs and was finishing up the We Are Scientists album. He is also the full time keyboard and guitar player in Melissa Etheridge’s band, so the fact that he was interested in taking on my project was flattering. I went to Los Angeles to record my tracks, and we continued to work on things remotely between LA and Sacramento. It truly was a collaboration. Both of our visions are represented, and I believe fulfilled, on this album.”

Waiting on a Ghost by Ryan Thompson & The Delicate Hounds arrives on May 24th, preceded by the singles “Stop,” “Dreamin’ and Wishin,’” and “The Gift.” Ryan Thompson is available for interviews. Contact Josh Bloom at Fanatic for more information.

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Ryan Thompson & The Delicate Hounds
Waiting On A Ghost
(S/R)
May 24th, 2019


Track Listing:

01. Stop
02. Waiting On A Ghost (STREAM | MP3)
03. Here I Go Again
04. The Gift
05. Dreamin’ and Wishin’
06. Long Way Down
07. Sunrise
08. When Did You Say You Were Coming Home?
09. All Bones Underneath
10. Tucson
11. Finish Line

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Ryan Thompson & The Delicate Hounds – Links


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Contact Josh Bloom at Fanatic Promotion


Friday, April 12, 2019

Alex Lilly teams up with Daedelus on “Infantile” single; See mind-bending work by New Balloon Art in song’s music video at FLAUNT.

Acoustic version of album closer “Firefly” also available now. “Gorgeously performed. A lilting and sadly lovely ode to lost love,” says Parade.

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Alex Lilly as photographed by David Black

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“Infantile” featuring Daedelus. Directed by Daiana Feuer. Starring Alex Lilly, Daedelus and balloons by Addi Somekh. See it now at FLAUNT or at the link below.

"I've known about the brilliant balloon artist, Addi Somekh for some time. It was almost too perfect: The marriage between the twisty intricate keyboard lines of ‘Infantile’ and the complex balloon inventions. The song is about throwing adult tantrums so it just seemed natural to get dressed up in balloon outfits and frolic in the controlled chaos.” – Alex Lilly


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“Gorgeously performed on acoustic piano, this stripped down performance is a lilting and sadly lovely ode to lost love,” says Parade Magazine in its premiere coverage of the acoustic version of “Firefly” by Alex Lilly. The original version of the tune closes out Lilly’s debut album 2% Milk, out now.

“This version of ‘Firefly’ is solo piano and vocal with ambiance! I added a glock and a couple of moody elements. If there’s ever a piano at a venue, ‘Firefly’ is my go-to, so it made sense to record it.” – Alex Lilly


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Alex Lilly – In The Press

 

“Alex Lilly’s songs keep their cool.” — The New York Times

“Pretty freaking awesome.” — The FADER

“Alex Lilly is the genuine article.” — FLOOD

“Songs that sound perky but have an edge.” — KCRW (Los Angeles)

“Madonna with a more poetic bent.” — PopMatters

“Three-minute modern art pieces.” — Buzzbands LA

 “Alex Lilly is spellbinding. ‘Album of The Week’” — LA Weekly

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Alex Lilly – About

Los Angeles-based artist Alex Lilly is a renaissance female.

In addition to the writing, arranging, producing, and playing of her own music, Lilly has established a notable career out on the road as a part of the touring bands of such esteemed musicians Beck, Lorde, Ry Cooder, and the bird and the bee. When Lilly’s in L.A, she has stayed busy throughout the years with her own projects such as Obi Best, The Living Sisters, Touché, and Zero DeZire.

Now Lilly has brought all of her talents, ideas, and her singular voice to the table in the form of 2% Milk, her debut full-length album, out now via newly-formed Release Me Records.

Lilly’s songs – she describes her sound as “sexy psychological thriller” – are synthy, syrupy, and suspicious i.e. there’s something going on here that’s not only pop, but actually pops. The intrigue that abounds on 2% Milk moves the listener beyond toe-tapping and finger-snapping, straight to brain-mapping.

2% Milk, the debut album from Alex Lilly, is out now. Alex Lilly is available for interviews. Contact Josh Bloom at Fanatic for more information.

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Alex Lilly
2% Milk
Out Now
(Release Me Records)


  
Track Listing:

01. Confucius Says
02. 2% Milk (REMIX)
03. Distracting Me (STREAM | MP3 | VIDEO)
04. Pornographic Mind (STREAM | MP3 | VIDEO)
05. Boomerang
06. Night Drive
07. Infantile (VIDEO)
08. Cold Snap
09. Hypothetical
10. Firefly (ACOUSTIC)

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Alex Lilly - Links


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Contact Josh Bloom at Fanatic Promotion


Tuesday, April 9, 2019

Authentic anthems, Allmans-esque guitar duels define “Sisters & Brothers,” third full-length by Atlanta-based classic rock virtuosos, The Pinx.

“Cranked up 70s style rock with infectious, poppy lyrics. Rock and rollers, The Pinx, embody elegance and chaos,” says Glide in “Mercy!” premiere.

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The Pinx (L-R): Cayce Buttrey, Chance McColl, Adam McIntyre, Charles Wiles. Photo credit: Chris McKay.

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The Pinx – In The Press

“An authentic tribute to classic American rock & roll.” — PASTE

“The Pinx put some pop in their power. Would make Alex Chilton proud.” — FLOOD

“An urgency that’s affecting and exhilarating.”  — Creative Loafing (Atlanta)

“Serious anthemic energy.” — Americana Highways

“It is the way rock and roll should be heard.” — Elmore Magazine

“Memorable riffs of 70s classic rock and the introspective storytelling of that era’s sharpest songwriters.” — Stomp & Stammer

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“Cranked up 70s style rock with infectious, poppy lyrics. Rock and rollers, The Pinx, embody elegance and chaos,” says Glide Magazine in its premiere of “Mercy!” from Sisters & Brothers, the upcoming new album by The Pinx. Listen here or at the link below.


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The Pinx – Live


04/12/2019: Atlanta, GA @ 529 Bar

See The Pinx headlining a record release show to celebrate the release of Sisters & Brothers w/ HeY!ALLigator, Gnomonaut, and Chrome Castle


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About – The Pinx

The basic tracks for Sisters & Brothers (April 12th), the upcoming third album by the Atlanta, Georgia-based rock band, The Pinx, were recorded live in the studio, including band leader Adam McIntyre’s insistent vocals. Listen to the single “Mercy!” from Sisters & Brothers here. The dueling Allman Brothers-esque guitar leads throughout the album by McIntyre and Chance McColl happen to sound particularly majestic in this setting.

About “Mercy!,” McIntyre recalls the humorous story that inspired the tune, “I was somewhere out of town about to play a show, talking to someone, when a lady slapped my ass. I’ve worked in enough restaurants where that kind of thing was rampant, so I just kind of turned my head while I kept talking and watched as this lady turned ghost white when she realized she’d slapped a stranger on the ass, not her husband. She apologized later.”

“I wanted the audience to enjoy a rock and roll band doing what a rock and roll band does,” McIntyre continues, talking about his intentions behind the process of recording Sisters & Brothers. Harmony vocals, guitar solos and extra “studio magic” came later courtesy of two magicians (producers Brian Carter and Joey Jones), marking a departure for McIntyre, who is used to wearing all of the hats.

“I’ve tried to be the singer, lead guitarist, frontman, songwriter, producer, engineer and mixer,” he says of his past recordings, “but Sisters & Brothers is a tale of letting two talented engineers do their work while we did ours as a band.” That said, it was still McIntyre’s idea to bring Carter and Jones together.

The gamble paid off this time around as Sisters and Brothers sounds like the legit combination of the styles of the men that McIntyre placed at the helm. The songs here are undeniably melodic and hummable, but it’s as if you’re tapping along while careening towards a brick wall. Sisters and Brothers embodies elegance within chaos.

“Our previous album (2016’s Freedom) was a party record, but Sisters & Brothers is for darker times,” McIntyre explains. “That’s not a bad thing, though. Darkness is important.”

Sisters & Brothers, the third album by The Pinx, arrives on April 12th, preceded by the singles “Mercy!,” “Magic Touch,” and the title track. Adam McIntyre of The Pinx is available for interviews. Contact Josh Bloom at Fanatic for more information.

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The Pinx
Sisters & Brothers
April 12th, 2019
(S/R)


Track Listing:

01. Mercy! (STREAM | MP3)
02. Get Up (STREAM | MP3)
03. All Over Now
04. Time & Trouble
05. Brain Fog
06. Magic Touch
07. Daughter of the River
08. Ain’t Your Man
09. I’m Trying
10. Sisters & Brothers (STREAM | MP3)
11. Whippoorwills In A Graveyard At Night (Hidden Track)

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The Pinx – Links


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Contact Josh Bloom at Fanatic Promotion