Monday, February 6, 2017

Married duo Fawns of Love emerges from Bakersfield, California with Kate Bush, Cocteau Twins, Sparks-inspired debut album, out March 3rd.

“Silly Boy” single “captures turmoil through impenetrable sonic textures and emotionally thick lyrics.” Hear it now via Atwood Magazine.

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Fawns of Love (L-R): Jenny Andreotti. Joseph Andreotti. Photo credit: Joseph Andreotti.

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Los Angeles! See Fawns of Love live at the Echo Park Film Center on Sat., Feb. 11th! More info here.

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Hear “Silly Boy” by Fawns of Love from Who Cares About Tomorrow now via Atwood Magazine or the links below!




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“Captures turmoil through impenetrable sonic textures and emotionally thick lyrics.” — Atwood Magazine

“One of our favorite records is Hounds of Love by Kate Bush,” explains Joseph Andreotti, who along with his wife Jenny, comprises the Bakersfield, California-based duo, Fawns of Love. “We wanted a name that would pay homage to that record.” Fawns of Love will release its debut album Who Cares About Tomorrow on March 3rd, 2017.

It’s not the first time the Andreottis have chosen a band name. Married for 13 years, and performing together for 16, the duo has variously recorded and toured throughout that time under the names Funeral Club and Peppermint Kisses, releasing records with RCRD LBL, Plastiq Musiq, and several others along the way. Then, in early 2013, Jenny enrolled in a history graduate program.

“It was the first time since knowing each other that we didn’t make music together,” Joseph says. “But when she graduated last spring, we became anxious to start making music again.”

This time, the Andreottis were inspired to do something new with their latest musical inspiration, bringing their love of not only Ms. Bush, but also Cocteau Twins, My Bloody Valentine, Blur, Pulp, Slowdive, The Jesus and Mary Chain, and The Chills to the new project.

And Sparks. In Jenny’s case, lots of Sparks.

“To prepare for this album, I listened to every era of Sparks every chance I got,” she says. “What did I learn? That there is only one Sparks, so I better find a voice that works for me. I must say I am pleased with the results.”

Indeed, Fawns of Love takes all of these legendary sounds, which some immediately think of as cold or aloof, and makes them pop with overtones of The Smiths, New Order, and the undeniable warmth that comes from the Andreotti’s many years of making music together.

Did we mention Sparks?

“Two of the eight songs are homages to Russell Mael of Sparks,” Joseph confesses.

Obviously, there is obsessive joy in the ​​​​Fawns of Love take on shoegaze. That said, there is also self-reflection that contributes to taking these songs to the next level, including the song ​​​​“Silly Boy,​​” about which ​​Jenny ​jokes, “‘Silly Boy’ is in response to the typical rock songs I grew up with that were basically like ‘Hey, baby you know you want this,’'​ with a hair metal guy gesturing towards his crotch.”

With this tune, ​​Jenny succeeds at writing the type of love song she thinks a woman would want written about her, “Still sexual, but less obvious, and not demeaning,” she say, going on to explain that the song “is also a reflection on a continual conversation my husband and I are always having. I am a naturally depressed person and he is not, so it is always a source of contention. I wrote ‘Silly Boy’ from his perspective of me, a rather melancholy girl.”

For his part, Joseph says that “Most of the songs on the record became homages to the various bands that have influenced us. The intro drum beat is a homage to ‘Just Like Honey’ by the Jesus and Mary Chain, while the ‘glide guitar’ strumming is a homage to My Bloody Valentine.”

Pondering love, and love lost in the many forms it takes, ​​​​Who Cares About Tomorrow, the debut album from ​​​​Fawns of Love (​​​​March 3rd, 2017), does the diva that inspired the band’s name, and all of the notable influences heard throughout, quite proud. Jenny and Joseph Andreotti are available for interviews. Contact Josh Bloom at Fanatic for more information.

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Fawns of Love
Who Cares About Tomorrow
(S/R)
March 3rd, 2017


Track Listing:

01. Silly Boy (STREAM | MP3)
02. That’s What We Do
03. His Face
04. How We Live Now
05. Names, Names, Names
06. Miranda
07. Girls
08. Scattered Pieces

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Fawns of Love Links


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Contact Josh Bloom at Fanatic Promotion


Friday, February 3, 2017

San Francisco-based duo 20 Minute Loop celebrates 20 years of making music with “Songs Praising The Mutant Race” on 2/24, its first album in eight years.

Two voices “born to sing together” play Noise Pop on 2/21. Hear “Mercury Vapor” from new album, which showcases stripped down favorites from band’s catalog.

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20 Minute Loop (L-R): Kelly Atkins, Greg Giles. Photo credit: Teresa Miller.

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20 Minute Loop – In The Press

“Beautifully morose pop with catchy melodies and tight harmonies.” — NPR / All Songs Considered

“Pop songsmiths of the highest caliber, adept at crafting idea-packed tracks that are clever, catchy and wholly engaging.” — The Bay Bridged

“One of the more refreshing musical experiences I’ve had in months and months.” — Pitchfork

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Hear “Mercury Vapor” by 20 Minute Loop from Songs Praising The Mutant Race now via the links below! Artwork by Sara Lautman (The New Yorker, The Believer, The Pitchfork Review).





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See 20 Minute Loop live at this year’s Noise Pop 25 festival in San Francisco on 2/21 at the Swedish American Hall! More info here.

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Twenty years of 20 Minute Loop will be celebrated on February 24th, 2017 with the release of Songs Praising The Mutant Race, the San Francisco-based band’s first album in over eight years, an achievement marked not only by gray hair, ringing ears and creaky knees, but a shit-ton of songs, stories and shows.

Formed by Greg Giles (vocals, guitar) in 1997, and joined by Kelly Atkins (vocals, keyboards, flute) shortly thereafter, this core duo follows-up the release of five albums, with their sixth, and arguably most passionate, recording yet.  The seemingly permanent shelving of 20 Minute Loop due to impossible scheduling, newborn children, and brain-rotting graduate studies, has now given way to Songs Praising The Mutant Race, which offers up stripped down and reinvented versions of ten favorites from the 20 Minute Loop catalog, one cover song, and one never-before-released tune. The record proves that bands may die, but songs don’t. The collection breathes with both the wisdom of age, and renewal.

Inspired by the reactions of longtime fans at a series of intimate house concerts that 20 Minute Loop performed upon initially reforming in 2014, Songs Praising The Mutant Race finds the group recording as a trio in very similar circumstances: live in the room at Ninth Street Opus studios in Berkeley. It’s one of those longtime fans who has become a co-conspirator. Avowed 20 Minute Loop loyalist, Kevin Seal – “I like Radiohead more than 20 Minute Loop, and that’s basically it,” he jokes – sat in on piano and vocals for the living room shows, and has now joined in on the reinvention of these tunes in the studio.

“This is a band with a devoted following, and their fans wouldn’t let them go away,” Seal says. “‘Back by popular demand’ is usually nothing more than a threadbare cliché, but this band’s return really feels like a persistent request from their listeners. I’m still pinching myself that they invited me along.”

In re-imagining, re-arranging, ironing out, and stitching this material back together, the band wanted the songs to shine without being burdened by too much production. Here we have the songs and singers laid bare, accompanied by overdubs from mostly acoustic instruments, including viola, trumpet, flute, accordion, wineglass organ, and more.  The result is a perfect depiction of the vibe from one of the living room concerts that inspired the record, with the band’s visceral lyrics and accompanying tempos taking on a woozy, syrupy overtone that makes these songs feel fresh. Sonically, these new versions focus on the vocal interplay between Giles and Atkins, who sound more like they were born to sing together than ever before.

“Singing with Greg has been the single most important musical relationship of my life,” Atkins explains. “It truly feels like ‘coming home’ for me. The nimble instinct that you have after singing with someone for 20 years is a once-in-a-lifetime treasure.”

That special vocal combination is especially affecting on the album’s opening number and first single “Mercury Vapor,” about which Atkins explains, “The re-do of this song includes Caitlin Tabancay Austin adding a third harmony, which absolutely brings the song to life. It’s frenetic, neurotic and makes me feel like I have a nervous tic every time I sing it – but in a good way.”

The song’s dark lyrics written by Giles (“I don’t care if I die, if I wind up dead”) belie the catchy, country hop of the tune.

“I don’t know why this song has a country hop to it,” Giles says, “but let’s just say 20 Minute Loop has always enjoyed mixing jubilant music with lyrical fatalism. I guess we're syncopating tones, sweet and sour, joy and loneliness, truck axles and eiderdown.”

As a band that came about and went away in the age of the Compact Disc, 20 Minute Loop is very excited for Songs Praising The Mutant Race to be its first album issued on vinyl, and they are doing it with style. In addition to the usual formats, fans can purchase a beautiful vinyl edition of the album with a jacket illustrated by Sara Lautman, whose work has previously appeared in The New Yorker, The Believer, The Pitchfork Review, The Awl, and other publications.

A hometown sneak peek of the record is also on tap, as 20 Minute Loop is scheduled to play tunes from Songs Praising The Mutant Race as part of Noise Pop 25 at San Francisco’s Swedish American Hall on February 21st.

Songs Praising The Mutant Race by 20 Minute Loop is scheduled for release on February 24th, 2017. The album’s lead single “Mercury Vapor” is streaming now. Members of 20 Minute Loop are available for interviews. Contact Josh Bloom at Fanatic for more information.

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20 Minute Loop
Songs Praising The Mutant Race
(S/R)
Feb. 24th, 2017
  

Track Listing:

01. Mercury Vapor (STREAM | MP3)
02. English As A Second Language
03. Empire
04. Giftgas
05. Elephant
06. Hell In A Handbasket
07. Parking Lot
08. Drowning
09. Aquarium
10. Carlos The Jackal
11. Windsor McKay
12. Never My Love

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20 Minute Loop Links


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Contact Josh Bloom at Fanatic Promotion


Wednesday, December 21, 2016

Cotton Mather creates 64 mini-pop masterpieces, one for each hexagram of the I Ching, an “extraordinary book about ordinary life,” says mastermind, Robert Harrison.

Latest is part of three-song EP feat. Nicole Atkins, out Dec. 30th. Hear “Faded” via The Bluegrass Situation. Title cut from “Girl With A Blue Guitar” EP gets deep dive from Atwood.

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Robert Harrison of Cotton Mather as photographed by Valerie Fremin.

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Cotton Mather – In The Press

“Harrison’s gifts are as strong as ever.” – AllMusic

“An exemplary specimen from Harrison’s seemingly endless collection of instant classics.” – Austin Chronicle

“Harrison and his comrades have retained their retro vitality. 8/10.” – Uncut

“Save money on the next (Beatles) reissue and try this colorful extension of their sonic legacy.” – Los Angeles Times

“A record that is not to be missed. Grade: A.” – Goldmine

“Cerebral aspirations grounded in a classicist’s grasp of melody.” – MAGNET

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Hear “Faded” from the “Cotton Mather with Nicole Atkins” EP via The Bluegrass Situation or at the links below!



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Texas Monthly kicked off the “Songs From The I Ching” project way back on November 16th, 2015 with this article and the first track premiere!

It didn’t take 15 years for ​​Cotton Mather’s Austin-based main man, ​​Robert Harrison to write the 64 songs (64 songs!) that comprise his latest musical vision: one song for each hexagram (or reading) of the I Ching.  That’s actually the amount of time that has passed since the last full-length album of new ​​Cotton Mather songs was released.

27 tracks from this treasure trove of new tunes, released in “real time and real weather” as ​​Harrison describes this creative process, have already been made available as of December 21st, 2016. These included non-album cuts, the full-length LP Death of The Cool (the band's first in 15 years!), the four-song EP "Girl With A Blue Guitar," and now a three-song release with singer Nicole Atkins that arrives on December 30th, which includes the final version of the song "Faded," previously issues as part of the project with a Harrison vocal only.

“‘Faded’ corresponds to the 64th, or final hexagram of the I Ching. I am writing these songs experientially, not sequentially, and that reading is 64,” Harrison says. “Before ‘Completion/ Not Yet Fulfilled’. Strange right? Logic would suggest that ‘After Completion,’ which is the 63rd hexagram, should wrap things up.  But the I Ching states that disorder and chaos immediately follow ‘After Completion,’ and always precede 1. ‘The Creative’, where it all starts all over again. It’s like moving out of a house where you’ve had a life, and starting over in a new place. At first, everything’s in boxes and you don't know where the light switches are.”


Robert Harrison of Cotton Mather is available for interviews.  Contact Josh Bloom at Fanatic for more information.

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Hear the title track from the “Girl With A Blue Guitar” EP and read a comprehensive take on the tune via Atwood Magazine!



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Except from the full “Girl With A Blue Guitar” commentary by Robert Harrison which can be found in full here.

“The night before I wrote this song, just before dawn, I dreamt I was lying in my bed, holding and looking at a gold-framed oil painting of my life that looked like a Dutch master. Then suddenly the muted colors on the canvas began to crack and all the paint began flaking off until I was staring at a radiant palace that was washing me in light. I held the frame before me and let the light engulf me. It felt so amazing. My arms began to tremble, and I noticed I was waking up but didn’t want to. I didn’t want this to ever stop! Then my eyes opened to the sight of a drab popcorn ceiling, which I stared at for a while. But that – was a good dream!”


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Cotton Mather
“Cotton Mather with Nicole Atkins” EP
(The Star Apple Kingdom)
Dec. 30th, 2016


01. Call Me The Witch
02. Faded (STREAM | MP3)
03. Girl Friday

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Cotton Mather
“Girl With A Blue Guitar” EP
(The Star Apple Kingdom)
Out Now


01. Fighting Through (STREAM | MP3)
02. Girl With A Blue Guitar (STREAM | MP3)
03. Better Than A Hit
04. I Volunteer

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Cotton Mather
Death of The Cool
(The Star Apple Kingdom)
Out Now


Track Listing:

01. The Book of Too Late Changes (STREAM | MP3)
02. Close To The Sun (STREAM | MP3)
03. The Middle of Nowhere
04. Candy Lilac (STREAM | MP3)
05. Life of The Liar (STREAM | MP3)
06. The Land of Flowers
07. Never Be It
08. Queen of Swords
09. Waters Raging
10. Child Bride (STREAM | MP3)
11. The End of DeWitt Finley

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“Songs From The I Ching” Master Song List (as of Dec. 21st, 2016)

Hexagram # | Song Title | “I Ching” Hexagram Name | Where Available | Listening Links

#1 | Close To The Sun | The Creative | on Death of The Cool | (STREAM | MP3)
#2 | The Middle of Nowhere | The Receptive | on Death of The Cool
#3 | The Land of Flowers | Beginning | on Death of The Cool
#4 | Child Bride | Youthful Folly | on Death of The Cool | (STREAM | MP3)
#5 | Never Be It | Waiting | on Death of The Cool
#6. Life of the Liar | Contention | on Death of The Cool | (STREAM | MP3)
#7 | The Army | The Army | non-album track | (STREAM)
#8 | Candy Lilac | Union | on Death of The Cool | (STREAM | MP3)
#9 | High Society | Little Accumulation | non-album track | (STREAM)
#11 | California | Advance / Peace | non-album track | (STREAM)
#12 | The End of DeWitt Finley | Standstill | on Death of The Cool | (STREAM)
#13 | The Cotton Mather Pledge | Seeking Harmony/Fellowship Among Men | non-album track | (STREAM)
#14 | “Call Me The Witch | Possession In Great Measure | on “Cotton Mather with Nicole Atkins” EP
#15 | It’s Better Not To Be The King | Modesty | non-album track | (STREAM)
#16 | Girl Friday | Delight | on “Cotton Mather with Nicole Atkins” EP
#18 | Shadow The Star | Remedying | non-album track | (STREAM)
#21 | Fighting Through | Biting Through | on “Girl With A Blue Guitar” EP | (STREAM | MP3)
#22 | White Gold | Adornment | non-album track | (STREAM | MP3)
#23 | Queen of Swords | Falling Away | on Death of The Cool
#24. The Book of Too Late Changes | The Return | on Death of The Cool | (STREAM | MP3)
#25. I Volunteer | Without Falsehood | on “Girl With A Blue Guitar” EP
#28 | Carnival Off My Back | Great Exceeding | non-album track | (STREAM)
#29 | Waters Raging | The Abysmal | on Death of The Cool
#37 | King William | The Household | non-album track | (STREAM)
#44. Better Than A Hit | Encountering | on “Girl With A Blue Guitar” EP
#52 | Way of The Samurai | Keeping Still/The Mountain | non-album track | (STREAM)
#53. Girl With A Blue Guitar | Gradual Progress | on “Girl With A Blue Guitar” EP | (STREAM | MP3)
#56 | Hijinx Dad | The Wanderer | non-album track | (STREAM)
#64. Faded | Before Completion/Not Yet Fulfilled | non-album track (Robert Harrison vocal version) | (STREAM | MP3)

#64. Faded | Before Completion/Not Yet Fulfilled | on “Cotton Mather with Nicole Atkins” EP | (STREAM | MP3)

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“Kontiki gave me something to shoot for.” – Britt Daniel (Spoon)

“The best record I’ve heard in ten years.” – Noel Gallagher (Oasis)

“100 Great Albums You’ve Never Heard” (#2) – NME

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Cotton Mather’s 1997 album Kontiki was reissued on CD in 2012 with a bonus disc of demos.

Now, with renewed interest in the band, and this underground classic, Kontiki has been released on vinyl for the first time along with a bonus 7-inch, limited to 300 copies, containing two Cotton Mather tracks (“I’ll Be Gone,” and “Animal Show”) that were previously only available on a now out-of-print single.

Cotton Mather released its debut album Cotton Is King in 1994, but it was Kontiki, famously recorded on four-track cassette and released in 1997, that drew praise from critics and rock-stars alike, so much so in the UK that many thought the band originated there.

Uncut gave Kontiki five stars calling the record “music to smile yourself to death to.” Mojo said the songs were “brought to life with daring vitality,” and in its own five-star review, The Guardian called Kontiki “a bewildering, dizzy thrill.”

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Cotton Mather Links


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Contact Josh Bloom at Fanatic Promotion