Friday, December 11, 2015

Myopic records “Playground” in one take in Montessori school playground. Two-song “Two Pieces” single out today.

Dallas–based multi–instrumentalist Jeff Ryan’s credits include work with St. Vincent, The War on Drugs, Sarah Jaffe. 

+++


Jeff Ryan of Myopic as photographed by Jerome Brock.

+++

PLAY, POST & SHARE

Grab a download of “Playground” by Myopic courtesy of Popmatters and check out the video via Northern Transmissions.




+++



+++

Dallas–based drummer and multi–instrumentalist Jeff Ryan – his credits include work with St. Vincent, The War on Drugs, Daniel Johnston, Sarah Jaffe, The New Year and many more – presents “Two Pieces” (UPClose Recording Co., Dec. 11th), his latest release under the Myopic banner.  The new tracks are each named for the settings in which they were made, recorded with minimal instrumentation and no overdubs, and then mixed by Grammy award–winning producer, Stuart Sikes.

“The idea was to capture a moment and not spend any time in post-production,” Ryan says of the concept. “Whatever happened in the moment, happened.”  The first track, “Playground,” was recorded in the playground of White Rock Montessori where Ryan’s children go to school. “A lot of the teachers are already playing it for their students, and getting them inspired to make more music.”

“I was dropping by the school, and I realized I was in the playground, totally alone, for the first time,” Ryan explains. “Even though I’d always noticed the vibes and bells that were built into the playground, I just never really had the chance to play them.”  A few weeks later, Ryan replicated the melody he came up with that day along with minimal accompaniment.

“I heard violin and another set of bells accentuating my foundational melody,” he says.  “I had Scott Danbom from Centro–Matic, and a few other players along to accompany me. You can hear planes flying overhead, a bit of the wind, and the instruments resonating naturally outside.” The music video for “Playground,” shot by John Dufhilo, captures the session just as it took place that day.

“I’ve been on the periphery of the electronic world for a while, so I thought it would be interesting to try something completely different,” Ryan says of the new music. The second of the “Two Pieces” is “Home” which was recorded in the house where Ryan grew up in rural Texas. “To go there that day and track this idea in the same living room where I’ve had hundreds of family gatherings was pretty special,” he says.

Jeff Ryan of Myopic is available for interviews.  Contact Josh Bloom at Fanatic for more information.

+++

Myopic
“Two Pieces” Single
(UPClose Recording Co.)
December 11th, 2015


Track Listing:

01. Playground (STREAM | MP3 | VIDEO)
02. Home

+++

Myopic Links


+++

Contact Josh Bloom at Fanatic Promotion


Thursday, December 10, 2015

Cotton Mather harnesses the wisdom of the I Ching for massive 64-song, multi-album undertaking.

Austin-based power-pop maven Robert Harrison explains “The Book of Too Late Changes” single.

+++


Robert Harrison of Cotton Mather. Photo Credit: Valerie Fremin.

+++

PLAY, POST & SHARE

Check out the premiere of “The Book of Too Late Changes” by Cotton Mather via Texas Monthly or listen at the links below!




+++


Cotton Mather’s much revered album Kontiki – originally issued in 1997, and then again as a deluxe edition in 2012 – was heavily influenced by Chinese philosophy, and the band’s mastermind, Robert Harrison is mining that subject matter again with his ambitious new project which represents the first all-new Cotton Mather music in more than a decade.

“I’ve always been spiritually curious,” Harrison says of the subject matter.  “I studied the I Ching in college but didn’t delve deep until later.”  Delving is putting it mildly as Harrison intends to record one song for each of the ancient book of Chinese wisdom and advice’s 64 hexagrams, eventually packaging the tracks into several vinyl releases, but making them available digitally along the way.

The first track, “The Book of Too Late Changes,” was premiered by Texas Monthly in November as part of a larger feature about the project, and two more songs will become available before the close of 2015.  Harrison explains that he consults the I Ching “at the beginning of most days,” but it wasn’t until recently that he decided to let it motivate his songwriting and birth this massive project.

“I wrote a song titled ‘Call Me The Witch’ for Nicole Atkins,” Harrison tells Texas Monthly. “I got the idea for the song after consulting the I Ching.  I began to ask myself, ‘Should I do a project based around the I Ching?’ I’d get a gentle ‘No,’ but this spring I was in Europe and realized it was burning in me to do the whole cycle, because I’d already written a dozen or so songs in this method.  I realized attempting all 64 at once wouldn’t be true. So the songs are my responses to the readings as I receive them, happening in real time and real weather.”

This thinking explains Harrison’s choice to release the tracks one by one, sharing the material in an organic, non-contrived way.  Harrison says that 18 of the 64 songs have already been written, and the process of recording them is ongoing.  The first tune to surface, “The Book of Too Late Changes,” is actually about surfacing itself.  Or re-surfacing in this case.

“The question was, where do I begin?,” Harrison tells Texas Monthly. “One problem is you have to convince people you’re worth hearing again. I knew it had to be  something explosive. I consulted the I Ching and got hexagram 24, ‘The Return,’ which is about turning back onto the path. So I thought, I’ll make it about the return of Cotton Mather.”

Robert Harrison of Cotton Mather is available for interviews.  Contact Josh Bloom at Fanatic for more information.

 +++

More about Cotton Mather:

Cotton Mather was founded by Robert Harrison in Austin, Texas in the early 1990’s with an experimental sound that soon evolved into guitar driven pop defined by accessible melodies, strong vocal harmonies and lyrical wit. The group released its debut album Cotton Is King in 1994, but it was the follow-up album Kontiki, famously recorded on four-track cassette, that drew praise from critics and rock-stars alike.

Uncut Magazine gave the album five stars calling the record “music to smile yourself to death to.” Mojo said the songs were “brought to life with daring vitality,” and in its own five-star review, The Guardian called Kontiki “a bewildering, dizzy thrill.” It wasn’t just the press either.  Oasis brothers Noel and Liam Gallagher fell in love with Kontiki soon after discovering it. When Noel was asked “What are you listening to these days?” in the pages of Mojo, he answered: “Cotton Mather, Kontiki,” and went on to say, “I thought if that isn’t the best record I’ve heard in ten years, then I don’t know what is.” Brother Liam left his praise for the record in the pages of GQ, admitting “I fucking wish it was ours! I play it all day at home.”

On our shores, the bounce back of influence from across the pond was finally felt with Britt Daniel of Spoon being just one artist to say “Kontiki gave me something to shoot for.” In addition to the deluxe reissue of Kontiki on Valentine’s Day, 2012, Cotton Mather reunited that year for a special performance of full album at South By Southwest, marking the first time in a decade since the band last performed together.

In the years since Cotton Mather went on hiatus, Harrison stayed busy producing other artists, in addition to forming and fronting a new band, Future Clouds and Radar which was acknowledged for its “sprawling orchestral pop” by The New Yorker and named “Debut Artist of The Year” by Harp Magazine.  Harrison expects that with so many I Ching songs to record, Future Clouds and Radar will also be making an appearance on the project. 

+++

Cotton Mather Links


+++

Contact Josh Bloom at Fanatic Promotion


Monday, December 7, 2015

Dan Hubbard reinvents his sound in Nashville with Wilco co-founder behind the boards. Hear “February” single now.

Upcoming self-titled album from Midwest-based songwriter produced by three-time Grammy nominee, Ken Coomer.

+++


Dan Hubbard as photographed by Karen Bridges (Beyond The Well)

+++

PLAY, POST & SHARE


Check out the premiere of “February” by Dan Hubbard via Groundsounds or at the links below!



+++

“Ranks alongside the likes of Ryan Adams as one of the finest contemporary country-rock front men.” –R2 Magazine (UK)

Bloomington, Illinois-based songwriter Dan Hubbard has been cultivating a Midwestern rock n’ roll sound for over a decade.  Until now.

Starting with his first album under the name The Hubbards in 2003, through to 2011’s The Love Show with his band, The Humadors, Hubbard never felt the urge to change things up, but when he did, he had to make some big choices.

“Everyone had their reasons for wanting to end the band, but changing my sound, which was something I never cared about before, was my reason,” Hubbard says. It was a precarious move for an artist who had already built a small, but devoted fan base.  The risk paid off.

Hubbard’s upcoming, naturally self-titled, solo album (out Feb. 5th) is all the proof that’s needed. Where the Humadors rocked, and rocked very well, Hubbard’s new songs, and his performance of them, sound less rave-up and more settled in – real, relatable, roots-driven music that sticks.

Armed with a batch of some of the best songs he’d written in his life, Hubbard recently headed to Nashville to work with producer Ken Coomer, a co-founder of Wilco and a three-time Grammy nominee.

“Ken played drums on Wilco’s Being There and Summerteeth albums – two of my favorite records of all time,” Hubbard exclaims of this dream-come-true scenario. Coomer brought in a who’s who of local talent to round out Hubbard’s studio band, including Dave Roe (long-time bassist with Johnny Cash), Adam Ollendorff (guitarist with Kacey Musgraves), and Tyson Rogers (pianist with Don Williams). Of course, Coomer himself joined in behind the drums.

“I know it’s the best thing I’ve done,” Hubbard says of the album. “I hope a lot of people enjoy it.”

Dan Hubbard’s self-titled new album arrives on February 5th, 2016 with a tour launching that same day.  Contact Josh Bloom at Fanatic for more information.

+++

Dan Hubbard
S/T
(S/R – Feb. 5th, 2016)
  

Track Listing:

01. February (STREAM | MP3)
02. More I Live, Less I Know
03. Johnny
04. Straw Hat
05. And The Music
06. She Gives It Everything
07. All Night, Alright
08. Tired of Loving You
09. Come Tomorrow
10. The Turning Point

+++

Dan Hubbard – Live

02/05 Bloomington, IL @ The Castle Theater
02/06 Springfield, IL @ The Legacy Theater
02/11 Chicago, IL @ Schubas Tavern
02/12 St. Louis, MO @ Off Broadway
02/19 Davenport, IA @ Redstone Room
02/20 Cedar Rapids, IA @ Artisans Sanctuary
02/27 Champaign, IL @ Cowboy Monkey
03/03 Indianapolis, IN @ The Hi-Fi
03/04 Louisville, KY @ Third Street Dive
03/05 Nashville, TN @ The Basement
03/11 Fort Myers, FL @ Yabo
03/26 Emporia, KS @ Emporia Granada Theater

+++

Dan Hubbard Links


+++

Contact Josh Bloom at Fanatic Promotion