Sloan Brothers | “Ain’t Goin’ Home This
Christmastime”
Tuesday, November 29, 2022
Hear “coolest Telecaster in town,” gifted by Lou Reed to Moe Tucker's son Richard Mikulka, on Sloan Brothers new holiday tune, out today.
“Ain’t Goin’ Home This
Christmastime” is “imaginary B-side” to Springsteen’s “Santa” that shakes up “setting
sad lyrics to sad music” trope.
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Sloan
Simpson as photographed
by Jason Thrasher
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Sloan Brothers
System
Update
(Science Project Records)
Out Now
Streaming Link:
Track Listing:
03. Cryin’ Shame
07. So Good (Reprise)
08. Amplified
09. Coffee Black
10. Into My Mind
11. Mirrorball
12. Smile Down On Me
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Sloan Brothers | About
Sloan
Simpson has been recording for over
two decades. Until now, none of the music has been his own.
This changed with the release of his debut album System
Update (out now via Science Project Records)
under the name Sloan Brothers.
Though Sloan
Simpson says that while making his debut album he was “listening to mainly The Cure,” the album’s opening one-two
punch of the title track and the instrumental “Cleopatra Echo” feels like Daft Punk invited Herbie Hancock to form a trio jamming with The Grateful Dead during that band’s most spirited era of
ever-evolving journeyman collaboration.
Wow, how did Simpson
get here?!
The Athens, Georgia-based musician played rock and
jazz guitar growing up, but was frustrated by the hit his talents took when a
serious car accident sidelined him. Simpson
sold all of his guitars and quit the instrument.
With music still in his blood, if not in his grasp, Simpson began to document, through live
taping, the local scene in his new hometown of Atlanta, eventually relocating
to nearby Athens after years spent driving between the two as part of his
recording endeavors. His new hobby had become a good habit.
“I had a permanent recording setup installed and the
reality of losing my favorite venue really set in when I had to go remove it,” Simpson says of The Caledonia Lounge, a nationally-recognized Athens club that
closed in October of 2020, sidelining him again.
Like the life-changing event that inspired his
recording career of recording others, the closing of the Caledonia was eerily fortuitous for Simpson. While live music was in shutdown, he wrote and recorded
his first song.
“It was the first vocals I’d ever sung into a
microphone,” Simpson says. With his
friend, guitarist Kevin Sweeney contributing
solos, the first Sloan Brothers
single “For You” was released later that
month.
Pleased with the experience, Simpson picked up a bass, more microphones, and drum software.
Though he returned to guitar, he says that even without formal training,
“playing keyboards is what allowed me to start writing songs.”
He also started calling up more friends.
Simpson explains, “I asked my friend Robert Schneider (co-founder of The Apples In Stereo and Elephant
Six Recording Co.) if he would record backing vocals on the song “Into My Mind,” and he agreed. As I
kept writing more songs, I would ask more friends I knew from recording shows
over the years to contribute guest parts.”
In addition to Sweeney
and Schneider, some three-dozen or
more local luminaries also appear on System Update, including current and
former members of Maserati, Olivia Tremor Control, Japancakes, of Montreal, Drive-By
Truckers, Cracker, Casper & The Cookies, Camper Van Beethoven, Elf Power, and more.
In fact, it was Elf
Power’s Andrew Rieger that
inspired Simpson’s songwriting on
the album’s first single, “Songs Like
This.”
“I asked Andrew
if he would sing on something if I wrote one he liked,” Simpson jokes. “Andrew
sings the high part in the choruses and it was perfect for Kevin Lane of local pop legends The Possibilities to sing in the verses with me. I’ve been friends
with Bryan J. Howard of Cracker for nearly 20 years now, and he
jumped in on bass.”
The tune has one the most relatable indie rock
crush-couplets you’ll ever hear and is a defining example of the quality of Simpson’s songwriting future.
“I saw you buying records and I saw you at the coffee
shop
I didn’t hear your order but I bought the same record
you got”
These words provide a mere glimpse into Simpson’s ability to explore emotion
with the kind of candor that only comes from experience brought by age.
“I had long been avoiding expressing feelings as some
sort of misguided version of the ‘cool’ that rock ‘n roll had taught me growing
up,” he admits. “Once I lost family, I realized that it’s okay to express pain,
trauma, and desires.”
After half a lifetime taking home tapes of the
personal struggles of others in song, it’s about time that Simpson is giving us the same opportunity with his unexpected,
thrilling work.
System Update, the debut album by Sloan
Brothers is out now.
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Sloan
Brothers | Links
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Josh Bloom at Fanatic
Promotion | Contact
Wednesday, November 16, 2022
Can you get better at falling in love? Alex Lilly answers this question on heart-making (not breaking!) new song “I'm Getting Better At Falling In Love.”
Lilly is “to the current plethora of pop what a Picasso is to a selfie,” says Buzz Bands LA; New album out now on Inara George’s Release Me Records label.
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Alex Lilly as photographed by Daiana Feuer
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Alex Lilly | “I’m Getting Better at Falling in Love”
Alex Lilly
Repetition Is A Sin
(Release Me Records)
Out Now
Streaming Link:
“Alex Lilly’s songs keep their cool.” — The New York Times
“Alex Lilly is the genuine article.” — FLOOD
“Pretty freaking awesome.” — FADER
“Alex Lilly is spellbinding. Album of The Week” — LA Weekly
“Alex Lilly steps into the spotlight.” — Flaunt
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Alex Lilly | “Melinda”
[YOUTUBE]: https://www.youtube.com/watch?v=5Fli1vsB0xA
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“During the early pandemic days when I lost all my
work, I started composing jingles and theme songs for people,” explains Alex Lilly of how “Melinda” came to be.
Lilly continues, “I have a hetero-girl crush on the
supremely talented and unique, Melinda
Sullivan. Melinda’s man asked me
to write a jingle for her. Melinda’s
jingle is a true story! We appeared in a music video together, pretended to
kiss, and... oh, those lips! We also played at The Gardenia, so the song is a play-by-play! I was delighted when
she agreed to give me a tap lesson for the ‘Melinda’ video.”
“Melinda” also features saxophone by James King from Fitz &
The Tantrums, drums by Barbara
Gruska from Belle Brigade, and
bass by Gabe Noel.
“Melinda’s
spirit of talent and hotness is all over this song,” Lilly says. “At first I was worried that the lyrics came on too
strong but when you’re inspired, you’ve got to go for it!”
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Alex Lilly | “Pure Drivel”
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According to The New York Public Library, since 1982, libraries across the United States have observed Banned Books Week, a time to highlight titles that were targeted for removal from schools and libraries. In 2022, there has been a particularly aggressive wave of bans and challenges across America.
The American Library Association, which pioneered Banned Books Week, has reported a record amount of books banned in recent years—many of which center people of color and LGBTQ+ voices.
Alex Lilly’s “Pure Drivel” addresses the subject in song, in which she sings “I know you canceled all your plans, so come over, let’s read some books that got banned.”
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Friday, November 11, 2022
See Terry Gilliam-inspired video for “Afterglow” by Pacifico; New single out today features Peter Randall — bassist with The Kooks, Seal, Adele.
Schwartz
says song is “about someone losing their sight later in life.” Band’s upcoming
“Self Care” album — its first in five years — arrives Feb. 10.
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Matthew
Schwartz of Pacifico as
photographed by Mike Dunn for Rust + Rebel
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Pacifico | “Afterglow”
PLAY, POST & SHARE
Pacifico | “Don’t Play Dead”
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“This song is about addiction,” Matthew Schwartz of Pacifico
says of “Feel Alive,” the lead track
from Self
Care, his first album in five years (scheduled for release via Pacifirecords on Feb. 10, 2023.)
Owing to the album’s candor and blunt honesty, Schwartz reveals, “It’s me trying to
imagine what it’s like to lead my first AA meeting.”
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Pacifico | About
When we last heard from Matthew Schwartz of Pacifico
on his early 2022 EP release “‘05/‘22,”
we were hearing the Matthew Schwartz
of Pacifico from 17 years earlier.
True to the title, much of that explosive batch of
songs was recorded in 2005, misplaced via hard drive in the pre-cloud era, then
eventually found, completed, and released.
On the upcoming full-length Self Care (Pacifirecords, Feb. 10, 2023), now sounds like NOW.
Schwartz’s first full-length in five years comes with all of
the pent-up emotion one would expect from meticulously composing a statement
under the veil of cleaning out a desk drawer of old material (literally, in
this case.)
“Wait
Hold my beer
There’s so many things I’d love to say if I don’t just
walk away from here”
The lyrics, from one of the album’s upcoming singles “Comatose,” shares an energy with early-2000s
skate punk, but from the wise perspective of a now mature voice who would
naturally follow-up the above lyric with:
“You used to be such a good friend
So I’ve taken it upon myself to grab things and call
this the end”
That’s what self-care is about.
“The lyrics on this album all center on self-care,” Schwartz confirms. “This is the most
diverse and most vulnerable group of songs I have ever created.”
The album isn’t called Self Help for a reason. It’s
Self
Care, and there’s a difference.
From songs about not giving up, to going for your
goals, to being a present listener and creating healthy boundaries, Self
Care reflects a willingness to enjoy the journey, come what may.
“It’s also about encouraging and loving others,” Schwartz says.
“It’s ok
None of this matters anyway
We all make mistakes
Hell I just made more than three today”
A song written for his wife, these lyrics come from
the so-catchy-it’s-criminal “Don’t Play
Dead,” the lead single from Self Care.
“It’s my letter of encouragement to her,” Schwartz explains. “I also want this
song to encourage anyone who becomes stuck.”
That’s what self-care is about.
Self Care,
the album, however, isn’t all about straight up the middle earworms.
The various styles that Schwartz and his world-class collaborators stich seamlessly include
genres from 1950s to tomorrow.
Some of the artists and musicians who worked on Self
Care include Peter Randall
(bassist with Seal, Adele, and The Kooks) and Shane Tutmarc
of Dolour (featured on the track “Haunt You,” in addition to providing
backing vocals, keys, and percussion.) Self Care was mixed by Aaron Sprinkle, best known as a platinum
record-earning and chart-topping producer, with artwork is by Adult Swim’s Trey Wadsworth.
“There are fast punk songs, slow acoustic ballads,
strings, piano, horns, and everything in-between,” Schwartz says.
“Hearts on
Fire” is a soulful detour near the
end of the album’s first half that shows off the nimble dexterity of the
writing and playing here. Calling Jeff Buckley,
Lenny Kravitz, and Janelle Monae’s sounds as influences on
the song, it fades with the glory of a choir.
“Complicated,
Confiscated,” the album’s penultimate
song, is clearly a nod to Elliott Smith.
A plaintive acoustic number, it is rendered with as much respect as the
legendary songwriter commands (and with as much beauty.) Schwartz’s empathetic connection to Smith runs deep.
“Complicated
This picture’s faded
I’m all but gone from here right now”
“‘Complicated,
Confiscated’ expresses exactly how I feel when I am overcome with
depression,” Schwartz confides. I
have used this song by singing it like a mantra to help me work through tough
times.”
And that’s what Self Care is about.
Self Care,
the fourth full-length album by Atlanta-based Pacifico arrives Feb. 10,
2023 preceded by the singles “Don’t
Play Dead” (Out Now), “Afterglow” (Out Now), “Comatose” (Jan. 6), and “Complicated, Confiscated” (Jan.
27).
Matthew
Schwartz of Pacifico is available for interviews. Contact Josh
Bloom at Fanatic for
more information.
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Pacifico | Links
Tuesday, November 8, 2022
Attempting to record while pregnant, Jenny Parrott said, “Let’s see what I can do with only vocals,” resulting in ambient, experimental “Pregnancy Choir”.
“It’s a beautiful, literate window into a
parent’s soul,” says musician Brennen Leigh, songwriter for legends Lee Ann
Womack, Rodney Crowell, more
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Jenny
Parrott self-portrait
with baby Juno
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Fellow Feminists Speak About Jenny
Parrott’s “Pregnancy Choir”
“Illustrates voices in our heads and voices
all around us.” — Rachael Price (of Lake Street Dive)
“A
beautiful, literate window into a parent’s soul.” — Brennen Leigh
(Singer-Songwriter)
“Strange and beautiful echoing vocals that wrap around
your heart.” — Raina Rose
(Songwriter)
“Radical! High concept and beautifully feminist.” — Mary Ellen Iatropolous (Literary
Scholar)
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Jenny Parrott | “Origin”
Jenny Parrott
“Pregnancy Choir”
(Rachel Rachel Records)
Out Now
“Pregnancy Choir”
(Rachel Rachel Records)
Out Now
Streaming Link:
Track Listing:
01. Tree Funeral
02. In 6 Rows (STREAM)
03. Runnin’ To You (STREAM)
04. Origin (YOUTUBE)
05. Rain
06. Sharp Sound
07. Make Me Love
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Jenny
Parrott | In The Press
“Soaring.” — KUTX,
Austin (NPR)
“There is nothing to not like.” — Folk Radio (UK)
“Potent songs… Smoldering.” — Americana Highways
“Wonderfully rich.” — Rock N Reel (UK)
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Jenny Parrott | About
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