See pre-fame Hootie & The Blowfish on road trip to Buffalo in lead guitarist Mark Bryan’s “A Little More Rock N Roll” lyric video at Parade.com.

Track appears on artist’s upcoming new solo album “Midlife Priceless,” out April 2^nd. Read more about it via an interview w/ American Songwriter.

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Mark Bryan as photographed by Kirk Robert.
 
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About | “A Little More Rock N Roll”
 
[LYRIC VIDEO]: https://www.youtube.com/watch?v=jdKwcGVKe5U
 
[OFFICIAL VIDEO]: https://www.youtube.com/watch?v=7rF7cE0YOdw
 
[STREAM]: https://fanatic.lnk.to/MarkBryan-ALittleMoreRockNRoll
 
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“A Little More Rock N Roll” is taken from the upcoming Mark Bryan solo album Midlife Priceless, out April 2, 2021 on Stone Point Records. The lyric video for the song was directed by John Barnhardt, and features VHS footage from 1993 of a pre-fame Hootie & The Blowfish on a road trip to Buffalo, NY for a gig opening for Dread Zeppelin. See the premiere and read more about it at Parade here.
 
It was the first time we ever played Buffalo,” Bryan remembers. “We were opening for Dread Zeppelin, and I’m thinking it was ’93. I know we stopped at the Pro Football Hall of Fame in Canton, Ohio on the way there. Apparently I was dipping Gold River chewing tobacco at the time, and spitting into an empty milk carton. I remember Dread Zeppelin doing a song that was like, ‘She's a brick... house-es of the holy,’ which I thought was particularly clever, and they did a really cool reggae / Elvis version of ‘Immigrant Song.’”
 
About the song, Bryan says, “It was May of 2019, Hootie was about to embark on our first U.S. tour in over ten years, and we had just made our first full-length album in over ten years. Capitol Nashville decided a single for country radio would give us the best shot at getting played.
 
“I immediately thought of my ridiculously talented friend, Steven Fiore from the band Young Mister. I’m a huge fan of the tunes that he writes for his band, but he also has this stealth ability to craft a perfect pop-country song. So I told him about the situation with Hootie, and Capitol, and he sent me the demo for ‘A Little More Rock N Roll.’
 
“I felt an immediate, nostalgic warmth when I heard it. Capitol sent us some other songs, including a gem Chris Stapleton had written, ‘Hold On,’ and there was no denying it was a solid choice, but I couldn’t get Steven’s song out of my head.
 
“In March of 2020, I started tracking for Midlife Priceless.  I laid a couple of 12-string guitar tracks down for ‘A Little More Rock N Roll,’ and it was already special.
 
“I had my friends Tim Nielsen (Bass), and Matt Zutell (Drums) come over, and I played lead, electric guitar as we tracked along with the 12-strings. I felt like I should add lap-steel to the track, to try and mix a little twang in with the rock ’n’ roll we were creating.
 
“We put it through a Leslie speaker cabinet, and it just put this sweet icing on everything. It started to sound like a single!”
 
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Mark Bryan
Midlife Priceless
April 2, 2021
(Stone Point Records)
 

 
Track Listing:
 
01. Gotta Get Outta Town (2:49) (STREAM | INTERVIEW)
02. A Little More Rock N Roll (3:33) (STREAM | VIDEO | LYRIC VIDEO | INTERVIEW)
03. Wanna Feel Something (3:16) (STREAM | VIDEO | INTERVIEW)
04. Let Your Soul Light Shine (3:26) (STREAM | INTERVIEW)
05. Takin’ A Ride (feat. Wyatt Durrette) (2:46)
06. Madelynn Claire (2:51)
07. I Like Your Everything (2:43)
08. Explain That To A Heart (3:23) (STREAM)
09. Like Make Believe (3:14)
10. Growing Wild (3:10)
11. Open Up Lucille (2:25)
12. Wishing (Acoustic) (2:46) (STREAM)
 
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Order Midlife Priceless by Mark Bryan as a deluxe LP or CD at Bandcamp here. Use code MIDLIFEPRICELESS at checkout for 15% off.
 
 
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“Out of the ether,” Mark Bryan says of “Wanna Feel Something,” the first single from his upcoming new solo album Midlife Priceless (Stone Point Records, April 2^nd, 2021), “I wrote the first line of the song, ‘Tonight we ride again, just like we did back when we were best friends and it would never end.’ I wasn’t doing it intentionally but I liked the way it sang. When I read it back I thought, ‘Holy shit!’ We were getting ready to go back on tour – maybe that’s what I was writing about.”
 
Read the full interview with Mark Bryan now at American Songwriter and stream the “Wanna Feel Something” single and video at the link below!
 
[STREAM]: https://fanatic.lnk.to/MarkBryan-WannaFeelSomething
 
[VIDEO]: https://www.youtube.com/watch?v=ET-mfO1v2YY
 
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Mark Bryan | About
 
Midlife Priceless is the title of Hootie & The Blowfish guitarist Mark Bryan’s fourth solo album.
 
It’s also how he rolls.
 
Three years since the release of Bryan’s previous record, a lot has happened: His 20 million-selling, two-time Grammy®-winning band got back together for a sold-out arena tour that meant as much to Bryan as it did to the fans that came out by the tens of thousands.
 
“Wanna Feel Something” is the new album’s first single for a reason.
 
Tonight we ride again
Just like we did back when
We were best friends, and it would never end
 
It’s right there.
 
Mark Bryan is about feeling something and making you feel something. The energy in the buildings around the country that rocked again with the songs that made Hootie one of the biggest-selling acts in music history, is all here on Midlife Priceless.
 
When Bryan gets to the guitar solo on “Wanna Feel Something,” it’s a done deal.
 
The album’s title draws a deep parallel, metaphorically, with a lyric from another of the record’s standout tunes, “Takin’ A Ride,” a duet with Wyatt Durrette, writer of many of the Zac Brown Band’s hits.
 
“Die young as late as you can”
 
It’s a beautiful statement. It’s a mission statement.
 
“That line speaks to the point I am in my life and why I’m still making music,” Bryan says.
 
Even before Hootie got back together to be met with love-filled venues as if it were the 1990’s again, Bryan was living this way. Through good and bad – especially bad – he was connecting with his youth, wonder, curiosity, and joy.
 
As defined, “priceless” is something so precious that its value cannot be determined.
 
A record album has to provide value though, right?
 
One of the reasons that Bryan chose to lead up to the release of Midlife Priceless with a long string of singles is because so many moods and styles are represented. He thought to give ‘em a chance to shine on their own, in a different way than they do as a collection.
 
This might not be an auspicious plan for some artists, but Bryan’s track record dictates that he knows his way around a single, and this approach is another example of how Bryan is living midlife priceless.
 
Midlife Priceless, the fourth solo album by Hootie & The Blowfish guitarist Mark Bryan arrives on April 2, 2021.
 
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Mark Bryan | Links
 
ASSETS : WEBSITE : FACEBOOK : TWITTER : INSTAGRAM : YOUTUBE : SPOTIFY : APPLE : BANDCAMP
 
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Josh Bloom at Fanatic Promotion | Contact
 
WEBSITE : FACEBOOK : TWITTER : INSTAGRAM : YOUTUBE : SOUNDCLOUD : SPOTIFY : BLOG : E-MAIL

One of Texas’s most prolific songwriters, Jared Putnam of The March Divide gathers his pandemic releases into fifth album “cinq,” out April 23rd.

Check in as Putnam chats with American Songwriter about his latest “The Funk That You’re In,” recently rescued from his cell phone graveyard.
 
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Jared Putnam of The March Divide as photographed by Rico DeLeon

 
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The March Divide | “The Funk That You’re In”
 

[STREAM]: https://fanatic.lnk.to/TheMarchDivide-TheFunkThatYoureIn
 

“Impressively hooky. His effortless ability to craft organically catchy and uplifting music is on full display.” — American Songwriter

“I really shoved a lot of pop into this one, but it carries a message of self-destruction,” explains Jared Putnam of The March Divide about his latest single “The Funk That You’re In.”  “The idea was to showcase the irony of being your own worst enemy The kazoo solo is probably worth mentioning.”
 
The song (and kazoo solo) is the end product of a number Putnam thought would remain in his phone graveyard.
 
“That’s usually where my ideas go to die!” he says, “It’s not that I don’t like them, I usually just forget about them, but like everyone else, I had a lot of time to burn last year. Once I picked up my guitar and started messing with the idea, the whole song just kinda fell out of me.”
 
Read more with Jared Putnam of The March Divide and hear the latest single “The Funk That You’re In” over at American Songwriter now or at the link above.
 
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The March Divide
cinq
April 23^rd, 2021
(Slow Start Records)
  

Track Listing:
01. The Funk That You’re In (STREAM)
02. Kris Takes Her Time (LYRIC VIDEO)
03. Lie To Me (LYRIC VIDEO)
04. Numb (LYRIC VIDEO)
05. Your Light (LYRIC VIDEO)
06. September Blues
07. I Don’t Wanna Die Young (LYRIC VIDEO)
08. New Me (LYRIC VIDEO)
09. Remember Who You Are (VIDEO)
10. I Believe
 
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The March Divide | In The Press
 
“Putnam’s vocals pop.” — PopMatters
 
“Classic pop hooks... Hits the mark again and again. ” — The Big Takeover
 
“Catchy as ever.” — Twangville
 
“Strummy acoustic reverie.” — BLURT
 
“Infectiously poppy.” — Glide Magazine
 
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The March Divide | About
 
Jared Putnam is one of the most prolific songwriters in Texas, and he earns that distinction in his second act.
 
Having already flirted with the danger of major labels when his young band The Conversation was a national next thing, in the past decade as The March Divide, Putnam has basically done it all on his own, self-releasing a barrage of singles, EPs, and albums at a seemingly non-stop pace during that time.
 
cinq – his fifth album (Slow Start Records, April 23^rd) – was conceived as a full-length, but has mostly been released throughout the pandemic as a series of singles, with the last two arriving surrounding the album’s release date.
 
With Putnam’s successful regional touring business at a stand-still, he recorded cinq at home, sending tracks to friends to add bass and drums, and tending to his expanding business managing social media ad campaigns for other artists, a skill he learned while systematically building a fanbase for The March Divide that has sustained him, even during lockdown.
 
Barely.
 
“I am very much looking forward to forgetting and moving on from the wrath of what still might end my career,” Putnam says, voicing the frustration of many musicians with vulnerable cottage businesses on the line. “Recording these songs was something I was able to do to get my mind off of all that. What came out is a real hodgepodge of who I am as a writer.”
 
This “hodgepodge” is a boon for fans of Putnam’s songs that are personal, but always safe-effacing, and with a sly humor underneath their rich production and get-to-the-point style. Think a slightly less angular Spoon with work boots on instead of pointy tips (but not too worn out!)
 
“I was able to revisit my rock roots in a meaningful way on this record,” Putnam explains, “but still expand and experiment with the acoustic-based pop ideas I’ve been obsessed with the last few years. I even incorporated some of the hokey melodies that have popped into my head lately by finally taking the time to go back and listen to all the ridiculous phone recordings I’ve made of them.”
 
One of these “hokey” melodies, that a less humble musician might just call “catchy,” became one of cinq’s two new singles, “The Funk That You’re In,” a number Putnam thought would remain in his phone graveyard.
 
“That’s usually where my ideas go to die! It’s not that I don’t like them,” he says, “I usually just forget about them, but like everyone else, I had a lot of time to burn last year. Once I picked up my guitar and started messing with the idea, the whole song just kinda fell out of me. The kazoo solo is probably worth mentioning.”
 
On the other side of the conceptual spectrum from “The Funk That You’re In,” is what will be cinq’s final single and video. “I Believe,” is one of the most personal songs in Putnam’s catalog.
 
Written in a stream of consciousness style, and backed up by a promise to himself not to change the words, Putnam plans to work in this style more going forward.
 
“It’s pretty satisfying to just say what you wanna say, without worrying about how cool it sounds,” he confesses.
 
cinq, the fifth full-length album by The March Divide arrives on April 23^rd via Slow Start Records.
 
Jared Putnam of The March Divide is available for interviews. Contact Josh Bloom at Fanatic for more information.
 
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The March Divide | Links
 
ASSETS : WEBSITE : FACEBOOK : TWITTER : YOUTUBE : INSTAGRAM : BANDCAMP : SLOW START RECORDS
 
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Josh Bloom at Fanatic Promotion | Contact
 
WEBSITE : FACEBOOK : TWITTER : INSTAGRAM : YOUTUBE : SOUNDCLOUD : SPOTIFY : BLOG : E-MAIL

J Hacha De Zola spiritually channels John Denver on upcoming “J Hacha De Zola’s Greatest Hits,” a re-mastered collection, out April 2nd.

Called a “wild man” akin to Tom Waits, Screamin’ Jay Hawkins, artist’s all-new “East of Eden” (out June 11^th) is his most accessible LP yet.
 
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J Hacha De Zola as John Denver as photographed by Christopher Welby
 
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J Hacha De Zola | In The Press
 
“A wild man in the vein of such fire breathing artists like Screamin’ Jay Hawkins.” — Paste
 
“The kind of alluring character found in old children’s books.” — UTNE
 
“Enticing as it is distant and strange.” — MAGNET
 
“Bound to light the way forward and inspire a legion of imitators.” — PopMatters
 
“Sits at his own, most likely oddly shaped table.” – Pancakes and Whiskey
 
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 Obviously, as a songwriter, J Hacha De Zola and John Denver come from vastly different places, with different musical ideas… As for the could-be-ironic, mostly inexplicable, definitely fun tribute that is the album’s cover, a dead-on approximation of singer-songwriter John Denver’s own eponymous and iconic John Denver’s Greatest Hits album image… Hacha De Zola focuses in on, and connects with what they have deeply in common, saying, “I loved this idea of being exactly what you are. Whatever you are, be it.”
 
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J Hacha De Zola
J Hacha De Zola’s Greatest Hits
April 2, 2021
(Caballo Negro)
  

Track Listing:
01.  Blue Sky (STREAM)
02.  Strange (STREAM)
03.  El Desgraciado
04.  No Situation
05.  El Chucho
06.  On A Saturday
07.  Lightning Rod Salesman
08.  Bubble Gum
09.  Black Sparrow
10.  Anarchy
11.  A Fools Moon
12.  Syn Illusión
 
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J Hacha De Zola | About
 
“It’s a gas, looking back at what we have done,” says Jersey City’s J Hacha De Zola, considering the music that comprises J Hacha De Zola’s Greatest Hits, a re-mastered 12-song collection of tunes culled from the four albums and various EPs that the eclectic “Urban Junkyard” artist has released over the past five years.

Fanatic Promotion · J Hacha De Zola - Blue Sky

 
“I never really thought of myself as a recording artist when I started out, but I guess that’s what I do now,” he realizes, concluding, “Sometimes you find yourself so far down the road that there’s only one option: to keep on going.”
 
Sequenced as its own stand-alone album, J Hacha De Zola’s Greatest Hits is dense with awesome. The record stands as a proclamation of identity for Hacha De Zola as a tightwire-walking artist that has defied early comparisons to everyone from Tom Waits to Captain Beefheart to Jim Morrison to becomes his own thang (with an “a!”)
 
“Sometimes to get an idea of where you are going, ya have to take a look at where ya been,” he says. “I’m taking a moment to reflect upon the previous work, while also keeping my thoughts on the first-time listener who may happen upon my music with this compilation release.
 
“I thought to myself, ‘what songs are most representative of J Hacha De Zola’s voice and spirit? What would you want a first time listener to hear? This compelled me to make sure that listening to the ‘greatest hits’ was a fun, captivating and immersive experience, and a strong introduction to what I do as a recording artist.
 
“I picked what I felt were some of my best moments and crafted it into what feels like a new record. Hopefully some will delve a bit deeper, but I wanted this to be a fun collection of my proudest, and maybe most accessible moments.”

Fanatic Promotion · J Hacha De Zola - Strange

 
As for the could-be-ironic, mostly inexplicable, definitely fun tribute that is the album’s cover, a dead-on approximation of singer-songwriter John Denver’s own eponymous and iconic John Denver’s Greatest Hits album image, Hacha De Zola explains, “John Denver was one of the greatest singer-songwriters of the 70s, and there definitely was no shortage of those during that time.”
 
Drawing the connection, Hacha De Zola continues, saying, “He wrote authentic tunes that came directly from his heart, soul, and experience. There was a certain purity about him and what he did. My introduction to his music was through his John Denver’s Greatest Hits record, and everything about it, including the album cover, was a perfect representation of his music and overall vibe. I would like to think that I have done something similar with my own record, except that John Denver actually had hits!”
 
Obviously, as a songwriter, Hacha De Zola and Denver come from vastly different places, with different musical ideas, but Hacha De Zola focuses in on, and connects with what they have deeply in common.
 
“I loved this idea of being exactly what you are. Whatever you are, be it.”
 
J Hacha De Zola’s Greatest Hits is out April 2^nd, 2021. His albums Escape From Fat Kat City, Antipatico, Picaro Obscuro, and Icaro Nouveau are all streaming now. Look also for the Spanish-language EP “Syn Illusión” and Hacha De Zola’s EP of covers of songs by female pop stars, “UnPOPular.” The all-new J Hacha De Zola album East of Eden arrives on June 11^th, 2021.
 
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J Hacha De Zola | Links
 
ASSETS : WEBSITE : FACEBOOK : TWITTER : YOUTUBE : INSTAGRAM : BANDCAMP
 
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Josh Bloom at Fanatic Promotion | Contact
 
WEBSITE : FACEBOOK : TWITTER : YOUTUBE : INSTAGRAM : SOUNDCLOUD : SPOTIFY : BLOG : E-MAIL

Masked Los Angeles delivery driver biffs it off his bike (a beautiful dancer does not!) in music video for “Should’ve Known Better” by Blesson Roy.

See clip by Sweeten (Pearl Jam, Nine Inch Nails, A Tribe Called Quest) at Under The Radar; Ryeland Allison (Hans Zimmer) remix also streaming.
 
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Terry Borden of Blesson Roy as photographed by Ankhurr Chawaak
 
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Blesson Roy | “Should’ve Known Better”
 

Hear “Should’ve Known Better” by Blesson Roy via American Songwriter and see the video at Under The Radar or at the links below.
 
Calling back to the bright tones and sweet melodies of Britpop. Amidst a jangly guitar-led instrumental and sharp vocal hook, Terry Borden of Blesson Roy takes listeners on another trip back through his record collection, showing his ability to incorporate and synthesize styles as both a creator and a fan.
 
“It’s basically the designed cinematic and aural engaged focus, rhythm, and pacing of a real ‘climactic’ human moment,” says director Tom Gorai aka Sweeten, the Grammy® and Emmy®-nominated producer who has also produced videos for Pearl Jam (“Jeremy”), Nine Inch Nails, and A Tribe Called Quest of his clip for the Blesson Roy single “Should’ve Known Better,” which depicts a masked Los Angeles, courtesy of a cyclist who biffs it, and a liquor store parking lot dancer who clearly does not.
 
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See the premiere of the “Should’ve Known Better” lyric video at V13 and listen to an interview with Terry Borden of Blesson Roy on the Stereo Embers podcast!
 
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The “Should’ve Known Better,” video captures the “happy-sad emotional connection” that Borden – a veteran of slowcore pioneers Idaho and world-wide tours as part of Pete Yorn’s band – recently told American Songwriter he was working towards when writing the song. “I like the energy, the guitars, and the contrasting bittersweet light and dark tones of the words and music. The chord progression was persistently coming out when I picked up the guitar over a long period of time. It required a permanent home!”
 
Influenced by The Smiths, Leonard Cohen, The Beatles, David Bowie, New Order, Lou Reed, Punk and Post-Punk from the 80s and 90s, as well as the roots of those movements from the 60s and 70s, Borden brings these and more to his debut album, Think Like Spring, out now via Slow Start Records.
  
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Blesson Roy | In The Press
 
“Articulate songwriting... deliciously catchy hooks.” — American Songwriter
 
“A new sound in a new decade.” — PopMatters
 
“Dreamy and earthy. — The Big Takeover
 
“Intricately-arranged pop.” — MXDWN
 
“One of the catchiest numbers of the year.” — Stereo Embers
 
“Hypnotic.” — Treble
 
“Sunny, Beach Boys-esque.” — Glide Magazine
 
“Beach Boys with Big Star’s vibrant melodies.” — Beats Per Minute
 
“Will expand your mind.” — BTRtoday
 
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Blesson Roy | “Should’ve Known Better” (Ryeland Allison Remix)
 
[STREAM]: https://fanatic.lnk.to/BlessonRoy-ShouldveKnownBetter-RyelandAllisonRemix
 
Hear the Ryeland Allison remix of “Should’ve Known Better” by Blesson Roy now at the link above!
 
Ryeland Allison is a multi-faceted composer, producer, sound designer, remixer and instrumentalist whose work is known worldwide through his contributions to numerous films (such as "Inception," "The Dark Knight," and "The Lion King"), records (Hybrid, BT, Armin van Buuren, Crystal Method, Spice Girls and Christina Aguilera) and sound libraries (Roland, Korg and Spectrasonics.)
 
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Blesson Roy
Think Like Spring
Out Now
(Slow Start Records)
 
Streaming Link:
STREAM FULL LP
 
Private Download Link:
DOWNLOAD FULL LP
 

Track Listing:
 
01. Soothe (STREAM)
02. Fingerprints Of Love
03. Undertow (STREAM | VIDEO)
04. Should’ve Known Better (VIDEO | LYRIC VIDEO | REMIX)
05. Ana Left Spain
06. Stays With You (STREAM | VIDEO | LYRIC VIDEO)
07. The Loving Sea
08. Waterfall Drops
09. Maria Rain
10. Thousand (STREAM | VIDEO)
11. Near
12. I Can See You
13. Falling
14. The Gaps
 
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Blesson Roy | About
 
Think Like Spring is the debut album from life-long “music lover and music doer,” Terry Borden, the man behind Blesson Roy, and follows-up Borden’s twin 2020 EPs “Time Is A Crime” and “Time Is A Crime (Almost Acoustic).”
 
The album is the 14-song dreamy pop reflection of a child of 1970’s California whose early love of AM radio and his brother’s record collection led to membership in slowcore pioneers Idaho and Pete Yorn’s band Dirty Bird. Living in the UK during the explosion of subculture labels 4AD, Creation, Factory, and Rough Trade has also heavily influenced the Blesson Roy sound.
 
Think Like Spring was recorded during the COVID-19 lockdown.
 
“I was alone in the studio adjacent to my home and had no distractions other than the feeling of being truly alone in the recording space, for days and weeks on end,” Borden explains. “The positive effect of the pandemic isolation in the studio was the time and ability to focus on the musical details in the songs, and extend the searches for the right chemical reactions that manifested in each track.”
 
“Think Like Spring is a suggestion for a train of thought, which is focused on positivity and renewal,” Borden continues, discussing the album’s overall concept. “This is an especially important time for all of us to embrace the new positive and negative paradigm shifts with a sense of creativity and invention.”
 
About the album’s upcoming singles, Borden says, “‘Undertow’ took on a darker and lusher soundscape than I had originally imagined, having written that one as a Leonard Cohen or Nick Drake-influenced acoustic guitar song. As the recording unfolded, however, I realized that ‘Undertow’ needed a dark ambient soundscape rather than a stripped-down acoustic production.”
 
Borden explains that “Stays With You” was “a journey into dynamics with the chorus exploding out of the verses. It was a lot of fun and very satisfying to create the verse and chorus as almost two different bits of music that tied together emotionally but remained separate dynamically.”
 
“I ventured into some new areas musically,” he says of ‘Thousand,’ which “became more of an emotional, anthemic recording; a bit of a departure. It was thrilling to construct ‘Thousand’ and draw on unbridled emotion for that one.”
 
“I am pleased that a song with the characteristics of ‘Undertow’ sits next to an indie rocker like ‘Should’ve Known Better,’ Borden says of the album’s final planned single. “I have always loved records that have different types of songs with a fearless approach to production that serves the song not the style of music. The Beatles’ ‘White Album’ is the pinnacle of this type of approach.”
 
Ultimately, Borden says that he tried to give each song a separate identity with a unique personality.
 
“I can’t say if I succeeded in this, but it was the way I recorded and structured the sound of each track. Writing and recording Think Like Spring was pure joy with patches of frustration that happen in any creative process. The songs and the creation of the recordings felt like a warm place in a cold and dangerous world.”
 
 
Think Like Spring by Blesson Roy is out now via Slow Start Records. Terry Borden is available for interviews. Contact Josh Bloom at Fanatic for more information.
 
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Blesson Roy | Links
 
ASSETS : FACEBOOK : TWITTER : INSTAGRAM : YOUTUBE : BANDCAMP
 
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 Josh Bloom at Fanatic Promotion | Contact
 
WEBSITE : FACEBOOK : TWITTER : INSTAGRAM : YOUTUBE : SOUNDCLOUD : SPOTIFY : BLOG : E-MAIL