Tuesday, March 31, 2020

Kathleen Grace steps out of Jim James’ “Uniform Distortion” for album collab with Grammy®-nominated Jazz man, Larry Goldings, out April 17th.

Upcoming “Tie Me To You” includes re-imagined covers, in addition to “Everywhere,” a beautiful Grace original streaming now at American Songwriter.

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Kathleen Grace as photographed by Emilia Pare

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Kathleen Grace | In The Press

“Genre-blurring dexterity...” — JazzTimes

“Smart, alluring and evocative.” — The Washington Post

“Imaginative talent on the rise.” — Los Angeles Times

“Echoes of Linda Ronstadt and Emmylou Harris.” — Downbeat

Simple beauty and subtle wisdom.” — LA Weekly

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Hear the plaintive, beautiful ballad “Everywhere” by Kathleen Grace (with Larry Goldings) at American Songwriter or at the link below.

“It is said that surrounding yourself with successful people can lead to great success. Not only do they have the experience, but they are generally willing to share what it really takes to get to the level they’re at. For Kathleen Grace, soaking in as much knowledge as possible was essential when working with Grammy®-nominated Jazz pianist Larry Goldings.”


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Kathleen Grace with Larry Goldings
Tie Me To You
(Monsoon Records)
April 17th, 2020


Track Listing:

01. Tie Me To You (Kathleen Grace & Larry Goldings)
02. Where Or When (Richard Rodgers & Lorenz Hart) (STREAM)
03. Everywhere (Kathleen Grace) (STREAM)
04. John The Revelator (Traditional)
05. Berceuse (George Moustaki)
06. The Thrill Is Gone (Ray Henderson & Lew Brown)
07. Embarcadero (Kathleen Grace & Darek Oleszkiewicz)
08. Love For Sale (Cole Porter)
09. What’ll I Do (Irving Berlin) (VIDEO)
10. I’ll Follow The Sun (John Lennon & Paul McCartney)

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Kathleen Grace with Larry Goldings | About

Much like her music, Kathleen Grace’s career has expanded in recent years beyond its jazz and folk roots that saw her appearing at The Montreux Jazz Festival and The Kennedy Center for the Arts, with performances alongside rock band Portugal The Man at Coachella and throughout My Morning Jacket leader Jim James’ solo release, Uniform Distortion.

Kathleen Grace’s latest album, Tie Me To You, was born from a place of awakening, the kind that can only trigger massive change, great loss and also, hope. It is the product of finally seeing yourself fully for the first time and the price you pay to do so.

In her case, it cost her a marriage that had consumed her entire adult life. It also marked the birth of a new woman, one who would call a new man to her side — a man who, ultimately, could not stay.

Amidst this love and loss, Grace barely slept. Instead, she was flooded with music day and night — poems, songs, and melodies.  She imagined recording this new music freely, in the moment, with no big production or fixes; she envisioned simple songs broken down to their most basic parts.

Soon, she picked up the phone and called Larry Goldings, a legendary keyboardist who has worked with James Taylor, Norah Jones, John Mayer, and others. She said simply, “Listen, I need to make a record. And you’re the only one in the world I can make it with. Can you call me back?”

He did.

And so it was that Grace found herself in the only place left that made any sense: a recording studio in the Los Angeles neighborhood of Silver Lake, California. The pair recorded live in the low light of the wood-framed building, often producing songs in single takes. What emerged is a portrait of a woman exposed as she mourns what she must let go of in order to keep reaching for herself. The result is a new sound for Grace, one that is more vulnerable and bold, one that embraces her eclecticism without apology.

Grace explains, “I remember this time so clearly, the tastes, the colors, and the sounds. The feeling of sitting next to Larry on a piano bench without headphones and just singing. Singing songs only for me, most of which I’d never sung before. Singing to myself and also to the men I loved. It’s all there in the music. Forever. Trapped in a snow globe of emotion.”

Grace and Goldings invited masterful partners into their creation of Tie Me To You. Bass player David Piltch (KD Lang) appears throughout the album, and violinist Gabe Witcher (Punch Brothers) is a special guest appearing as both a soloist and string section.

The project was championed by Grammy®-winning engineer Sheldon Gomberg, who offered up his studio for the better part of a year. A song record at its core, Tie Me To You features original music by both Grace and Goldings as well as covers of pieces by French icon Francois Hardy, blues great Son House, and The Beatles, and standards by Irving Berlin, Cole Porter, and Rodgers & Hart.

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Hear the inventive reimagining of 1937 Rodgers and Hart classic “Where Or When” at Jazziz or at the link above featuring Larry Goldings on the pocket piano.

“Years ago, after one of Larry’s shows, a few us of ended up downstairs at the bar, and Larry started playing,” Kathleen Grace remembers. “It was the first time we ever made music together and I asked him some of his favorite songs, and on that list was ‘Where Or When.’ I was falling in love when I made this album, and it was the kind of love that felt like I'd lived it before. I think the pocket piano Larry plays on the track creates that sense of being drawn in and hypnotized by that sense of love deja vu.”


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Kathleen Grace | Links


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Josh Bloom at Fanatic Promotion | Contact


Monday, March 23, 2020

Synchronized swimmers, ‘50s America, alien arrivals all find their way into Alex Lilly’s “2% Milk” music video. See it now at Billboard.

Also streaming: Check out the “2% Milk” (Champ Super Remix) by Rostrum Records (Mac Miller, Wiz Khalifa) founder, Benjy Grinberg.

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Alex Lilly as photographed by Nora Colie.

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See the music video for “2% Milk” by Alex Lilly at Billboard or at the link below.

“Watching the synchronized swimmers was fascinating,” Alex Lilly says of being on the “2% Milk” set. “The dancers are able to keep time while under water, and they have a massive vocabulary of moves that have been passed down through the long history of synchronized swimming. My favorite move is called ‘Down The Drain’ where they spiral down under water like they’re being sucked into oblivion.”

Director Sherry Romito adds, “I was listening to KCRW and Alex’s song ‘2% Milk’ came on. A music video popped into my head that I knew I had to direct. Alex’s song inspired a vision. I discovered we had a mutual friend on Instagram who put me in touch with Alex, and I was over the moon when she got on board. Alex rocked the ‘Barbarella’ suit, put up with my crazy ideas, and everyone on set enjoyed the lasagna.”


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Alex Lilly – In The Press

Alex Lilly’s songs keep their cool.” — The New York Times

Alex Lilly is the genuine article.” — FLOOD

“Pretty freaking awesome.” — The FADER

Alex Lilly is spellbinding. Album of The Week” — LA Weekly

Alex Lilly steps into the spotlight.” — Flaunt

“Three-minute modern art pieces.” — Buzzbands LA

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Listen to the remix of Alex Lilly’s “2% Milk” by Champ Super (Benjy Grinberg of Rostrum Records)

“This all started on Instagram,” explains Benjy Grinberg, founder of Rostrum Records about his remix of Alex Lilly’s “2% Milk” under the name Champ Super.

In addition to Mac Miller, Wiz Khalifa, and many others, Rostrum has also released records by The Bird and The Bee, featuring Inara George, who heads up Lilly’s label home Release Me Records.

“I was scrolling when I saw this incredible backstage video of (Lilly’s collaborators) Barbara Gruska and Samantha Sidley singing “2% Milk” in Spanish,” Grinberg continues. “I decided to sample it and we built a whole track around it.” 


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Alex Lilly
2% Milk
Out Now
(Release Me Records)

Streaming Link:


Track Listing:

01. Confucius Says
02. 2% Milk (VIDEO)
03. Distracting Me (STREAM | MP3 | VIDEO)
04. Pornographic Mind (STREAM | MP3 | VIDEO)
05. Boomerang
06. Night Drive
07. Infantile (feat. Daedelus) (VIDEO)
08. Cold Snap
09. Hypothetical
10. Firefly

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Alex Lilly – About

Los Angeles-based artist Alex Lilly is a renaissance female.

In addition to the writing, arranging, producing, and playing of her own music, Lilly has established a notable career out on the road as a part of the touring bands of such esteemed musicians Beck, Lorde, Ry Cooder, and The Bird and The Bee.

Now Lilly has brought all of her talents, ideas, and her singular voice to the table in the form of 2% Milk, her debut full-length album, out now via newly-formed Release Me Records.

Lilly’s songs – she describes her sound as “sexy psychological thriller” – are synthy, syrupy, and suspicious i.e. there’s something going on here that’s not only pop, but actually pops. The intrigue that abounds on 2% Milk moves the listener beyond toe-tapping and finger-snapping, straight to brain-mapping.

2% Milk, the debut album from Alex Lilly, is out now. Alex Lilly is available for interviews. Contact Josh Bloom at Fanatic for more information.

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Alex Lilly | Links


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Josh Bloom at Fanatic Promotion | Contact


Friday, March 20, 2020

D.B. Rouse compared to both Woody Guthrie, Weird Al; See him perform “Live Music from the Quarantine” via Americana Highways tonight.

“Innately hilarious, wildly eccentric,” says American Songwriter in its premiere coverage of Rouse’s kids song gone wrong “Mud.” Tune in here.

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D.B. Rouse as photographed by Les Hall

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Tune in at 845 PM EST tonight to watch D.B. Rouse perform as part of the Americana Highways “Live Music from the Quarantine” streaming concert series.


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“The innately hilarious, wildly eccentric, Road Warrior, D.B. Rouse’s latest single, ‘Mud,’ is now available on American Songwriter. What started as an idea for a children’s song, quickly grew into a reflective genre-redefining track, in a strange turn of events and influence.”

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D.B. Rouse – In The Press

“A superb musician.” — Austin American-Statesman

“Like an old-school bar song given a new lick of paint.” — For Folk’s Sake

“Offbeat humor with age earned wisdom and a hefty dose of heart.” — The Daily Country

“Reminiscent of some of our favorite Weird Al favorites.” — Imperfect Fifth

“Calls to the work of Woody Guthrie and John Prine.” — B-Sides and Badlands

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“Nobody does hobo-folk quite like Milwaukee’s D.B. Rouse,” says V13 in its premiere coverage of the title track from Rouse’s latest EP. Rouse explains the tune, saying, “The song came to me on a November night in Wisconsin. Driving alone through snow flurries to do my show, the hum of the wheels on the highway teased this song out of my head. By the time I got to the venue, I was able to play it.”

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D.B. Rouse
“Nobody” EP
Out Now
(S/R)

Streaming Link:
  

Track Listing:

01. Nobody (STREAM)
02. Mud (STREAM)
03. Mutually Assured Destruction
04. Somnambulance Ride

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D.B. Rouse | About

“Kids love mud,” says D.B. Rouse. “I sat down to write a kid’s song about mud and this thing came out instead.”

A constantly traveling troubadour, poet and novelist, the Milwaukee-based migrant musician (he actually says home is wherever the van is parked) recently released a new four-song EP “Nobody” on March 6th.

The first single from “Nobody” is that kid’s song that never was, “Mud,” which now plays as a chilling number that crawled out of the desert after a rain storm.

It’s a darker turn for Rouse, who along with his guitar, affectionately nick-named “Meal-Ticket,” has become known for whimsical songs like “About the Bite Missing From Your Sandwich” from his early-2019 album Choices Were Made.  Rouse is even sponsored by a kazoo company, if you get the picture.

“Part of the gritty feel of this EP comes from the tiny shack I recorded it in, with a rusted tin ceiling and cardboard boxes for wall paper,” he explains. “It’s right next door to a noisy bar, so I could only record very early in the morning after closing time.”

Influenced by the intimacy of tiny shacks, but also vast expanses, Rouse has been spending a lot of time in deserts the last few years.

“The Chihuahuan, the Mojave, and the Painted mostly,” he says. He’s also seen plenty of his constant companion: the road.

“This EP’s title song ‘Nobody’ came to me on a November night in Wisconsin,” Rouse explains. “Driving alone through snow flurries to my show, the hum of the wheels on the highway teased this song out of my head. It’s an anthem of self-reliance... and also a plea.”

By the time Rouse arrived at the venue that night, the song was complete, and he performed it.

Back in the shack, Rouse remembers, “I mostly stared out the window at the moon lit sand and dirt, wondering when it was all going to turn to glass. I tried to summon the ghosts of Townes Van Zandt, Blaze Foley, Woody Guthrie, Zora Neale Hurston and Randy Newman to help me with this project.”

Ultimately, Rouse’s innate humor peeks through: “But they were busy... and also Randy Newman isn’t dead.”

“Nobody,” the latest EP by D.B. Rouse, is out now. D.B. Rouse is available for interviews. Contact Josh Bloom at Fanatic for more information.

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D.B. Rouse | Links


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Josh Bloom at Fanatic Promotion | Contact


Thursday, March 5, 2020

Cabane collab album w/ Bonnie “Prince” Billy, out now. Making-of doc sees Henri asking artists what they think of his record (without hearing it!)

“An atmospheric wisp... with glimmers of Leonard Cohen and Serge Gainsbourg,” says The New York Times. See lovely video for latest single via The Fader.

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Thomas Jean Henri (R) of Cabane accompanied by Kate Stables (L) of The Is The Kit. Photo credit: Elise Péroi.

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Cabane | In The Press

“An atmospheric wisp.” — The New York Times

“Beautifully constructed, wistful folk.” — The Line of Best Fit

“Graceful and delicately arranged.” — The FADER

“A bit of warmth during a particularly cold time.” — Pitchfork

“Gorgeous” — Brooklyn Vegan

“Reminiscent of the light, transient nature of the beach.” — Stereogum

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Hear “Take Me Home (Part 2)” by Cabane via Brooklyn Vegan and see the video at The Fader or at the links below.

Cabane leader, the Belgian composer Thomas Jean Henri, explains, “I worked on ‘Take Me Home (Part 2)’ when I was writing music at the sea side of Belgium. It is the foundation of the entire album. For the video, we wanted to shoot our loved ones listening to the song for the very first time to keep in memory of all the persons and family I love(d).”



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“A Document” explores the making-of Cabane’s Grande Est La Maison and goes about asking the artist’s friends “What do you think of my record?” though they had yet to hear it.

The 26-minute documentary, directed by Jérôme Guiot and Thomas Jean Henri, in which 20 or so artists, close friends and family open up and discuss the issues of creation, an artist’s expectations, letting go, and the importance of releasing records in 2020.


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Cabane
Grande Est La Maison
Out Now
(Cabane-Music)

Streaming Link:
  

Track Listing:

01. Tu ne Joueras Plus à L’amour (feat. Bonnie “Prince” Billy)
02. Now, Winter Comes (feat. Kate Stables) (STREAM | LYRIC VIDEO)
03. Easily, We’ll See (feat. Kate Stables)
04. ÃŽlot (Part II)
05. By The Sea (feat. Bonnie “Prince” Billy & Kate Stables)
06. Take Me Home (Part 1) (feat. Bonnie “Prince” Billy & Kate Stables)
07. Sangokaku (feat. Bonnie “Prince” Billy & Kate Stables)
08. ÃŽlot (Part III)
09. Take Me Home (Part 2) (feat. Bonnie “Prince” Billy) (STREAM | VIDEO | LYRIC VIDEO)
10. Until The Summer Comes (feat. Kate Stables)

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Cabane | Live

05/08/2020: Brussels, Belgium @ Botanique (w/ Rachael Dadd) (TIX)
05/14/2020: Paris, France @ Center Wallonie-Bruxelles (performing Grande Est La Maison) (TIX)

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Cabane | About

Cabane’s first album is the outcome of Belgian composer Thomas Jean Henri bringing together the American Will Oldham (Bonnie ‘Prince’ Billy) and English musician Kate Stables (This Is The Kit), to perform some songs arranged by Sean O’Hagan (The High Llamas); a dream line-up for this collection of tunes, bordering on both folk and orchestral pop. Far from the maddening sounds, Grande Est La Maison will be a warm shelter for lovers of Nick Drake or Vashti Bunyan.

Cabane is the latest project of musician and photographer Thomas Jean Henri, ex drummer of the Belgian group, Venus, with whom he released two albums, Welcome to the Modern Dancehall (1999) and The Man Who Was Already Dead (2000), before taking a more personal direction, which resulted in the solo album Soy Un Caballo, Les heures de raison (2007).

In 2015 Thomas Jean Henri laid the foundations for his Cabane, a multi-faceted project, blending music, photography and video. After two singles, (“Sangokaku” / “La Gomera”) released in 2015 and ”Wooden Home / Here in the Wind” in 2017, a dream collaboration started taking shape: Will Oldham (alias Bonnie ‘Prince’ Billy) and Kate Stables (This Is The Kit) on vocals, Sean O’Hagan (The High Llamas) looking after the string arrangements of the songs composed by Henri. Lyrics were written with Caroline Gabard and Sam Genders (Tunng, The Diagrams). Ash Workman (Metronomy, Baxter Dury) was responsible for the mixing.

And today, this splendid casting is to be found on Cabane’s first album release, Grande Est La Maison. A collection of ten songs whose echoes of folk and delicate orchestral pop, swing from a rhythmic section, wrapped comfortably in the voices of Will Oldham and Kate Stables, an acoustic guitar, a string quartet, a vibes and some choral sections, managed by an ensemble of five singers, Bost Gehio. These sections function as would a Greek choir.

“During the work process a vibrant image of Will and Kate treading through the river waters, passing each other like ships in the night, never left me. Each one setting out from the opposing river bank, slightly uncomfortable and their meeting in the middle. The choir is on the river side, keeping their distance,” explains Henri. “Time and the slowness of oblivion are at the heart of the Cabane project. An essential question is asked : ‘What do we do with what we have in our hands?’

Grande Est La Maison is an album that slowly, but surely seduces, whose beauty is revealed more and more, as each day goes by. Melodies, vocals, arrangements, each element is at once elegant and moving, retained, but generous.  It’s a large, welcoming home, as were those shelters built by Nick Drake, Vashti Bunyan, Sufjan Stevens, or Cardinal.

It is also a refuge for Henri, who offers up a profoundly personal, yet eminently collaborative album. It is signs of friendship put to music, a warm embrace with Caroline Gabard and Englishman Sam Genders (Tuung), who co-wrote the texts. Tu ne joueras plus à l’amour and By The Sea were composed with Sean O’Hagan.

Thomas Jean Henri of Cabane is available for interviews. Contact Josh Bloom at Fanatic for more information.

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Cabane | Links


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Josh Bloom at Fanatic Promotion | Contact


Kathleen Grace — “imaginative talent on the rise,” says Los Angeles Times — preps collaborative album with Grammy-nom pianist, Larry Goldings.

Whimsical first single updates 1937 classic “Where Or When,” featuring Goldings on pocket piano. Hear it at Jazziz now. “Tie Me To You” out April 17th.

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Kathleen Grace as photographed by Emilia Pare

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Kathleen Grace | In The Press

“Genre-blurring dexterity...” — JazzTimes

“Smart, alluring and evocative.” — The Washington Post

“Imaginative talent on the rise.” — Los Angeles Times

“Echoes of Linda Ronstadt and Emmylou Harris.” — Downbeat

Simple beauty and subtle wisdom.” — LA Weekly

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PLAY, POST & SHARE



Hear the inventive reimagining of 1937 Rodgers and Hart classic “Where Or When at Jazziz or at the link above featuring Larry Goldings on the pocket piano.

“Years ago, after one of Larry’s shows, a few us of ended up downstairs at the bar, and Larry started playing,” Kathleen Grace remembers. “It was the first time we ever made music together and I asked him some of his favorite songs, and on that list was ‘Where Or When.’ I was falling in love when I made this album, and it was the kind of love that felt like I'd lived it before. I think the pocket piano Larry plays on the track creates that sense of being drawn in and hypnotized by that sense of love deja vu.”


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Kathleen Grace with Larry Goldings
Tie Me To You
(Monsoon Records)
April 17th, 2020


Track Listing:

01. Tie Me To You (Kathleen Grace & Larry Goldings)
02. Where Or When (Richard Rodgers & Lorenz Hart) (STREAM)
03. Everywhere (Kathleen Grace)
04. John The Revelator (Traditional)
05. Berceuse (George Moustaki)
06. The Thrill Is Gone (Ray Henderson & Lew Brown)
07. Embarcadero (Kathleen Grace & Darek Oleszkiewicz)
08. Love For Sale (Cole Porter)
09. What’ll I Do (Irving Berlin) (VIDEO)
10. I’ll Follow The Sun (John Lennon & Paul McCartney)

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Kathleen Grace | In Concert

03/12/2020: Oakland, CA @ The Sound Room
03/13/2020: Novato, CA @ The Marin School of the Arts
03/14/2020: San Luis Obispo, CA @ House Concert
03/20/2020: Los Angeles, CA @ Sam First
04/15/2020: Laguna Beach, CA @ Laguna Beach Live

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Kathleen Grace with Larry Goldings | About

Kathleen Grace’s latest album, Tie Me To You, was born from a place of awakening, the kind that can only trigger massive change, great loss and also, hope. It is the product of finally seeing yourself fully for the first time and the price you pay to do so.

In her case, it cost her a marriage that had consumed her entire adult life. It also marked the birth of a new woman, one who would call a new man to her side — a man who, ultimately, could not stay.

Amidst this love and loss, Grace barely slept. Instead, she was flooded with music day and night — poems, songs, and melodies.  She imagined recording this new music freely, in the moment, with no big production or fixes; she envisioned simple songs broken down to their most basic parts.

Soon, she picked up the phone and called Larry Goldings, a legendary keyboardist who has worked with James Taylor, Norah Jones, John Mayer, and others. She said simply, “Listen, I need to make a record. And you’re the only one in the world I can make it with. Can you call me back?”

He did.

And so it was that Grace found herself in the only place left that made any sense: a recording studio in the Los Angeles neighborhood of Silver Lake, California. The pair recorded live in the low light of the wood-framed building, often producing songs in single takes. What emerged is a portrait of a woman exposed as she mourns what she must let go of in order to keep reaching for herself. The result is a new sound for Grace, one that is more vulnerable and bold, one that embraces her eclecticism without apology.

Grace explains, “I remember this time so clearly, the tastes, the colors, and the sounds. The feeling of sitting next to Larry on a piano bench without headphones and just singing. Singing songs only for me, most of which I’d never sung before. Singing to myself and also to the men I loved. It’s all there in the music. Forever. Trapped in a snow globe of emotion.”

Grace and Goldings invited masterful partners into their creation of Tie Me To You. Bass player David Piltch (KD Lang) appears throughout the album, and violinist Gabe Witcher (Punch Brothers) is a special guest appearing as both a soloist and string section.

The project was championed by Grammy®-winning engineer Sheldon Gomberg, who offered up his studio for the better part of a year. A song record at its core, Tie Me To You features original music by both Grace and Goldings as well as covers of pieces by French icon Francois Hardy, blues great Son House, and The Beatles, and standards by Irving Berlin, Cole Porter, and Rodgers & Hart.

Much like her music, Grace’s career has expanded in recent years beyond its jazz and folk roots that saw her appearing at The Montreux Jazz Festival and The Kennedy Center for the Arts, with performances alongside rock band Portugal The Man at Coachella and throughout My Morning Jacket leader Jim James’ latest solo release, Uniform Distortion. Grace also teaches music at the Flora L. Thornton School of Music at the University of Southern California (USC).

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More about Kathleen Grace and Tie Me To You by Kathleen Grace with Larry Goldings:

Kathleen Grace grew up in the West, its vistas etching an impression that would stay with the Tucson native as she traveled to the dry hills of Los Angeles. Forging a career that has sent her around the globe, Grace has played for a worldwide audience whose diversity reflects her own eclectic musical tastes. Emerging from her jazz roots, Grace’s sound bridges traditional and nostalgic with an approachable modernity, taking her into the blues, folk and pop-leaning realms.

“Jazz is a value system,” Grace explains, “I may not always be creating music specific to that space, but I try to let its deepest truths of freedom, listening and trust guide my path, my choices.”

Over time, Grace’s organic evolution has led her to an expansive career, not only as an interpreter of song, but also a respected songwriter in the modern folk and Americana worlds. Her prior album, No Place To Fall, was a sun-drenched landscape of music rooted in her desert upbringing and elegant country spirit, and an undeniable evolution of Grace as a naturally exquisite singer and songwriter, whose soulful instincts are skillfully honed by her prior experience in jazz and blues.

“I’ve put out a few records in my life so far — some jazz, some folk, some country,” Grace says, “But this record, Tie Me To You, is the one the album I never thought I’d make. The one that happened to me instead of me making it happen, an album with no rehearsal and no fixes.

“My life was changing fundamentally and we made a record documenting that change,” Grace says. “Larry was remarkable to work with, deeply trusting and intuitive, which I think helped me feel the same. We laughed so much and became quite a team over the year it took to finish the record. My gratitude to him is boundless. So here we are, at another beginning in a life full of them.”

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Kathleen Grace | Links


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Josh Bloom at Fanatic Promotion | Contact