Austin-based power-pop maven Robert Harrison explains “The
Book of Too Late Changes” single.
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Robert Harrison
of Cotton Mather. Photo Credit: Valerie Fremin.
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Check out
the premiere
of “The Book of Too Late Changes” by Cotton Mather via Texas
Monthly or listen at the links below!
[MP3]: https://www.fanaticpromotion.com/projects/cottonmather/cottonmather-thebookoftoolatechanges.mp3
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Cotton Mather’s much revered album Kontiki – originally
issued in 1997, and then again as a deluxe edition in 2012 – was heavily
influenced by Chinese philosophy, and the band’s mastermind, Robert Harrison is mining that subject
matter again with his ambitious new project which represents the first all-new Cotton Mather music in more than a
decade.
“I’ve always been spiritually curious,” Harrison says of the subject
matter. “I studied the I Ching in
college but didn’t delve deep until later.”
Delving is putting it mildly as Harrison
intends to record one song for each of the ancient book of Chinese wisdom and
advice’s 64 hexagrams, eventually packaging the tracks into several vinyl
releases, but making them available digitally along the way.
The first track, “The
Book of Too Late Changes,” was premiered
by Texas Monthly in November as part
of a larger feature about the project, and two more songs will become available
before the close of 2015. Harrison explains that he consults the
I Ching “at the beginning of most days,” but it wasn’t until recently that he
decided to let it motivate his songwriting and birth this massive project.
“I wrote a song titled ‘Call Me The Witch’ for Nicole
Atkins,” Harrison tells Texas Monthly. “I got the idea for the
song after consulting the I Ching. I
began to ask myself, ‘Should I do a project based around the I Ching?’ I’d get
a gentle ‘No,’ but this spring I was in Europe and realized it was burning in me
to do the whole cycle, because I’d already written a dozen or so songs in this
method. I realized attempting all 64 at
once wouldn’t be true. So the songs are my responses to the readings as I
receive them, happening in real time and real weather.”
This thinking explains Harrison’s choice to release the tracks one by one, sharing the
material in an organic, non-contrived way. Harrison
says that 18 of the 64 songs have already been written, and the process of recording
them is ongoing. The first tune to
surface, “The Book of Too Late Changes,”
is actually about surfacing itself. Or
re-surfacing in this case.
“The question was, where do I begin?,” Harrison tells Texas Monthly. “One problem is you have to convince people you’re
worth hearing again. I knew it had to be
something explosive. I consulted the I Ching and got hexagram 24, ‘The
Return,’ which is about turning back onto the path. So I thought, I’ll make it
about the return of Cotton Mather.”
Robert Harrison of Cotton
Mather is available for interviews. Contact Josh Bloom at Fanatic for more information.
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More about Cotton Mather:
Cotton Mather was founded by Robert
Harrison in Austin, Texas in the early 1990’s with an experimental sound
that soon evolved into guitar driven pop defined by accessible melodies, strong
vocal harmonies and lyrical wit. The group released its debut album Cotton
Is King in 1994, but it was the follow-up album Kontiki, famously
recorded on four-track cassette, that drew praise from critics and rock-stars
alike.
Uncut Magazine gave the album five stars calling the record “music
to smile yourself to death to.” Mojo
said the songs were “brought to life with daring vitality,” and in its own
five-star review, The Guardian
called Kontiki “a bewildering, dizzy thrill.” It wasn’t just the press
either. Oasis brothers Noel and Liam Gallagher fell in love with Kontiki
soon after discovering it. When Noel
was asked “What are you listening to these days?” in the pages of Mojo, he answered: “Cotton Mather, Kontiki,” and went on to
say, “I thought if that isn’t the best record I’ve heard in ten years, then I
don’t know what is.” Brother Liam
left his praise for the record in the pages of GQ, admitting “I fucking wish it was ours! I play it all day at
home.”
On our shores, the bounce back of influence from
across the pond was finally felt with Britt
Daniel of Spoon being just one
artist to say “Kontiki gave me something to shoot for.” In addition to the
deluxe reissue of Kontiki on Valentine’s Day, 2012, Cotton Mather reunited that year for a special performance of full
album at South By Southwest, marking
the first time in a decade since the band last performed together.
In the years since Cotton Mather went on hiatus, Harrison
stayed busy producing other artists, in addition to forming and fronting a new
band, Future Clouds and Radar which
was acknowledged for its “sprawling orchestral pop” by The New Yorker and named “Debut Artist of The Year” by Harp Magazine. Harrison
expects that with so many I Ching songs to record, Future Clouds and Radar will also be making an appearance on the
project.
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Cotton Mather Links
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Contact Josh Bloom at Fanatic Promotion
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