Friday, April 10, 2009

NYC hip hop trio The Beatards announces the re-launch of its MixtapeRiot.com website, goes national with new single and video “Nasty Funky”

NYC hip hop trio The Beatards, made up of band members DJO, Chuck Wild and UTK The INC,will re-launch its popular Mixtape Riot website (LINK) next week with a celebration at Manhattan club The Beauty Bar. The MixtapeRiot.com launch party will be a celebration of the re-branding of the very popular Captain’s Crate music blog (originally launched in February, 2005) which became widely known one of the web's most popular music blogs for soul classics and rarities.

April 14th, 2009. The Beauty Bar (231 E 14th St.) No cover charge, 2 FOR 1 drinks from 10PM-12AM, and FREE mixtapes for the first 100 through the door!

The new website is more than just another blog – with regular updates from The Beatards, Captain Planet, and DJ outfit Soul Imperial (LINK) among others, MixtapeRiot.com provides an outlet for exclusive original tracks, remixes, and mash-ups as well as music from friends and artists the band loves (old and new). Expect the content to be as varied as the motley collective behind the site – spotlighting everything from new dance floor bangers to vintage afrobeat to forgotten classics and virtually all things in between.

The Mixtape Riot family has always been about diversity of sound, and the new website is just the latest development in the ongoing mission to share and promote good music, videos, art and the regular events that the group puts together in NYC. The April 14th event promises to be a night of particularly rowdy musical mayhem and dirty dancing (what The Beatards do best!) With live performances from The Beatards and Maggie Horn (LINK) plus mix mastery all night by DJO, Chuck Wild and Soul Imperial.

For those outside the NYC area that would like a taste of what The Beatards are cooking, the group has just released the latest single from its Big Bad Beat EP, “Nasty Funky” (MP3) along with an accompanying video (LINK) directed by Christine Taylor for Say It Loud. Grab the MP3 and embed codes below and re-post!

Fans of The Beatards‘ sound will be happy to hear that the group is currently at work on a debut full-length in-between a multitude of other projects such as UTK’s upcoming appearance in the next Liam Neeson film, DJO’s burgeoning Mama O’s Kimchee business, and an animated Beatards cartoon for as-yet-undisclosed network. Stay tuned for a preview of a track from the album, and more details about the side projects mentioned above.

The Beatards Live:
04/11 New York, NY @ The Studio at Webster Hall
04/14 New York, NY @ Beauty Bar Mixtape Riot Launch Party
04/23 New York, NY @ Ella Lounge

Artist: The Beatards
Title: Big Bad Beat
Label: Mixtape Riot!

01. Doobie
02. Music Is My Occupation
03. Bid Bad Beat
04. Make The Bed
05. Dang Diggy Dang
06. Nasty Funky (MP3 VIDEO)
07. DMUB
08. Checkin' Out
09. It's So Easy

“Nasty Funky” Video Hi-Res Embed Code:


Tools and Hi-Res Photos:
www.fanaticpromotion.com/rosterdetails.php?indexkey=1490

On The Web:
www.thebeatardsnyc.com
www.myspace.com/thebeatards
www.mixtaperiot.com

Subscribe To Fanatic:
www.fanaticpromotion.com

Thursday, April 9, 2009

Reigns unleashes meticulously illustrated video for “Everything Beyond These Walls Has Been Razed.” Monotreme album The House on The Causeway out now.

“A treat of dirty surrealism and sumptuous coastal eccentricity.” – Plan B

“…makes me think of the pastoral prog segments of Kevin Ayers’ Confessions of Dr. Dream. But instead of Nico’s voice rifling in through the hedges, what you hear is a loop of something sad and pre-literate. Very cool.” – The Wire

“Sinister, yet sublime… Reigns are the soundtrack to inspiration. (4/5)” – Drowned In Sound

Daily Motion recently premiered the first video from the latest album by Reigns (LINK). The clip for “Everything Beyond These Walls Has Been Razed” (MP3) the first single from the band’s latest album (and Monotreme Records debut), The House On The Causeway is a meticulously animated piece developed by acclaimed producers Medlo (Prince, Roots Manuva) (LINK) and rendered in pen and ink by Phlegm Comics (LINK). The video has already racked up some 15,000 plays. The video can also be viewed in hi-resolution via YouTube HERE.

See below for embed codes and please re-post this clip along with two additional MP3s from The House On The Causeway via the links below. As with all Reigns recordings after listening please do not drive, exercise or operate heavy machinery.

More about Reigns: Operatives A & B began recording for the Reigns organization in 2002. Their first album, We Lowered A Microphone Into The Ground, was a series of recordings made within a seemingly “bottomless” hole found upon the Somerset Downs. Their follow-up, Styne Vallis, was recorded in and around a submerged village that had been evacuated and strategically flooded in 1970 to make way for a new reservoir. The House On The Causeway is their third long player. Bio continued below…

Artist: Reigns
Title: The House On The Causeway
Label: Monotreme Records
Release Date: March 17th, 2009

01. (Frontplate)
02. Bad Slate
03. Everything Beyond These Walls Has Been Razed (MP3)
04. Mirrors At Night
05. Crex, Crex, Crex
06. Vaulted
07. Mab Crease (MP3)
08. Take It Down
09. Your Tiny Hand Is Frozen
10. The Black Cramp (MP3)
11. (Endplate)

Reigns – “Everything Beyond These Walls Has Been Razed” Video:
Link: http://www.dailymotion.com/video/x8ovs6_reigns-everything-beyond-these-wall_music (Daily Motion)
Embed:
www.youtube.com/fanaticpromotion
www.facebook.com/pages/Fanatic–Promotion/7297716716

Reigns Bio (Continued…)
Between Black Ven and Golden Cap, a slim, man-made promontory of granite cobbles extends unnecessarily a half-mile out into the English Channel. Nothing of note lies at its end nor at any point along its length. This apparent futility has ensured that the causeway has, over the years, been excluded from all but the most painstaking of cartography. Even to the naked eye it seems to elude detection for the almost perpetual gathering of fog that seems to hover over its entire reach, and its brief moments out from under this oppressive vapor are instantly curtailed by the ravening attentions of the tides. Only the briefest window of opportunity arises to explore this altogether pointless finger of slimed and stinking rock.

It was during one of these rare moments that Reigns Operatives A & B came to record a perplexing audio phenomenon captured here on The House On The Causeway. It is said that the fog that so vigorously clings to the causeway has an inexplicable irregularity: that when it reaches a certain density, purportedly when light can no longer penetrate it, it emits a high pitched ringing similar to the onset of tinnitus. Apparently, it is this ringing that generates in the listener a temporary but profound befuddlement of the senses that has caused many an excursionist to wade, disorientated, into the sea.

Unfortunately, despite an abundance of fog, the Operatives heard nothing but the slow lapping of the glutinous, clotting water. Furthermore, due to the fog’s impenetrability and their vehicle’s inability to negotiate the cobbles, the Operatives tarried too long and were roughly ushered by the tide to the causeway’s furthest point. Stranded upon a raised and wooded tumulus they found themselves face to face with a most unexpected sight: a house; a house that had most assuredly not been visible from land. The house was unlocked and uninhabited, but in no way abandoned for its chambers were in a state of high expectancy, as if visitors had been, for a prolonged and industrious period, eagerly awaited. The Operatives, for want of anything better to do, entered the house and, for reasons that still seem to elude them, moved from room to room, taking photographs and recording the strange resonations that seemed to emanate from the walls.

They left the house almost two days later in a state of high distress and with the recordings you now have before you. It was only as they made their way back to the mainland and the house was out of sight that they were at last aware of an insistent high pitched ringing...

Reigns In The Press:

“Reigns describe their sound as ‘pastoral electronica,’ but it’s a whole lot more human based than that description lets on. ‘Corners & The Straights’ / ‘Recurring Attic Dream’ has one side that combines keys and strings in a semi gentle acoustic way that makes me think of the pastoral prog segments of Kevin Ayers’ Confessions of Dr. Dream. But instead of Nico’s voice rifling in through the hedges, what you hear is a loop of something sad and pre-literate. Very cool.” – The Wire

“Another masterpiece of eerie ambience and ghostly electronics… this record’s underlying majesty shines brilliantly. (8/10)”. – Rock Sound

“Now this is a real treasure chest, a glowing pastoral delight, and an album you must not miss out on…” – Organ Magazine

“Surely one of the most ‘complete’ albums I’ve come across this year…. Highly recommended. – Boomkat

“Really quite enchanting stuff.” – Rock-A-Rolla

“...a spellbinding mix of ethereal post-rock, combined with folk guitars, chiming glockenspiels, and fragile electronics, with spoken word and computer-manipulated vocals… This is a perfect winter album; engrossing and warm.” – White Noise Revisited

“Ultimately this is a highly intriguing concept for an album and strikingly the musical content is just as interesting, atmospheric and otherworldly throughout.” – Progressive Ears

“Exceptionally beautiful…The overall feeling is one of understated grandeur…Call this music folk, electronica, whatever you like – the fact of the matter is that there won’t be a better release of its kind all year, and that’s the opinion culled from many, many listens. If any of those envelopes prove me wrong, I shall publicly eat my words. Unless those ghosts take me first... (4.5 stars)” – Drowned In Sound

“[A] magnificent album … make sure to check this sublime release without delay. Beautiful music.” – Boomkat

“We Lowered A Microphone Into The Ground is a truly intriguing piece of work, so fragile and delicate it threatens to collapse at any time, but holds on with style. Reigns’ music feeds on dreams and illusions, and trying to rationalize it is pointless. This established, the bottomless hole becomes once again a very attractive reality. (4.6/5)” – The Milk Factory

“A brilliant debut single.” – Penny Black Music

Monday, April 6, 2009

Is the music business really in crisis? Fanatic Promotion’s Sean Boyd debunks myths in Fox News Network interview.

Tales of financial woe are commonplace for nearly every major industry today, and the music business is no exception (aside from its oft-rumored impending death ever since home taping began.) However, just how accurate are assertions that the CD is dead and record labels are quickly becoming extinct?

Fanatic Promotion partner Sean Boyd, interviewed on the Fox News Network debunked many of the current myths about the music industry (watch HERE). “All of the press coverage is unfairly presenting the point of view of the major label companies,” Boyd suggests in a written statement. “Further, they are obfuscating the real issue by saying the industry is dying and that music sales will cease to be part of the equation and that songs will simply become adjunct content for other entertainment media as well as advertising. This is not the case at all.”

In the Fox Business interview segment, Boyd elaborates how the industry is changing. “Over the last 10 years, the amount of recordings sold has increased even though revenue is going down,” Boyd explains. “The reason for that is we’re paying less for music -- 99-cents per song on iTunes and AC/DC is selling for $8.99 at Wal Mart, 3 million copies. Basically we’re paying less for music but selling more.”

What is the music industry doing to survive?

“Lawsuits. They’re suing [illegal file-sharing sites] and that’s the main income for most of those large companies because they can’t adjust to the new retail price quickly enough to remain profitable. So, [the major labels’] biggest revenue stream is coming from suing people who are giving music away.” While the Recording Industry Association of America recently announced plans to abandon its practices of suing individuals for illegal file-sharing, the major labels’ lobbying group has instead enlisted the aid of Internet Service Providers in tracking and prosecuting violators.

“The industry is strong and will be here long after the majors are dead, and we will all still buy music,” Boyd says. “The story we are not getting is that there are more units sold than any other time in history.” Meanwhile, tales of the music business collapse overlook the rapidly strengthening new paradigm for the industry.”It’s all about newer companies coming out with lower expenses,” Boyd says.

While Fanatic has already positioned itself as one of the pioneers in a new breed of promotion companies, its latest venture, Fanatic Records (LINK) launches soon and will take advantage of the knowledge that Boyd exemplifies in the Fox piece. The record label branch adds all-inclusive recording at its own state-of-the-art studio, as well as album production, marketing and distribution to its comprehensive and innovative means of developing its artists.

More about Sean Boyd:
Sean Boyd
has had success in managing business in a diverse array of industries. His first venture was Reasonable Resources, a firm specializing in supplying office supplies manufactured from post-consumer recycled materials. To offset the additional expense of products with recycled content, Reasonable Resources had its own in-house graphic design team. By taking advantage of the advent of desktop publishing technology, artwork for collateral was created at a lower price than clients were familiar with so the overall cost to the consumer was the same as buying products manufactured from non-recycled materials. His next venture was Grove Restaurant in Greenwich Village. Serving as many as 300 customers per day and well received by the New York press, the restaurant had revenues of over a million and a half dollars per year. For the past 10 years, Boyd has been the owner and in-house producer of Artfarm Recording (LINK), a state-of-the-art recording facility in upstate New York that includes housing for bands. Joining Fanatic Promotion in 2006, Boyd was instrumental in bringing efficiency to the data systems, financial management and human resource management of a company already successful in the promotion realm.

More about Fanatic Promotion, Inc.
Fanatic Promotion, Inc. began in the summer of 1997 with a passion for building connections. Now, working in the areas of radio promotion and press relations, it is an organization of a dozen “Fanatics” with the connections to channel those passions. As the name implies, Fanatic is made up of an innovative collective of music enthusiasts who have learned to work within the increasingly consolidated major label system while still utilizing their contacts within the already existing and thriving independent scene. Fanatic believes that artists should have the right to grow their careers in an intelligent and strategic manner that suits their particular style, market and technical expertise. Fanatic enables artists and record labels to navigate the industry, develop a buzz, and properly distribute their products by offering an array of proven marketing techniques.

Known for nearly a decade of marketing and promoting expertise, Fanatic has proven itself time and time again as a loyal and successful promotions partner for breaking new artists. The list of artists that Fanatic has represented is not only impressive, but makes up much of its collective record collection. Throughout the years, Fanatic has created a strong reputation among tastemakers in all of the key media markets. This has created a focused and effective outlet for artists to develop the fan base and tools necessary to succeed. With an extensive contact list, experience in the field, and a unique ability to cross-market and cross-promote their projects, Fanatic can expose both new and established artists. Fanatic’s combination of underground and commercial media contacts, together with its long-term industry relationships creates a way for clients to develop the concentrated campaigns which they feel their artists deserve.

Further Reading:
Music Industry To Abandon Mass Suits:
http://online.wsj.com/article/SB122966038836021137.html

AT&T First To Test RIAA Antipiracy Plan:
http://news.cnet.com/8301-1023_3-10203799-93.html

The Orchard Reports Fourth Quarter and Full Year 2008 Financial Results:
www.marketwatch.com/news/story/orchard-reports-fourth-quarter-full/story.aspx?guid=%7B1CFF2DED-52FB-455A-BC64-CB5DF4188801%7D&dist=msr_3

Downloading Increases While CD Sales Decline:
www.pollstar.com/blogs/news/archive/2009/03/18/655077.aspx

AT&T Learns From Mom In Fighting File Sharing:
http://bits.blogs.nytimes.com/2009/03/26/att-learns-from-mom-in-fighting-file-sharing

Subscribe To Fanatic:
www.fanaticpromotion.com