Thursday, January 15, 2009

The Bran Flakes return to issue new 100% sample-based album on Illegal Art (Girl Talk, Steinski).

Download three tracks from I Have Hands and check out the video for “What It’s All About” immediately!

“The Bran Flakes are my favorite sonic scavengers. Save-the-planet fanatics owe them a debt of gratitude for their imaginative recycling of petroleum-based audio storage media.” - Irwin Chusid, WFMU

The Bran Flakes are back! Six years since their last full release, Otis Fodder and Mildred Pitt are returning with the thrillingly fun I Have Hands on Illegal Art (Girl Talk, Steinski). The duo of audio-collage cut-ups will tour the U.S. this summer and in preparation have begun taking song requests via its MySpace page (LINK). See more about The Bran Flakes truly wild live shows below.

The Bran Flakes have posted the first video from I Have Hands for the song “What It’s All About” on their website HERE and on YouTube HERE. Legendary and groundbreaking radio station WFMU recently posted thoughts about the video. Read about it HERE.

Leading up to the release of I Have Hands on February 24th, 2009, the Illegal Art label will launch a new website that more fully employs the “pay what you want” system they embraced with Girl Talk’s Feed The Animals. Back catalog along with The Bran Flakes new album will similarly be have a flexible price tag for a high quality download.

Formed in 1992 amidst tape and zine trading scenes, The Bran Flakes already have seven releases of zany mashups and poppy audio collages that are more likely to cop a riff from Evel Knievel than anything on the current radio dial. Call them the cover boys of Cool and Strange Music or simply misfits with giant paper-mâché heads, these boys have amassed a cult following for their child-like concoctions that evoke flashbacks of a sugar-induced high whilst watching Sesame Street.

For their cabaret-induced live performances The Bran Flakes bring in Susan DeLint, Th’G’Rd’N’R, Clam Bam The Talking Robot, a dancing chicken and gorilla, and audience members who wear big foam hands that they can take home after the show. Shows include animated videos, marching bands, piñatas, confetti cannons, and whatever else their imagination dreams up. They have shared the bill with Jack Dangers (of Meat Beat Manifesto), The Evolution Control Committee, Lydia Lunch, Steve Fisk, R. Stevie Moore, Puyo Puyo, and others.

Besides their devotion to The Bran Flakes, Otis and Mildred have a litany of other projects that include collaborations with Negativland, the Ubu.com-hosted 365 Days Project, their own Happi Tyme label, and the prolific Comfort Stand Recordings label that released tracks from artists such as Dan Deacon and the Russian electronic-surf band Messer Chups. Mildred is also a member of the experimental-dub band Library Science and provides musical background for vocalist Spacecake from Twizzle.

The duo has also churned out Bran Flakes-styled remixes for kitschy modern-lounge artist Tipsy, French electronic music pioneer Jean-Jacques Perrey, Ipecac recording artist End, and others. To top it all off, in mid-late 2009 they will release a full-length album of commissioned remixes they’re constructing of legendary Raymond Scott material. With Otis in Montreal and Mildred in Seattle (living in a clown house!), their studio work often occurs through long-distance collaboration. Both are employed in web-related work and are obsessive record collectors, having collectively bought out a thrift store of over 5000 records at one point.

The new album I Have Hands is 100% samples. No other band dares to invite Lawrence Welk, Mister Rogers, Van Halen, and Strawberry Shortcake to the same party. One track uses Dolly Parton’s “9 to 5” at its center, while juxtaposing the familiar guitar pluck from Survivor’s “Eye of the Tiger,” and then ends with the Osmonds singing about freedom. While the look and feel is distinct, The Bran Flakes are right at home on the label that has championed Girl Talk, Steinski, and other samplephiliacs. As always, Illegal Art claims Fair Use for this recording. No harm was done to the original artists.

I Have Hands Tracklisting:
Release Date: February 24th, 2009

01 Hi
02 Rodeo Butterfly
03 KLAM
04 Stumble Out Of Bed (MP3)
05 I’m Not Feeling Very Well
06 Marchy March
07 Don Knotts
08 The Girl That I Used To Be
09 What It’s All About (MP3 I VIDEO)
10 Dance Of The Sugarsnap Fairy
11 Singing Dogs
12 Make A Funny Sound
13 You Can Do Most Anything
14 Do You Want Salad With Your Taco?
15 Mini Mountain Queen
16 The Sidewalk Song
17 I Wonder Where My Grandmother Is?
18 Mr. And Mrs. Footsie
19 Funky Feeling
20 I Comb My Hair Sideways
21 Van Pop
22 If I Loved You
23 Fifty Four Fifty
24 Jump Up!
25 Beat Head
26 The Crickets Ditty
27 Sunshine Country
28 I Am A Promise
29 I Have A Friend (MP3)
30 Bye




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On The Web:
www.thebranflakes.com
www.myspace.com/thebranflakes
www.hellobran.blogspot.com
www.illegalart.net
www.myspace.com/illegalart

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Some Quotes About The Bran Flakes:

“I enjoyed your record very much, it is so fresh, so cool, made for people who have a ‘child soul’ and at the same time perfectly elaborated harmonically and technically with some funny winks to other composers. Hope you’ll continue to make such records, as you are doing.” – Jean Jacques Perrey

“I like it!” – Wild Man Fischer

“The guys behind The Bran Flakes have made playful and frenzied use of what turns up in thrift store dumpsters. Their dense layering of samples and sounds transcends the standard DJ style. ‘50s-era kiddie songs over deep dub... blissful use of aerobic instructions... a hi-fi test record blipped and blooped up... ‘space age pop’ put to inspirational use... urgent voice-overs stimulate... sex educational warnings to snicker at.” – Cool and Strange Music Magazine

“The Bran Flakes glides through the shattered and banal music scene with an emotional and unbridled landmark. It can be poisonous as it escapes rational explanation. The Bran Flakes belong to a new era, a new galaxy, a new genre. I find their songs very moving not only for the true nature of the childish, surreal and humorous arrangements but for the evidence that spontaneity can be combined magically with intelligence.” – Mateo Guiscafre, Siesta Records

Wednesday, January 14, 2009

Jessie Kilguss gets featured by VenusZine, evokes Joni Mitchell, Marianne Faithfull and Laurie Anderson on sophomore disc.

New Yorkers can see Jessie live this Saturday. Everyone can download three tracks from Nocturnal Drifter now.

Brooklyn-based singer Jessie Kilguss is riding high on the success of her sophomore album Nocturnal Drifter, released last week on the artist’s own Exotic Bird Recordings label. Kilguss was recently the subject in the venerable VenusZine (LINK) which described her music as “…intense and atmospheric…” If you haven’t had a chance to experience Kilguss’ sound for yourself, scroll down for links to three MP3s from Nocturnal Drifter and if you are in the New York City area, be sure to catch Kilguss live this Saturday, January 17th at Rose Live Music (345 Grand Street, Brooklyn) for a FREE show at 9PM.

Jessie Kilguss is a singer, not an actress -- it’s worth getting that straight up front. With lines as cinematic as “Mesmerized by city streets, you crept your way under my sheets.” (“Americana”), one might just be led to believe that this chanteuse who displays bedroom eyes for your ears has had some training. Truth be told, we now realize that a sincerely sung song and a soulful piece of theater are merely great examples of great art. Jessie’s known this all along, and what with Scarlett and Zooey now making records, this fact is all the more understood.

“I consider all of the arts to be interconnected and think there is fluidity in the boundaries between them,” Jessie explains. “Many of my favorite singers started out in some other artistic discipline; Joni Mitchell with painting, Leonard Cohen as a scholar/poet, David Bowie as an actor...”

Jessie’s first acting job was as one of the “afflicted girls” in Nicholas Hytner’s screen adaptation of the Arthur Miller classic The Crucible starring Daniel Day-Lewis and Winona Ryder. Later, Jessie had the life changing experience that sealed her fate as a singer when she appeared on London and Sydney stages with another actor and singer, Marianne Faithfull. It was during this production that Jessie realized that she wanted to be in charge of her creativity in a way that playing the same role for six months simply couldn’t provide.

So, the cats out of the bag. Before launching her career in music, Jessie worked as a classically trained actress who honed her acting skills at NYU’s Tisch School of the Arts and the prestigious Webber Douglas Academy of Dramatic Art in London. Now, Jessie brings her background in drama to bear on her latest record Nocturnal Drifter - the follow-up to her 2007 debut Exotic Bird - merging her new found gift for songwriting into a sound and musical persona that easily arrests.

Helping Jessie keep the flow is gold record award winning production team Super Buddha (Blondie, Rufus Wainright). The super duo of Charlie Nieland and Barb Morrison was first introduced to Jessie by actress Jennifer Jason Leigh and after meeting Jessie, quickly issued a challenge. Neiland explains, “We sent her home late one night with a moody track. She arrived the next session with the tremendous ‘Lord Lucan’ completely written. It was her first song and it was amazing.”

One song soon became an album and more importantly an ongoing musical partnership that continues to impress. Kilguss’ growth since Exotic Bird is immeasurable. She and her collaborators evoke mood, menace and memory throughout as track to track, Jessie’s pure, luminous voice becomes something familiar and memorable itself.

“There’s a little place behind my eyes where I’m tired, but otherwise I’m doing OK,” Kilguss sings on Nocturnal Drifter’s first single “A Little Place Behind My Eyes,” (MP3) a playful, humorous number with an infectious spiraling melody and a drop dead electro-funk beat. It’s just one of many attention-grabbing moments on an album where Jessie gets to fully claim and guide her creativity again.

Reveling in newfound freedom doesn’t mean that Jessie has completely abandoned the stage. She’s recently been showcasing her new tunes around NYC in various intimate venues with her band The Steves featuring Wayne Batchelor on bass, Rich Hinman on guitar, Rob Heath on drums and Dan Siegler on keyboards. This crack group of musicians expertly brings Jessie’s songs to life in the live setting, creating an appointed and luxurious bed for her vocals to lie in. The show is another important accomplishment in a series of impressive creative leaps for Jessie.

“Jessie Kilguss is in the midst of a ferocious creative development,” continues Super Buddha’s Nieland. “I see a great artist coming quite quickly into her own.” I feel she’s on the brink of something big and I can’t wait to see what it is.”

Nieland’s producer partner Morrison sums Jessie up succinctly, saying “[She] sounds like all the coolest music in your collection wrapped into one thing.”

This is high praise coming from a pair of accomplished record producers, but ordinary folks know Jessie’s a singer, not an actress, too. Jessie muses, “I recently saw an old friend who said ‘I always knew you were going to be a songwriter and I was wondering when you were going to figure it out.’“ She has.

Jessie Kilguss’ sophomore full-length album Nocturnal Drifter will be released on January 8th, 2009. The singer currently resides in Brooklyn, NY with her dog Mr. Walter Peanuts and after a few glasses of wine, will explain how her ex-boyfriend was arrested for floating a homemade revolutionary war era submarine too close to the QE2.

Jessie Kilguss & The Steves Live:
01/17/09 Brooklyn, NY Red Rose Live

Nocturnal Drifter Tracklisting:
Release Date: Jan. 6th, 2009

01. Gristmill
02. Americana (MP3)
03. A Little Place Behind My Eyes (MP3)
04. Time On My Hands
05. I Don’t Need People
06. This Time
07. 31 (MP3)
08. Marie Antoinette Song
09. Something About Lonely
10. Strangers On A Train

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On The Web:
www.jessiekilguss.com
www.myspace.com/jessiekilguss

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Monday, January 5, 2009

Former Spyglass front woman Barbara Trentalange to release sophomore solo album. Download lead single “Fever” now.

“…a mix of Annie Lennox’s most sinister growl and PJ Harvey’s vocal anguish. This is disturbing music for disturbing times.” – VenusZine

Barbara Trentalange is a veteran musician who began expressing herself musically before she could read. Her talent has carried her around the world and allowed her to play with amazing performers like Crooked Fingers, Calexico, Micah P. Hinson, Head Like A Kite, Sushirobo and Mark Pickerel (formerly of Screaming Trees). Trentalange’s songs are vibrant powerful portraits of complex and compelling characters.

After fronting the darkly sophisticated Seattle band Spyglass for five years, Trentalange released her first solo project on Coco Tauro Records in 2006 called, Photo Album of Complex Relationships. The critic’s response to the record was overwhelmingly positive. Trentalange’s haunting voice and hypnotic beats grabbed the attention of the music editors at MTV, VH1, and the Oxygen channel, where her music is in regular rotation on a wide variety of dramatic series.

Trentalange’s music is a balance between raw power, vulnerability, early heavy metal and disco beats. Her new release Awakening, Level One. continues the momentum started with Photo Album of Complex Relationships and sonically shoots into outer space landing on planet Moog. She mines the depths of the human psyche to compose character studies that would make Edger Allen Poe, Nick Cave, and members of Pink Floyd proud. Though dark in nature the listener can’t help their body from moving and heart from racing to her sonic sequel. Drawing from diverse influences, such as Black Sabbath, Massive Attack and Blondie, Trentalange crafted a sound that is both unique and compelling.

Trentalange composed, performed and recorded the songs on Awakening, Level One. With producer Martin Feveyear (Jupiter Studios), drummers Mark Pickerel and Faith Stankevich, and backup singers Dave “Head Like A Kite” Einmo, and Daniel G. Harmann, Trentalange has created a solid repertoire of songs that she skillfully recreates live. Seattle’s Sound Magazine put her in the top ten artists to watch in 2008.

With a lifetime of passion and dedication her skill and creativity are astounding. Her music defies description; and cannot easily be put into any one genre. Trentalange’s songs are so saturated with emotion and style new sonic discoveries will be made with each listen.

Awakening, Level One. Tracklisting:
Release Date: February 10th, 2009

01. Fever (MP3)
02. Shadow Man
03. Ultimate Machine
04. Heavy Metal Astroman
05. Fear
06. Valentine
07. Racing With Nowhere To Go
08. Nuclear Family
09. Caged Blue
10. Fire Lights The Sky
11. Awakening, Level One

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On The Web:
www.trentalangemusic.com
www.myspace.com/trentalange
www.cocotauro.com

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Quotes From The Press:
“Named one of the top 10 up-and-coming Seattle acts with the potential to blow your mind... Photo Album... is subtle and complex, while boasting solid songwriting and stand-out musicianship from Trentalange and guest musicians including Mark Pickerel and Head Like A Kite’s Dave Einmo.” – Sound Magazine

“The first solo album by Crooked Fingers alum Barbara Trentalange bridges the gap between Portishead’s Dummy in 1995 and a post-meltdown sound of the future. Trentalange’s voice is like warm caramel spiked with bourbon on these dark vignettes - a mix of Annie Lennox’s most sinister growl and PJ Harvey’s vocal anguish. With Photo Album of Complex Relationships, Trentalange boldly voices a beautiful anxiety that seems unusually prescient. This is disturbing music for disturbing times. 8 out of 10.” – VenusZine

“…the results are a stew of mixed emotions and surprise endings. Trentalange waxes lyrically on topics from the more sinister side of life, with slender symbolic threads connecting several of the subjects from song to song …a lady this smart wouldn’t stay in a bad relationship for long; she’d mine it for exactly this kind of creative material and move on.” – West Coast Performer

“Photo Album of Complex Relationships is a triple threat of strong instrumentation, lyrics and vocals. The album’s 12 tracks incorporate Trentalange’s unique and oftentimes haunting voice woven into diverse instrumentation of strings, piano and strong percussion lines. This solid first album will leave listeners hoping for another.” – Daily Tar Heel, University of North Carolina

“It is not solely the music that makes this a great album, but her vocals, as well. They are haunting, yet soothing at the same time. At various, points listeners may feel as though they are hearing the laments of a fallen angel.” – Daily Aztec, San Diego State University

“Lest anyone become too infatuated with the atmospheric greatness of Thom Yorke and Co. and operate under the delusion that they are unapproachably singular, Barbara Trentalange’s solo debut, Photo Album of Complex Relationships, is proof that moody, contemplative soundscapes and evocative lyrics are not the domain of any one single artist. Photo Album is a powerful and affecting work by any measure, but as Barbara Trentalange’s debut solo statement, it is an astonishing achievement.” – Amplifier

“Evocative soundscapes with whirling and lush melodies that are born from exotic instrumentation including piano, cello, and flute. Vocally it’s different with female vocals that whisper of a myriad of emotions touching your spine with special tingles. Nice and haunting.” – Smother.net, Editor’s Pick

“...Trentalange has made some of the more compelling rock music I’ve heard this year. This is an inspired work, the sort of album that will sound better five years down the line. Gorgeous, strong and unwavering. I’d put it in a vault to save, but I just have to hear it once more.” – Aiding and Abetting

“Utterly calm and a whirling drain of dark, melodic beauty, a stare, a challenge, a lush air of mystery, of vaguely Gothic appeal, of full and flowing emotion, of wonderful, hooking sound that despite its smooth exterior, is attention snapping at its best.” – The Bubble Death Blog